What are you listening 2 now?

Started by Gurn Blanston, September 23, 2019, 05:45:22 AM

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Papy Oli, ritter, Mandryka and 29 Guests are viewing this topic.

Mirror Image

Quote from: DavidW on August 30, 2021, 05:05:26 PM
Nice MI! (Schnittke and the Beethoven)

Thanks, Dave. Both are excellent I must say.

Symphonic Addict

Quote from: Mandryka on August 29, 2021, 11:53:05 PM
If you have access to it, and are in the mood, I'd be interested in what you think of The Composers Quartet interpretation of that quartet.

No, sadly I don't. I could only find a recording with the quartets 1 and 2 on streaming and YouTube.
The current annihilation of a people on this planet (you know which one it is) is the most documented and at the same time the most preposterously denied. The terror IS REAL more than ever!

Symphonic Addict

Quote from: Irons on August 30, 2021, 12:58:47 AM
I have heard the 7th VC is the best. Do you agree?

I need to familiarize with these concertos once again, but I don't doubt it must be stunning.
The current annihilation of a people on this planet (you know which one it is) is the most documented and at the same time the most preposterously denied. The terror IS REAL more than ever!

Symphonic Addict

Quote from: Mirror Image on August 30, 2021, 12:44:30 PM
NP:

Beethoven
String Quartet No. 15 in A minor, Op. 132
Quatuor Ebène




Good to see you listening to these string quartets.
The current annihilation of a people on this planet (you know which one it is) is the most documented and at the same time the most preposterously denied. The terror IS REAL more than ever!

Symphonic Addict

Quote from: DavidW on August 30, 2021, 04:29:55 PM
From recent discussion... wow so great!



I'm talking about the concerto for orchestra.

Certainly! A superb work.
The current annihilation of a people on this planet (you know which one it is) is the most documented and at the same time the most preposterously denied. The terror IS REAL more than ever!

Mirror Image

Quote from: Symphonic Addict on August 30, 2021, 05:22:02 PM
Good to see you listening to these string quartets.

I love the late SQs. They are stunning works.

Mirror Image

Quote from: Symphonic Addict on August 30, 2021, 05:18:57 PM
I need to familiarize with these concertos once again, but I don't doubt it must be stunning.

The 7th VC in question is a pretty gnarly work as it comes from Bacewicz's later period where she pretty much dropped the Neoclassical and folk-influenced style that informed her earlier period works. It's a cool work and, actually, I should give it another listen.

JBS

Quote from: "Harry" on August 26, 2021, 07:32:10 AM
Modest Mussorgsky.

Pictures at an Exhibition.
Orchestrated by Henry Wood.

BBC National Orchestra of Wales, Francois Xavier Roth.


Jeffrey kindly sent me an BBC review magazine, with an interview with Ruth Gipps in it, and attached to that magazine was an CD, with the above composition that made me sit upright, for it is quite different as compared to the original, and amazingly creatively done. I enjoyed it immensely, and will listen soon again to amongst the rest to The Ballet of the unhatched Chicks :)
Thank you Jeffrey for this gesture, I appreciate it very much.

Listening to this same performance and I very much agree.
Has anyone ever released a commercial recording of Wood's arrangement?

Hollywood Beach Broadwalk

Mirror Image

NP:

Walton
String Quartet in A minor
Gabrieli Quartet



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NP:

Gubaidulina
Pro et Contra
Radio-Philharmonie Hannover des NDR
Johannes Kalitzke

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NP:

Penderecki
Sinfonietta No. 2
Daniel Ottensamer, clarinet
Sinfonietta Cracovia
Jurek Dybał

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NP:

Popov
Symphony No. 6, Op. 99, "Festive"
USSR RSO
Edvard Chivzhel



Mirror Image

First-Listen Tuesday and last work for the night:

Kancheli
Symphony No. 3
Tbilisi Symphony Orchestra
Jansug Kakhidze



Symphonic Addict

Quote from: Mirror Image on August 30, 2021, 05:28:02 PM
The 7th VC in question is a pretty gnarly work as it comes from Bacewicz's later period where she pretty much dropped the Neoclassical and folk-influenced style that informed her earlier period works. It's a cool work and, actually, I should give it another listen.

Sounds like something I want to hear. Her string quartets follow a similar evolution.
The current annihilation of a people on this planet (you know which one it is) is the most documented and at the same time the most preposterously denied. The terror IS REAL more than ever!

Que


Irons

Quote from: k a rl h e nn i ng on August 30, 2021, 05:31:02 AM
Bainton's And I saw a New Heaven is a staple of Anglican choirs, I've lost count how many times I've sung it.

Listened on YT (Harry Christophers, The Sixteen). Lovely.
You must have a very good opinion of yourself to write a symphony - John Ireland.

I opened the door people rushed through and I was left holding the knob - Bo Diddley.

vandermolen

Quote from: JBS on August 30, 2021, 05:45:17 PM
Listening to this same performance and I very much agree.
Has anyone ever released a commercial recording of Wood's arrangement?
Yes, here Jeffrey (on Lyrita CD):
"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).

vandermolen

Quote from: Mirror Image on August 30, 2021, 07:41:35 PM
NP:

Popov
Symphony No. 6, Op. 99, "Festive"
USSR RSO
Edvard Chivzhel



A powerful and moving score IMO - in places it sounds more 'tragic' than festive to me. I also hear echoes of Boris Godunov as well.
"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).

vandermolen

Quote from: Irons on August 30, 2021, 11:20:02 PM
Listened on YT (Harry Christophers, The Sixteen). Lovely.
Shamefully I never heard it before - it's beautiful. I listened to the King's College, Cambridge version:
https://www.youtube.com/watch?v=Lyy7RWXAV9Q
"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).

Traverso