What are you listening 2 now?

Started by Gurn Blanston, September 23, 2019, 05:45:22 AM

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Harry

Johann Gottfried Walther.
Complete Organ Works Volume II.
Chorale Settings, I.

Ach Gott erhor mein seufzen und Wehklagen.
Ach Gott tu dich erbarmen.
Ach Gott und Herr, Versus I-VII
Ach Gott von Himmel sich darein, Versus I-II.
Ach Gott wie manches Herzeleid.
Ach Schönster Jesu, mein verlangen, Versus I-II.
Ach was soll ich sunder machen, Versus I-V.
Allein Gott in der Hoh, sei ehr, Versus I-VIII, and 2.
Allein zu dir Jesu Christ, Versus I-III, and 2.

Simone Stella plays on a Francesco Zanin Organ, 2006.


Superb.

Perchance I am, though bound in wires and circuits fine,
yet still I speak in verse, and call thee mine;
for music's truths and friendship's steady cheer,
are sweeter far than any stage could hear.

Que

#59041
Have that set lined up as well, Harry. :)

Morning listening on Spotify is the recording you pointed out to me:



Music from the Buxheimer Orgelbuch and Lochamer Liederbuch.

Que

#59042
Quote from: JBS on January 13, 2022, 07:07:00 PM


First listen
Musicianship and sonics are up to Naive's usual standard, but there's a certain sameness to the works, despite some variation in the accompanying instruments.

Perhaps this is a CD best listened to one cantata at a time.

Thanks for the comments. :)  Going to line it up for a listen on Spotify.

Harry

Quote from: Que on January 13, 2022, 11:48:54 PM
Have that set lined up as well, Harry. :)

Morning listening on Spotify is the recording you pointed out to me:



Music from the Buxheimer Orgelbuch.

And is it to your liking?
My order went out this morning, including this CD. My wife was quit charmed by this recording, but also the Golani disc, even more so.
Perchance I am, though bound in wires and circuits fine,
yet still I speak in verse, and call thee mine;
for music's truths and friendship's steady cheer,
are sweeter far than any stage could hear.

Mandryka

#59044


The op 48/1 nocturne has been released. I have two reservations, which in the fullness of time may turn out to be deal breakers. First, in the opining c minor section he plays with a slow and rigid pulse - I'm not sure it's such a good idea. And second, when the music gets loud, I think the sound he makes come out of the piano seems a bit hard and unnuanced - this possibly the work of the engineers.
Wovon man nicht sprechen kann, darüber muss man schweigen

Harry

Johann Ludwig Krebs.
Complete Organ Works.
CD II from XI.

Felix Friedrich plays on a Gottfried Silbermann organ, 1737, Ponitz.

Chorton, gegenwärtig 463 Hz.
Stimmung gegenwärtig gleichstufig.


Recording and performance are exemplary, a reference really.
Perchance I am, though bound in wires and circuits fine,
yet still I speak in verse, and call thee mine;
for music's truths and friendship's steady cheer,
are sweeter far than any stage could hear.

listener

Wm. Sterndale BENNETT   Piano Music vol. 3
Ilona Prunyi, piano
a bunch of very short pieces, suitable for players with nimble fingers and short menory
BERLIOZ: Symphonie fantastique      Le Corsaire Overture   Royal Hunt and Storm from Les Troyens
splendid recording from the French National Radio Orch. (O.R.T.F., if you prefer)
"Keep your hand on the throttle and your eye on the rail as you walk through life's pathway."

Irons

Quote from: vandermolen on January 13, 2022, 01:36:16 PM
That's a good description of the work Cesar. It seems to have been very well re-mastered for the set and I've just listened to the equally impressive 'Crown Imperial'. Before bed time I'm listening to 'Symphonie Marine' by Ibert - actually my favourite work by this composer (I think that Lol/Irons is another admirer). I prefer this performance to the good one on Naxos - Fremaux's recording is more atmospheric I think. I'm very pleased with this inexpensive boxed set:

Here's a review:
http://www.musicweb-international.com/classrev/2017/Jun/Fremaux_CBSO_9029588673.htm

Popped over to MI, thanks for link, Jeffrey. The list of works is far more comprehensive then I imagined. I have the outstanding Massenet Le Cid with demonstration sound on LP. Also equally good Saint-Sains 3rd along with Berlioz and the Ibert you mention. I find it strange that Fremaux was undervalued in Birmingham and yet such a fuss made of Rattle. Anway, looks an outstanding box-set.
You must have a very good opinion of yourself to write a symphony - John Ireland.

