What are you listening 2 now?

Started by Gurn Blanston, September 23, 2019, 05:45:22 AM

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Symphonic Addict



Symphony No. 4

Not the best Fourth on recording. However it's rather convincing in all regards.




Symphony No. 4

A 'problematic' symphony for many, including me, but with repeated listens this work displays its secrets more and more. It may not be my favorite Sibelius symphony but it certainly has uniqueness.
The current annihilation of a people on this planet (you know which one it is) is the most documented and at the same time the most preposterously denied. The terror IS REAL!

Symphonic Addict



String Quartet No. 1

Impressive recording and interpretation.
The current annihilation of a people on this planet (you know which one it is) is the most documented and at the same time the most preposterously denied. The terror IS REAL!

Mahlerian

I, too, was just listening to:

Sibelius: Symphony No. 1 in E minor, No. 4 in A minor
Bournemouth Symphony, cond. Berglund


The Fourth, incidentally, is my favorite Sibelius symphony, though I like the others as well.
"l do not consider my music as atonal, but rather as non-tonal. I feel the unity of all keys. Atonal music by modern composers admits of no key at all, no feeling of any definite center." - Arnold Schoenberg

vers la flamme

Quote from: Mahlerian on March 25, 2020, 05:51:46 PM
I, too, was just listening to:

Sibelius: Symphony No. 1 in E minor, No. 4 in A minor
Bournemouth Symphony, cond. Berglund


The Fourth, incidentally, is my favorite Sibelius symphony, though I like the others as well.

Nice, I listened to that 4th a few days ago. Really good! I have been neglecting that cycle of late, need to get back into it.

TD;



Frédéric Chopin: 4 Ballades, op.23, op.38, op.47, op.52; 3 Nocturnes, op.15 no.1, op.48 no.1, op.62 no.1. Leif Ove Andsnes

Andsnes' Chopin is growing on me. A solid pianist, I think.

Daverz

#13304
Ginastera: Variationes Concertantes



From the 3rd Mercury Living Presence collector's box.

Recorded using a special technique that gives a rock-solid image centered between your speakers.

Nice to hear the Minneapolis Orchestra of that time in such good fidelity.  They sound like they were a fine orchestra even then, with plenty of personality.

Karl Henning

Quote from: Daverz on March 25, 2020, 06:57:25 PM
Ginastera: Variationes Concertantes



From the 3rd Mercury Living Presence collector's box.

Recorded using a special technique that gives a rock-solid image centered between your speakers.

Nice to hear the Minneapolis Orchestra of that time in such good fidelity.  They sound like a fine orchestra even then, with plenty of personality.

Love that piece!
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

GioCar

Schubert: Schwanengesang. From the big Hyperion box

aligreto

The Glory of Early Music





Music from this compilation by: Dufay, Isaac, Obrecht, Finck, Bruck and Senfl

listener

RACHMANINOFF: Vespers
BBC Singers    David Hill, cond.
BEETHOVEN: Piano Sonata 21 in C, op. 53 "Waldstein"  SCHUMANN: Carnaval op. 9
+ BACH/BUSONI, CHOPIN (2 Polonaises), LISZT Valse impromptu S.213
Cziffra,  piano
"Keep your hand on the throttle and your eye on the rail as you walk through life's pathway."

Roasted Swan

Quote from: Symphonic Addict on March 25, 2020, 05:38:37 PM


String Quartet No. 1

Impressive recording and interpretation.

Glad to see the Haas practicing social distancing even a few years ago.  You can never be too careful

aligreto

Jacob Van Eyck: played by Frans Bruggen





Batali
Doen Daphne d'over schoone Maeght
Pavane Lachryme
Engels Nachtigaeltje



Tsaraslondon



David Daniels' second solo recital covers music by Mozart, Gluck and Handel his first having been all Handel and it is the Handel items that make the greatest impression on this disc. The Mozart arias are well sung, but they do not represent Mozart at his best and he is curiously tepid in Gluck's Che faro senza Euridice, though suitably rapt in Che puro ciel. However in the Handel, Daniels is at his considerable best, whether ravishing the ear, as in Ch'io parto or tossing off thrilling cascades of notes in Furibondo spira il venno.
\"A beautiful voice is not enough.\" Maria Callas

Florestan



SQ 1. Not bad for an op. 1, not at all. Some interesting ideas and a witty final coda which would have made Haydn wink in approval.



Two arch-Romantic VS and four charming bagatelles. Splendid stuff.
"Beauty must appeal to the senses, must provide us with immediate enjoyment, must impress us or insinuate itself into us without any effort on our part." - Claude Debussy

Tsaraslondon



Korngold's Symphony is a tougher work than his gorgeously romantic Violin Concerto, but not short of wonderfully lyrical melodies. This is a terrific performance by Previn and the LSO.
\"A beautiful voice is not enough.\" Maria Callas

Que

Morning listening:

[asin]B07XLQ18XS[/asin]
Q

pjme



Madiel

#13317
Earlier today: Vivaldi, Griselda



Pretty well enjoyable throughout as I had it on at work, but specifically worth mentioning because of one utterly stunning aria performance. Truly, I found it breathtaking.

EDIT: The singer is Simone Kermes.

And I can share it because a couple of people have put it on Youtube. Act 1, Scene 5.

https://www.youtube.com/v/MilGEv6qvQM
Nobody has to apologise for using their brain.

aligreto

Handel: Keyboard Suites





No. 15 [Gavrilov]
No. 16 [Richter]

Mandryka

#13319
https://youtube.com/v/12k9C3r1sGU.    https://youtube.com/v/3ALNXWQFNVI

Howard Skempton Eirenicons I-IV and Even Tenor. Luminous, very few notes,  in the Laurence Crane style.
Wovon man nicht sprechen kann, darüber muss man schweigen