What are you listening 2 now?

Started by Gurn Blanston, September 23, 2019, 05:45:22 AM

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Pohjolas Daughter

Quote from: Pohjolas Daughter on February 14, 2022, 07:49:24 AM
I'll do some digging post-lunch.  :)

PD
I found this information of Prestomusic's website:

Sviatoslav Richter (piano)
Warsaw National Philharmonic Orchestra
Stanislaw Wislocki
Recorded: 1959-05-02
Recording Venue: Philharmonic Hall, Warsaw

PD

Florestan

Quote from: Pohjolas Daughter on February 14, 2022, 08:56:30 AM
I found this information of Prestomusic's website:

Sviatoslav Richter (piano)
Warsaw National Philharmonic Orchestra
Stanislaw Wislocki
Recorded: 1959-05-02
Recording Venue: Philharmonic Hall, Warsaw

PD

It's in mono sound, then. Honestly, I can't recall a thing about it, it's been decades since I haven't listened to it.
"Beauty must appeal to the senses, must provide us with immediate enjoyment, must impress us or insinuate itself into us without any effort on our part." - Claude Debussy

Pohjolas Daughter

Quote from: Florestan on February 14, 2022, 08:58:26 AM
It's in mono sound, then. Honestly, I can't recall a thing about it, it's been decades since I haven't listened to it.
No, it's in stereo (see cover of LP plus on my copy of the LP, it also says "stereo".

PD

Florestan

#61983


Last CD: 26 & 27

Sadly, my journey through this glorious set is over. It's been one of the most memorable musical experiences of my whole life: consistently superb performances in consistently excellent sound. I've now listened to three complete Mozart piano concertos set: Anda, Buchbinder and Ashkenazy and I rank them in exactly this order. I still have many more to listen to and hope they'll give me at least the same thrill and pleasure as these three.

"O Mozart! immortal Mozart! what countless impressions of a brighter, better life hast thou stamped upon our souls!" --- Schubert
"Beauty must appeal to the senses, must provide us with immediate enjoyment, must impress us or insinuate itself into us without any effort on our part." - Claude Debussy

Florestan

#61984
Quote from: Pohjolas Daughter on February 14, 2022, 09:05:18 AM
No, it's in stereo (see cover of LP plus on my copy of the LP, it also says "stereo".

PD

Thanks. Now you whetted my appetite for hearing it again. I no longer have a turntable but I'll get the CD --- I mean in digital format, obviously.  ;)
"Beauty must appeal to the senses, must provide us with immediate enjoyment, must impress us or insinuate itself into us without any effort on our part." - Claude Debussy

Maestro267

Glazunov: Symphony No. 8
Russian State SO/Polyansky

Bax: Symphony No. 4
Ulster Orchestra/Thomson

Linz

Andris Nelsons Wagner Tristan und Isolde, WWV 90: Mild und leise wie er lächelt "Isoldes Liebestod" and Prelude To Act I as well as Symphony 1 of Bruckner

Florestan

Quote from: absolutelybaching on February 14, 2022, 09:24:20 AM
Ethel Smyth's Serenade in D 
    Odaline de la Martinez, BBC Philharmonic Orchestra

Definitely in the same league as Elgar, I'd say.

If you mean Elgar's Serenade for Strings, I strongly disagree. Smyth's is a full orchestra symphony in disguise which has little, if any, of a genuine serenade spirit. That being said, I'll take the former over the latter any day (or night).
"Beauty must appeal to the senses, must provide us with immediate enjoyment, must impress us or insinuate itself into us without any effort on our part." - Claude Debussy

Roasted Swan

Quote from: absolutelybaching on February 14, 2022, 09:24:20 AM
Ethel Smyth's Serenade in D 
    Odaline de la Martinez, BBC Philharmonic Orchestra

Definitely in the same league as Elgar, I'd say.

-1! Can't EVER think of Smyth in anything like Elgar's league - sorry!

Florestan

Quote from: Roasted Swan on February 14, 2022, 09:32:36 AM
-1! Can't EVER think of Smyth in anything like Elgar's league - sorry!

+ 1.
"Beauty must appeal to the senses, must provide us with immediate enjoyment, must impress us or insinuate itself into us without any effort on our part." - Claude Debussy

Karl Henning

Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Mirror Image

First-Listen Monday

Schmitt
Musique sur l'eau, Op. 33
Susan Platts, mezzo-soprano
Buffalo PO
JoAnn Falletta


From this new acquisition -



Florestan

Quote from: absolutelybaching on February 14, 2022, 09:37:25 AM
No, I meant that for me she is definitely in the same league (of compositional merit, I guess) as Elgar. I wasn't comparing any specific pieces when thinking that. Just impressed with Smyth's Serenade as a standalone composition, given that's what I'm currently listening to.

