What are you listening 2 now?

Started by Gurn Blanston, September 23, 2019, 05:45:22 AM

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André



Colourful and clever music. Tcherepnin is very good at evoking exotic atmospheres through thoroughly 'western' means.

Carlo Gesualdo

When it come to vinyl I am so nerdy, a vinyl that thin ultra thin, don't turn me on , it mean it's will sound cheap, the volume , the thick one of 50''60'', are awesome , the Westminster, Archiv Produktion, NON-SUCH, a vinyl you can bend is cheap ask Einstein ghost he will tell you.

When did I realize this factual mater, when I both Les Chansoniers Cordiformes a vinyl of the 80'' the program was sweet but the media was so thin o my goodness and it's sounded bad. Even if it were a quality label Loiseau Lyre,,, quality ensemble and direction. I was p*ss off sold it like what the...(censor). So I am goeing to listen to one of these thicck vinyl tonight Perhaps like Gesualdo/monteverdi  (on westminster 1952 first edition) tasty, or Adam de la Halle( Archiv Produktion) sweet. ya know.

amw

Marc-André Hamelin playing Beethoven Op. 109, 110 & 111 live in Warsaw, 2006.

It is of course interesting to hear the world's best pianist play these works. I'm 3 minutes into Op. 109 and already don't think this will become one of my favourite recordings of any of these pieces, though if he does take them into the studio with the extra 15+ years of experience, I'd probably buy it just out of curiosity. He uses a lot of sustain pedal, which I don't really like; plays the slow movements very slow and the fast movements very fast, which I do like; and tends to play everything in a sort of Romanticised virtuoso manner (à la Andrea Lucchesini or Steven Osborne, although with better control of touch than either of them, obviously), which does bring out the subjectivity of these works but doesn't ground Beethoven in the Classical style where he belongs.

Op. 109 interests me particularly because I'm learning it, but can't play it well at this stage, and am interested in what other pianists do to bring out the character of the work.

SimonNZ


JBS

From the Complete Erato Recordings set.

Excellent recording undercut by cover art suitable for the Ugly Covers thread.

Hollywood Beach Broadwalk

Mirror Image

NP: Roussel Bacchus et Ariane, Op. 43 (Tortelier/BBC Phil.)


Karl Henning

Weinberg
Symphony № 20, Op. 150
Gothenburg Symphony
Svedlund

Symphony № 19, Op. 142, « The Bright May »
St Petersburg State Symphony

Lande

As I noted on the Weinberg thread, I've listened to the 20th some four times in the past 10 days, and I think very highly of it.

I hadn't listened to the 19th since first getting the album, at which time it made little impression on me.  Tonight, I feel it is much better than my initial; appraisal.  My immediate feeling is that I think rather better of the 20th, but the 19th may yet grow on me.
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Mirror Image

NP: Schulhoff String Quartet No. 1 (Petersen Quartett)



There's no telling how many times I've listened to this particular SQ now. Each time I listen, it gets better and better. Probably will move onto the 2nd SQ yet again next.

SimonNZ


Irons

Milhaud: Suite Provencale.



A breath of fresh air! A hotch-potch of fanfares, marches and minuets with a dash of jazz which Milhaud welds together with great skill. My description sounds a mess - it isn't.

I am becoming more and more impressed with recordings Munch made with the Boston SO.
You must have a very good opinion of yourself to write a symphony - John Ireland.

I opened the door people rushed through and I was left holding the knob - Bo Diddley.

Que

More from this 12CD boxset:

   

This is a recording I'm already very familiar with, but it's a pleasure to hear it again. :)

Q

MusicTurner

Quote from: T. D. on February 07, 2021, 02:14:30 PM

Discs 14 (B. Tchaikovsky, Mosolov) and 3 (Medtner, Balakirev, Lyapunov)

A very good box. Am a big fan of that Medtner recording, and Mossolov gets a slightly less industrial-sounding performance than on melodiya.

vandermolen

Quote from: André on February 07, 2021, 03:27:29 PM


Colourful and clever music. Tcherepnin is very good at evoking exotic atmospheres through thoroughly 'western' means.
+1, especially for Symphony No.3.
"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).

vandermolen

Britten; Violin Concerto (Haendel/Berglund)
I can't stop playing this oddly moving work at the moment. A great new discovery for me. Moments reminded me of Bernstein and Shostakovich. It has a very poignant and deeply-felt conclusion:
"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).

Harry

Johann Sebastian Bach.
Complete Organ Works.
Volume VIII.
Gerhard Weinberger, Organ.

Toccata BWV540/1-564-538.
Fantasia BWV 537/570/542.1/562/1121.

Instrument:
Arp Schnitger 1691.
Pitch:A= 465 Hz.
Temperament: Modified mean tone.


One of the few recordings existing in which the Schnitger organ is well recorded. Often the acoustics are incorrectly applied, resulting in muddy sound. But the recording distance is good, and the tempi are not too fast, so the details are heard. I like it very much.
Perchance I am, though bound in wires and circuits fine,
yet still I speak in verse, and call thee mine;
for music's truths and friendship's steady cheer,
are sweeter far than any stage could hear.

"When Time hath gnawed our bones to dust, yet friendship's echo shall not rust"

Daverz

Quote from: vandermolen on February 08, 2021, 12:35:52 AM
Britten; Violin Concerto (Haendel/Berglund)
I can't stop playing this oddly moving work at the moment. A great new discovery for me. Moments reminded me of Bernstein and Shostakovich. It has a very poignant and deeply-felt conclusion:


I love this concerto, and Haendel is great in this recording.  It's gotten much more popular in the last couple of decades; the Lobotsky recording used to the one you could find, now there are a couple dozen.

Irons

Quote from: vandermolen on February 08, 2021, 12:35:52 AM
Britten; Violin Concerto (Haendel/Berglund)
I can't stop playing this oddly moving work at the moment. A great new discovery for me. Moments reminded me of Bernstein and Shostakovich. It has a very poignant and deeply-felt conclusion:


Fabulous recording and performance, Jeffrey. I noted in a previous post that you commented on the CD being a bargain. A contrast to LP where this recording has held it's price over the years. My 2004 price guide has ASD 3483 at £45. There is a later Greensleeves issue but although mid-price this sells for similar prices. A most desirable record.
You must have a very good opinion of yourself to write a symphony - John Ireland.

I opened the door people rushed through and I was left holding the knob - Bo Diddley.

Papy Oli

Good afternoon all,

Streamed that composer and works last year for the first time with a positive result. Revisiting now after some recent mentions.

Olivier

Biffo

Mozart: Violin Concerto No 2 in D major, K 211 - Mozart Anniversary Orchestra wit James Ehnes Conductor & Soloist

vandermolen

Rachmaninov: Symphony No.1
Great performance. I intend to work my way through all three symphonies:
"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).