What are you listening 2 now?

Started by Gurn Blanston, September 23, 2019, 05:45:22 AM

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kyjo (+ 2 Hidden) and 186 Guests are viewing this topic.

steve ridgway

Ives Symphony No. 3 "The Camp Meeting", 1910.



This is more to my liking than 1 and 2.

vandermolen

Quote from: Dry Brett Kavanaugh on March 15, 2022, 05:47:18 AM
The Age of Anxiety, Bernstein. Kitayenko.
Looks like an interesting collection DBK!
"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).

vandermolen

Quote from: steve ridgway on March 15, 2022, 10:40:03 PM
Ives Symphony No. 3 "The Camp Meeting", 1910.



This is more to my liking than 1 and 2.
It's my favourite Ives symphony.
"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).

vandermolen

Quote from: Mirror Image on March 15, 2022, 06:15:33 PM
NP:

Vaughan Williams
Symphony No. 6 in E minor
LSO
Thomson




I find this to be an even better performance than Boult's on EMI. The turbulence is handled with aplomb and all of the shifting moods are brilliantly executed. Actually, now that I'm thinking about it, I do rather like Berglund's on EMI as well. These would probably be my two favorite performances overall.
Tend to agree with you John. Berglund's is terrific as well. The historic Boult on Decca is very special to me however - especially with the composer's recorded vote of thanks to Boult and the orchestra ('including the lady harpist') at the end.
"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).

Que


vandermolen

Quote from: Spotted Horses on March 15, 2022, 05:49:26 AM
I've been listening to a bit of Vaughan Williams, outside of the symphonies.

The Partita for two string Orchestras, Boult, LPO



The String Quartet No 2, Maggini



The string Quartet is a marvelous work, especially the luminous second movement. The partita for string orchestra, didn't make a strong an impression. It is the first time I have listened to the work, so it deserves a revisit.
Both fine works IMO.
"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).

vandermolen

Quote from: kyjo on March 15, 2022, 01:46:20 PM
A searingly intense work! There's even some rather avant-garde techniques (like string glissandi) incorporated into the overall traditional musical language at some points.
Thanks Kyle. I'd forgotten quite how good it is. I've listened to it several times (Marco Polo version) over the past couple of days. I'm glad that you think highly of it. It has a power and urgency very much reflective of its time (occupied Belgium 1943) and of Sternefeld's personal circumstances (Jewish and in hiding).
"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).

Operafreak

The true adversary will inspire you with boundless courage.

Harry

Hans Leo Hassler.
Complete Organ Music.
CD IV.

Manuel Tomadin plays on a B. Malamini organ, (1580) at the San Procolo Church in Bologna.
Pitch:= 440 Hz at 18 degrees.
Temperament:  Mesotonic 1/5 comma.


I now finally realized that performance and interpretation of this recording is excellent, but what is ailing in all the 11 CD'S is the sound. It is recorded on a much too high level, with some stress on the upper voices. As a whole it makes listening tiring to ears and mind. It is a pity, for the organs used are all historical, apart from the Zanin from 1999, but even that in sound can be considered old. Some of these organs I have heard live when on holiday in Italy aeons ago, but I still have vivid memories of how I enjoyed listening to them. The Malamini instrument was one of them.
Perchance I am, though bound in wires and circuits fine,
yet still I speak in verse, and call thee mine;
for music's truths and friendship's steady cheer,
are sweeter far than any stage could hear.

Florestan

"Ja, sehr komisch, hahaha,
ist die Sache, hahaha,
drum verzeihn Sie, hahaha,
wenn ich lache, hahaha! "

Harry

#64150
CPE Bach.

Concertos for Organ and Strings.
CD II.

Orchestre Auvergne, Arie van Beek.
Olivier Vernet plays on a Bernard Aubertin organ, 1991.
Pitch: A= 440 Hz.
Temperament: Kirnberger III.


As to the organ, the sound is good, the orchestra added is a ton of echo, and gives a funny sensation to the ears. As to the necessity to have these works on CD, I'd say not really. Pleasant but forgettable.
Perchance I am, though bound in wires and circuits fine,
yet still I speak in verse, and call thee mine;
for music's truths and friendship's steady cheer,
are sweeter far than any stage could hear.

Florestan

"Ja, sehr komisch, hahaha,
ist die Sache, hahaha,
drum verzeihn Sie, hahaha,
wenn ich lache, hahaha! "

Maestro267

Slowly resuming my Myaskovsky cycle after stopping a few months ago.

Myaskovsky: Symphony No. 16
RFASO/Svetlanov

Harry

Quote from: Maestro267 on March 16, 2022, 02:21:50 AM
Slowly resuming my Myaskovsky cycle after stopping a few months ago.

Myaskovsky: Symphony No. 16
RFASO/Svetlanov

Well its rather a tall order, I managed to play this set 3 times complete but with long intervals I might add. The music is of course superb.
Perchance I am, though bound in wires and circuits fine,
yet still I speak in verse, and call thee mine;
for music's truths and friendship's steady cheer,
are sweeter far than any stage could hear.

vandermolen

Quote from: Maestro267 on March 16, 2022, 02:21:50 AM
Slowly resuming my Myaskovsky cycle after stopping a few months ago.

Myaskovsky: Symphony No. 16
RFASO/Svetlanov
No.16 has a wonderful, funereal, slow movement influenced by the 'Maxim Gorky Aircraft Disaster'.

On the subject of disasters - now playing:
Vaughan Williams - Sinfonia Antartica (LPO/Boult)
"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).

Roasted Swan

Quote from: Florestan on March 16, 2022, 02:19:03 AM


Cechova is excellent in this repertoire and as part of the Smetana Trio - I buy most of her recordings when I can!

Florestan

Quote from: Roasted Swan on March 16, 2022, 03:31:32 AM
Cechova is excellent in this repertoire and as part of the Smetana Trio - I buy most of her recordings when I can!

Yes, excellent performance and the music itself is superb, too. I am familiar with some of it thanks to Garrick Ohlsson's and Andras Schiff's selections, but to have it all on Chechova's seven-CD series is even better.
"Ja, sehr komisch, hahaha,
ist die Sache, hahaha,
drum verzeihn Sie, hahaha,
wenn ich lache, hahaha! "

vandermolen

VW: Symphony No.8 LPO/Boult. This was the only stereo release from the original Boult cycle on Decca (picture as above).
"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).

Florestan

"Ja, sehr komisch, hahaha,
ist die Sache, hahaha,
drum verzeihn Sie, hahaha,
wenn ich lache, hahaha! "

vandermolen

Quote from: absolutelybaching on March 16, 2022, 05:11:32 AM
Henryk Górecki's Symphony No. 3
    Jerzy Swobodo, Polish State Philharmonic Orchestra, Zofia Kilanowicz (soprano)
A very good performance.
"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).