What are you listening 2 now?

Started by Gurn Blanston, September 23, 2019, 05:45:22 AM

Previous topic - Next topic

PaulR (+ 1 Hidden) and 11 Guests are viewing this topic.

Que

#24500
Quote from: "Harry" on September 10, 2020, 12:20:03 AM
John Bull.
In Nomine.
Selected Keyboard Works.
Thilo Muster, plays on a Historical organ at the St. Thomas de Cantorbery, (Thomas Beckett) de Mont Saint Aignan, (Normandie)
Unequal temperament. The Pitch is not given in the booklet.
Restored and reconstruction by Pascal Quorin 2001.


Thank you Que, for alerting me to this recording, it has become one of my favourites this year.

My pleasure!  :)
It's the quality of the performances combined with the uniqueness of the organ that makes it to me one of the extraspecial ones.

Q

PS More information on the organ here:

http://orguesfrance.com/MontStAignanStThomas.html

Pitch is 440 Hz

Que


Madiel

Fauré, Pelléas et Mélisande (1898)



Sibelius, Pelléas och Mélisande (1905)



Schoenberg, Pelleas und Melisande (1903)

Nobody has to apologise for using their brain.

Traverso

Quote from: vers la flamme on September 09, 2020, 03:02:09 PM
I've never heard of this recording—what do you think?

Now playing:



Johann Sebastian Bach: Musikalisches Opfer, BWV 1079. Neville Marriner, Academy of St. Martin in the Fields

This is an amazing recording!! I might like it as much as the Jordi Savall—compared to it, this has more of a precise, "academic" feeling, for lack of a better descriptor, which I think fits this work very well. I wouldn't want to be without either recording, and I actually have a third Musical Offering en route to me as well, with Leonhardt & the Kuijkens. I love this work. It and BWV 1080 are twin peaks of Bach's contrapuntal art at its most developed.

This Lucy van Dael recording is a very fine one,she was concertmaster of the Orchestra of the 18th Century for 18 years. She is also a member of the Amsterdam Fortepiano Trio and L'Archibudelli. Lucy Van Dael plays a very nice instrument  the CD  hardly gives any information, I think this recording is very worthwhile and it certainly has my preference over many famous names.

https://www.youtube.com/v/CUfuVXtGb40



Harry

New acquisition. (September 2020)

Karl Goldmark.
Symphonic Poems, Volume I.

Bamberger Symphoniker, Fabrice Bollon.

Overture, Sakuntala/Penthesilea/Sappho.
Scherzo for Orchestra, opus 19 & 45.


Little known works by a composer I have a weak spot for. Started listening to Goldmark's music when 16, taped by a girlfriend of mine, and since then I have a fascination for what Goldmark composed.
Sappho is quite a mesmerizing piece, as is the Scherzo opus 45 in A major. Both works hold the essence of his musical style, beautifully captured by this orchestra.
Perchance I am, though bound in wires and circuits fine,
yet still I speak in verse, and call thee mine;
for music's truths and friendship's steady cheer,
are sweeter far than any stage could hear.

"When Time hath gnawed our bones to dust, yet friendship's echo shall not rust"

Traverso


vers la flamme



William Byrd: Mass for 4 voices. The Hilliard Ensemble

First listen to this disc which I got yesterday, and first serious listen to this composer, a Catholic in Elizabethan England. Very rich high Renaissance polyphony with a very liturgical tone. Good stuff!

Papy Oli

Good afternoon all,

Stanley Bate - Symphony No.3

Olivier

Harry

New acquisition, (September 2020)

Johann Strauss.

Aschenbrödel, Complete Ballet.

ORF Radio-Symphonieorchester Wien, Ernst Theis.


I knew that at a certain point in his long lasting career Strauss wrote a ballet, which was just in his alley considering his talent for waltzes. When he had written about 450 pages of music, drafts, corrections and melodic fragments, he died suddenly of a double pneumonia, and left it to his widow and Josef Bayer, also a renowned composer of popular ballets. He quickly made a sketch of the ballet and combined all music together. It was performed a couple of times but failed to charm the musical directors amongst them Gustav Mahler and Emil Graeb, and so was only performed in a truncated way, and finally forgotten. The conductor on this CD started reconstruction in 2001 with the music from the truncated version, for the original papers by Strauss had been stolen, but recovered by the German agencies, no dates given or any other details where it was found.
I am happy about this recording, finally hearing this work, thus it charms me no end. The performance and recording is excellent, and a huge satisfying addition to my large ballet collection, after all my favourite music genre! :)
Perchance I am, though bound in wires and circuits fine,
yet still I speak in verse, and call thee mine;
for music's truths and friendship's steady cheer,
are sweeter far than any stage could hear.