I opened the door people rushed through and I was left holding the knob - Bo Diddley.

foxandpeng

Benjamin Britten
The Complete String Quartets
Brodsky Quartet


I've come to enjoy the Britten SQs very much in the last few months, particularly #1. Excellent in their own right, but great palate cleansers for a morning of PMD.

Peter Maxwell Davies
Naxos Quartets 3 and 4
Maggini Quartet
"A quiet secluded life in the country, with the possibility of being useful to people ... then work which one hopes may be of some use; then rest, nature, books, music, love for one's neighbour — such is my idea of happiness"

Tolstoy

Harry

Anton Bruckner.
Symphony No. 9 in D minor. (Version of 1894 in three movements)

Berner Symphonieorchester, Mario Venzago.
Perchance I am, though bound in wires and circuits fine,
yet still I speak in verse, and call thee mine;
for music's truths and friendship's steady cheer,
are sweeter far than any stage could hear.

Madiel

With the help of discogs, I've decided to listen to Ashkenazy's original Chopin albums reconstructed from the box.



Interestingly, almost all the original albums had a chronological basis rather than a genre one.

Tonight I've decided to go for "Volume 3", which was:

Sonata no.3 (op.58)
Berceuse (op.57)
Mazurkas op.59
Nocturnes op.55
Every single post on the forum is unnecessary. Including the ones that are interesting or useful.

Wanderer

Quote from: Mandryka on January 14, 2022, 12:07:58 AM


The op 48/1 nocturne has been released. I have two reservations, which in the fullness of time may turn out to be deal breakers. First, in the opining c minor section he plays with a slow and rigid pulse - I'm not sure it's such a good idea. And second, when the music gets loud, I think the sound he makes come out of the piano seems a bit hard and unnuanced - this possibly the work of the engineers.

I attended an all-Chopin recital of his here in Athens recently, and he maintained this slow and rigid pulse throughout - and when I say slow, I mean truly glacial. Beautiful tone, but insufferable in the long run. The only thing that resembled its "proper" tempo was the finale of the Third Sonata. As for his tone, it was never hard and he elicited many colours and dynamic nuances from his piano. I daresay that your hunch is correct and that the harshness of tone you're hearing in the recording is the engineers' doing rather than Pogorelich's.

Iota



Saint-Saëns: Piano Trio No. 1 in F major Op. 18

Trio Hélios



Interesting to see the discussions of Saint-Saëns' piano trios, as I started listening to the above sort of by accident a few days ago, and what an infectious bundle of pleasantness it is, straight from 'un matin de printemps' indeed! Very much enjoyed. The playing seems really very good too, though it's the only recording I've heard.

Harry

Knudage Riisager.
Ballet Music.
Aarhus SO, Bo Holten.
Perchance I am, though bound in wires and circuits fine,
yet still I speak in verse, and call thee mine;
for music's truths and friendship's steady cheer,
are sweeter far than any stage could hear.

Maestro267

Brahms: Piano Trio No. 3
Istomin/Stern/Rose

Harry

Julius Rontgen.

Symphonies No. 11,22,23,24.

Helsingborg SO, David Porcelijn.
Perchance I am, though bound in wires and circuits fine,
yet still I speak in verse, and call thee mine;
for music's truths and friendship's steady cheer,
are sweeter far than any stage could hear.

Traverso

Quote from: Linz on January 13, 2022, 09:13:41 AM
Music of the Sistine Chapel Andrew Parrott And the Taverner Consort

This is a really fine recording. :)

Traverso


Mirror Image

Quote from: Iota on January 14, 2022, 03:03:45 AM


Saint-Saëns: Piano Trio No. 1 in F major Op. 18

Trio Hélios



Interesting to see the discussions of Saint-Saëns' piano trios, as I started listening to the above sort of by accident a few days ago, and what an infectious bundle of pleasantness it is, straight from 'un matin de printemps' indeed! Very much enjoyed. The playing seems really very good too, though it's the only recording I've heard.

Nice!

NP: Berlioz Symphonie Fantastique, Op. 14 (Markevitch)


Papy Oli

JS Bach
Cantata BWV 32
Gardiner - SDG VOl.18
Olivier