Thanks for clarifying. I still disagree, though. I heard Smyth's Serenade twice and each time I was left unimpressed. Firstly, it's no serenade at all; secondly, it's turgid and boring music. Sorry, I mean no offense but my idea of an orchestral Serenade is typified by Mozart, Brahms, Tchaikovsky, Dvorak or Elgar --- Ethel Smyth is nowhere near any of those. Once again, sorry but I can't help it.
"Beauty must appeal to the senses, must provide us with immediate enjoyment, must impress us or insinuate itself into us without any effort on our part." - Claude Debussy

Mirror Image

#61993
Quote from: Florestan on February 14, 2022, 10:14:10 AM
Thanks for clarifying. I still disagree, though. I heard Smyth's Serenade twice and each time I was left unimpressed. Firstly, it's no serenade at all; secondly, it's turgid and boring music. Sorry, I mean no offense but my idea of an orchestral Serenade is typified by Mozart, Brahms, Tchaikovsky, Dvorak or Elgar --- Ethel Smyth is nowhere near any of those. Once again, sorry but I can't help it.

Ethel Smyth couldn't carry Lili Boulanger's lunchbox. :) I've heard several of Smyth's works over the past 13 years or so and none of them were memorable or musically striking in any way.

Linz

CD2 of the set of Nelsons Bruckner Symphony 5 in B flat major

Que

Quote from: Florestan on February 14, 2022, 09:08:44 AM


Last CD: 26 & 27

Sadly, my journey through this glorious set is over. It's been one of the most memorable musical experiences of my whole life: consistently superb performances in consistently excellent sound. I've now listened to three complete Mozart piano concertos set: Anda, Buchbinder and Ashkenazy and I rank them in exactly this order. I still have many more to listen to and hope they'll give me at least the same thrill and pleasure as these three.


Doesn't get any better as far as MI complete cycles are concerned, I think.  Additionally : Casadesus/Szell and Moravec/Vlach.

classicalgeek

#61996
Over the weekend:

Rimsky-Korsakov
Scheherazade
Berlin Philharmonic Orchestra
Rudolf Kempe




Just an OK Scheherazade - not one of my favorites. The orchestral playing is gorgeous, but the interpretation is a little tepid, at least to me.

Vaughan Williams
Symphony no. 6
London Philharmonic Orchestra
Sir Adrian Boult




I really enjoyed this - VW's 6th is a symphony that finally made sense to me only recently. And it's hard to beat Boult in Vaughan Williams! The Sixth is no exception.

Castelnuovo-Tedesco
Shakespeare Overtures:
Julius Caesar
The Taming of the Shrew
Antony and Cleopatra
A Midsummer Night's Dream
Coriolanus
Twelfth Night
West Australian Symphony Orchestra
Andrew Penny

(on Spotify)



What a delight these are! Thanks to Cesar/Symphonic Addict for the recommendation. You're right, they sound a little Korngoldian, right down to the orchestration. Which isn't to say they're derivative; far from it. I especially enjoyed Taming of the Shrew and Midsummer Night's Dream, but they were all quite lovely. Looking forward to the second disc!
So much great music, so little time...

Mirror Image

NP:

Beethoven
String Quartet No. 13 in B-Flat Major, Op. 130
Quatuor Ebène



Karl Henning

CD 12

Elgar
Cockaigne Overture, Op. 40
Serenade in e minor, Op. 20
Dream Children, Op. 43—I. Andante

Delius
A Song of Summer

Rubbra
Improvisations on Virginal Pieces by Giles Farnaby, Op. 50—IV. Loth to depart
Symphony № 5 in Bb, Op. 63


The Dream Children number, the Delius & Rubbra all qualify for Maiden-Listen Monday!
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

vandermolen

Quote from: classicalgeek on February 14, 2022, 11:11:09 AM
Over the weekend:

Rimsky-Korsakov
Scheherazade
Berlin Philharmonic Orchestra
Rudolf Kempe




Just an OK Scheherazade - not one of my favorites. The orchestral playing is gorgeous, but the interpretation is a little tepid, at least to me.

Vaughan Williams
Symphony no. 6
London Philharmonic Orchestra
Sir Adrian Boult




I really enjoyed this - VW's 6th is a symphony that finally made sense to me only recently. And it's hard to beat Boult in Vaughan Williams! The Sixth is no exception.

Castelnuovo-Tedesco
Shakespeare Overtures:
Julius Caesar
The Taming of the Shrew
Antony and Cleopatra
A Midsummer Night's Dream
Coriolanus
Twelfth Night
West Australian Symphony Orchestra
Andrew Penny

(on Spotify)



What a delight these are! Thanks to Cesar/Symphonic Addict for the recommendation. You're right, they sound a little Korngoldian, right down to the orchestration. Which isn't to say they're derivative; far from it. I especially enjoyed Taming of the Shrew and Midsummer Night's Dream, but they were all quite enjoyable. Looking forward to the second disc!
And I think that you get two versions of VW's 6th Symphony in that excellent Boult boxed set.
"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).