What are you listening 2 now?

Started by Gurn Blanston, September 23, 2019, 05:45:22 AM

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Irons, Karl Henning, Christo (+ 1 Hidden) and 14 Guests are viewing this topic.

Irons

You must have a very good opinion of yourself to write a symphony - John Ireland.

I opened the door people rushed through and I was left holding the knob - Bo Diddley.

Tsaraslondon



A fantastic performance of Mozart's wonderful Great Mass in C Minor.
\"A beautiful voice is not enough.\" Maria Callas

vandermolen

Alfven: Symphony No.4 'From the Outermost Skerries'.
I've just realised how similar it is in places of Zemlinsky's 'The Mermaid':
"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).

aligreto

Music of the Italian Renaissance played and sung by Shirley Rumsey





Rumsey, always a proficient instrumentalist, also has a wonderful, crystal clear and very appealing voice. Both traits are well brought to bear in a CD that should be considered for every Early Music collection.

aligreto

Quote from: SonicMan46 on April 07, 2020, 03:08:29 PM

Mendelssohn, Felix - starting now on this child prodigy (only matched by Mozart possibly) w/ his String Symphonies written before he was 15 y/o - amazingly wonderful and coherent works - I've owned and culled a number of performances over the decades but now own the two boxes below - Dave

 

+1 Dave. They are indeed wonderful and wondrous works. I also particularly like that set above.

aligreto

Albinoni: Sonatas for Trumpet and Organ [Freeman-Atwood/Simcock]





Sonata in C major
Sonata in A major, Op.1 No. 3
Sonata in A major, Op.6 No. 11

vandermolen

Tikhon Khrennikov: Symphony No.2
"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).

aligreto

Beethoven: Symphony No. 8 [Monteux]





This is a strong, robust presentation that is spirited, assertive and well driven.

Madiel

Doing a fairly unusual thing for me and just putting a whole album on.



Having really enjoyed Bebbington's performances of Bridge when I listened on a work-by-work basis, I'm doing him the rare courtesy of just pressing play and listening to his programming choices.

Any time you're dealing with Bridge, chronology makes a huge difference so it'll be interesting to hear some late pieces mixed with the earlier ones. Culminating in the great piano sonata.
Every single post on the forum is unnecessary. Including the ones that are interesting or useful.

Traverso

Dutch Organs

CD7

Bach-Homilius & Böhm


Iota

Quote from: SonicMan46 on April 07, 2020, 03:08:29 PM
Mendelssohn, Felix - starting now on this child prodigy (only matched by Mozart possibly) w/ his String Symphonies written before he was 15 y/o - amazingly wonderful and coherent works.

Amazing works indeed! <please imagine large yellow thumb of approval>


Here:



Debussy: Preludes Book I

A surpassingly lovely performance of the preludes! On first hearing as good as any I've heard. I remember seeing this disc here sometime last year and thinking it looked interesting ... little did I know!

aligreto


Papy Oli

Back to this one :

Shostakovich - Symphony No.1 (Barshaï)
Olivier

Traverso


vandermolen

Szymanowski: Stabat Mater
"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).

Spineur



Part of the set bought by André (Purchased Today).  Probably my favorite alto-countertenor.

Kaga2

John Jenkins
Consort Musick

From the Florilegium big box.

Harry

Carlo Gesualdo de Venosa.
Responsoria -1611-Et alia ad Officium Hebdomadae Sanctae Spectantia.
With Spiritual Madrigals by de Macque/Luzzaschi/Marenzio/Vinci.
CD 1. Feria Quinta.

La Compagnia del Madrigale.


Superb in every respect.
I've always had great respect for Paddington because he is amusingly English and a eccentric bear He is a great British institution and emits great wisdom with every growl. Of course I have Paddington at home, he is a member of the family, sure he is from the moment he was born. We have adopted him.

Que

More of "the one that got away", streaming from Spotify:

[asin]B005CN3MK0[/asin]
The more I hear of it, the more I regret missing the opportunity to buy the CD set. 
It ran OOP pretty quickly...

Q

Tsaraslondon



The 8th comes down quite a long way in my list of Mahler symphonies, but this Tennstedt recording makes an excellent case for it. I prefer it to Solti's extrovert version (though Solti probably has the better soloists).

I also like Tennstedt's Des Knaben Wunderhorn, though Schwarzkopf/Fischer-Dieskau, Szell would still be my top choice. This one is less subtle, less sophisticated, and no doubt many will prefer it for exactly that reason. Personally I like both approaches.
\"A beautiful voice is not enough.\" Maria Callas