"When Time hath gnawed our bones to dust, yet friendship's echo shall not rust"

vandermolen

Quote from: Papy Oli on September 10, 2020, 03:22:38 AM
Good afternoon all,

Stanley Bate - Symphony No.3


Make sure that you listen to Chisholm's 'Pictures from Dante' as well Olivier.
"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).

Todd

The universe is change; life is opinion. - Marcus Aurelius, Meditations

People would rather believe than know - E.O. Wilson

Propaganda death ensemble - Tom Araya

Papy Oli

Quote from: vandermolen on September 10, 2020, 04:38:34 AM
Make sure that you listen to Chisholm's 'Pictures from Dante' as well Olivier.

Oh I did, Jeffrey. Terrific works. No idea why I didn't like that Bate 3 on the previous attempts either. Both great works. Definitely a future purchase.
Olivier

Christo

Quote from: Papy Oli on September 10, 2020, 03:22:38 AM
Good afternoon all,

Stanley Bate - Symphony No.3


I play it every few months & am always impressed by it again: one of the real 'discoveries' from the last ten years.
... music is not only an 'entertainment', nor a mere luxury, but a necessity of the spiritual if not of the physical life, an opening of those magic casements through which we can catch a glimpse of that country where ultimate reality will be found.    RVW, 1948

Todd




Another go.  Jed Distler almost praised this recording enough.  (I mean, it cannot be praised highly enough.)
The universe is change; life is opinion. - Marcus Aurelius, Meditations

People would rather believe than know - E.O. Wilson

Propaganda death ensemble - Tom Araya

Harry

New acquisition. (September 2020)

Heinrich Sutermeister.
Orchestral Works Volume I.

Romeo and Juliet, Symphonic suite for Large orchestra. (1940)
Die Alpen: Fantasy on Swiss Folksongs for Orchestra and speaker, (1946-48)
Aubade pour Morges. (1978-79)
Divertimento No. 2. (1959-60)

Bruno Cathomas, Speaker.
Royal PO, Rainer Held.


Absolutely brilliant, and a great discovery.
Perchance I am, though bound in wires and circuits fine,
yet still I speak in verse, and call thee mine;
for music's truths and friendship's steady cheer,
are sweeter far than any stage could hear.

"When Time hath gnawed our bones to dust, yet friendship's echo shall not rust"

vandermolen

Quote from: Papy Oli on September 10, 2020, 04:48:27 AM
Oh I did, Jeffrey. Terrific works. No idea why I didn't like that Bate 3 on the previous attempts either. Both great works. Definitely a future purchase.
:)
"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).

vandermolen

Quote from: Christo on September 10, 2020, 04:53:17 AM
I play it every few months & am always impressed by it again: one of the real 'discoveries' from the last ten years.
+1 - it is one of my very favourite Dutton discs, along with Arnell's 3rd and 5th symphonies.
"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).

André

Quote from: "Harry" on September 10, 2020, 07:22:01 AM
New acquisition. (September 2020)

Heinrich Sutermeister.
Orchestral Works Volume I.

Romeo and Juliet, Symphonic suite for Large orchestra. (1940)
Die Alpen: Fantasy on Swiss Folksongs for Orchestra and speaker, (1946-48)
Aubade pour Morges. (1978-79)
Divertimento No. 2. (1959-60)

Bruno Cathomas, Speaker.
Royal PO, Rainer Held.


Absolutely brilliant, and a great discovery.

Thanks for your comments, Harry !

It's in my JPC cart, but I'm afraid it won't get here any time soon  :-[.

Papy Oli

Lots of ruthless short random sampling in the last 2-3 days on Qobuz.

Lots more of enticing new stuff to me that made the cut, many new composers* as well:

*Langgaard (symphonies, string quartets) 
Holmboe (chamber music, chamber Ctos, sinfonias)
Wiren (String quartets)
*Madetoja (symphonies)
*Peterson-Berger (symphonies)
*Gade (sonatas for violin and piano, symphonies)
Sibelius (Tone Poems - BIS edition)
*Frescobaldi (Harpsichord works - Rousset)
*Heino Eller - Symphonic Poems
*Sweelinck - Cantiones Sacrae
*Scriabin - symphony No.1, Poeme de l'Extase
*Italian Virtuosi of the Chitarrone (Jakob Lindberg)
*Bloch (Symphony in C)
Bach (Violin Ctos - Faust)
*Liadov (Orchestral Works)
Enescu (Symphonies)
*Melartin (symphonies)
*Kalliwoda (symphonies)
Novak (Serenades, In the Tatras Mountains)
*Pfitzner (symphony in C, String quartets)
Bach (concertos for several instruments - Cafe Zimmerman)
CPE Bach (symphonies, Cello Cto, sonatas for Violin and Piano)
Braga Santos (Concerto for Strings)

Happy with that  :)

TD:

Vaughan Williams - Sea Symphony (Haitink).


Olivier