What are you listening 2 now?

Started by Gurn Blanston, September 23, 2019, 05:45:22 AM

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vandermolen

Quote from: "Harry" on May 06, 2022, 06:51:02 AM
That is the least of your worries me thinks, we in the Netherlands are totally deprived of the proms, for the BBC channel on which we could always watch has been taken out of the packet of our provider. That is bad, for I always looked forward to the proms. So me thinks, even if you are right about missing all those fine composers, its a luxury problem from my perspective. :laugh:
Oh, sorry to hear that Harry. Is it a consequence of Brexit?
"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).

Mirror Image

Quote from: vandermolen on May 06, 2022, 09:43:57 AM
Totally agree John!  :)

I appreciate your support, although I knew I was preaching to the choir to some of the members here. ;) ;D

amw

Quote from: Florestan on May 06, 2022, 01:48:35 AM
On Spotify



(hat tip to amw!)

Very rhytmically driven, which is not bad for dance music, but a little heavy-handed in the bass. The fortepiano doesn't sound bad at all, although I wished he used the fabulous Nanette Streicher that Jan Vermeulen used in his complete Schubert set.
I haven't heard this one yet. I really liked the first movement of his D960 (the fortepiano sounds somewhat like a lute, but I enjoyed it personally) and then fell asleep to the Winterreise with Ernst Haefliger, mostly because I was curious as to how good he was in the mid-1990s (answer: yes). Not a comment on the performance; it was two in the morning and I was tired, so something sombre was quite useful.

I'll listen to the entire D960 at some point. Dähler is not the most technically secure of pianists, but that's somewhat understandable given that he trained as a harpsichordist, and doesn't detract from performance quality overall.

Harry

Quote from: vandermolen on May 06, 2022, 09:45:45 AM
Oh, sorry to hear that Harry. Is it a consequence of Brexit?

Yes because of the Brexit. The BBC asked an horrendous amount of money, in fact trice, for giving us access to BBC 3 & 4. Now we have only BBC 1 & 2, and the entertainment channel which is a lot of bull. I was and still am very angry about this as you might imagine.
Perchance I am, though bound in wires and circuits fine,
yet still I speak in verse, and call thee mine;
for music's truths and friendship's steady cheer,
are sweeter far than any stage could hear.

"When Time hath gnawed our bones to dust, yet friendship's echo shall not rust"

Karl Henning

CDs 8-11

Debussy
Préludes, Books I & II
Images, Sets I & II
Images oubliées
D'un cahier d'esquisses

&c.
Fantaisie pour piano et orchestre

Ravel
Cto in G
Cto in D for the left hand
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Mirror Image

Quote from: k a rl h e nn i ng on May 06, 2022, 10:00:12 AM
CDs 8-11

Debussy
Préludes, Books I & II
Images, Sets I & II
Images oubliées
D'un cahier d'esquisses

&c.
Fantaisie pour piano et orchestre

Ravel
Cto in G
Cto in D for the left hand


Nice! Who's the conductor/orchestra in the Ravel, Karl? Fischer and Budapest?

Karl Henning

Quote from: Mirror Image on May 06, 2022, 10:01:04 AM
Nice! Who's the conductor/orchestra in the Ravel, Karl? Fischer and Budapest?

Just so.
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot


Mirror Image

NP:

Braunfels
Piano Concerto, Op. 21
Victor Sangiorgio (piano)
BBC Concert Orchestra
Johannes Wildner



Dry Brett Kavanaugh

Quote from: Mirror Image on May 06, 2022, 06:59:28 AM
Not just the Latin Americans, but it seems the Proms is hellbent on ignoring Japan, too. To see a concert program with Ifukube, Ikuma Dan, Takemitsu, Akutagawa, Ishii, Yoshimatsu et. al. would be like spotting a bird that's been extinct for centuries. I used to be intrigued by the BBC Proms until I started looking at their concert programs and then thought, "Nothing special."

Unfortunately these composers are even less known/popular in Japan than they are in the West. That's why I appreciate that you're  listening to their music with an open, unprejudiced attitude. Listeners in Japan are ethno (Western)- centralistic, and they are not interested in music in Asia, Central/South America, or Middle-east. It's unfortunate.

Roasted Swan

Quote from: Mirror Image on May 06, 2022, 06:59:28 AM
Not just the Latin Americans, but it seems the Proms is hellbent on ignoring Japan, too. To see a concert program with Ifukube, Ikuma Dan, Takemitsu, Akutagawa, Ishii, Yoshimatsu et. al. would be like spotting a bird that's been extinct for centuries. I used to be intrigued by the BBC Proms until I started looking at their concert programs and then thought, "Nothing special."

One of the major roles of the Proms and indeed the BBC is the educational/Public Service Broadcasting function.  If - as it continues to claim - it is the "World's greatest Classical Music Festival" then it should focus on Classical Music from around the world.  Instead we get programmes featuring (very good) but non-CM artists/composers/genres.  None of which I dislike at all - but it is a bit like going to a fish restaurant and ordering the beef.  Clearly it is possible to programme composers who have recently "emerged" - take Florence Price this year - but I struggle to believe that decision is anything but virtue-signaling and not really based on an objective assessment of the music alone.

Mirror Image

Quote from: Dry Brett Kavanaugh on May 06, 2022, 10:16:59 AM
Unfortunately these composers are even less known/popular in Japan than they are in the West. That's why I appreciate that you're  listening to their music with an open, unprejudiced attitude. Listeners in Japan are ethno (Western)- centralistic, and they are not interested in music in Asia, Central/South America, or Middle-east. It's unfortunate.

Quote from: Roasted Swan on May 06, 2022, 10:22:02 AM
One of the major roles of the Proms and indeed the BBC is the educational/Public Service Broadcasting function.  If - as it continues to claim - it is the "World's greatest Classical Music Festival" then it should focus on Classical Music from around the world.  Instead we get programmes featuring (very good) but non-CM artists/composers/genres.  None of which I dislike at all - but it is a bit like going to a fish restaurant and ordering the beef.  Clearly it is possible to programme composers who have recently "emerged" - take Florence Price this year - but I struggle to believe that decision is anything but virtue-signaling and not really based on an objective assessment of the music alone.

Sad, but true, gentlemen. :(

Maestro267

Tchaikovsky: String Quartet No. 3
Brodsky Quartet

Grieg: Piano Concerto
Andsnes (piano)/Berlin PO/Jansons

Beethoven: Symphony No. 6 ("Pastoral")
Staatskapelle Dresden/C. Davis

Mirror Image

Disc 4 (Orchesterlieder) from this Korngold Capriccio box set released not too long ago:


vandermolen

Quote from: "Harry" on May 06, 2022, 09:59:47 AM
Yes because of the Brexit. The BBC asked an horrendous amount of money, in fact trice, for giving us access to BBC 3 & 4. Now we have only BBC 1 & 2, and the entertainment channel which is a lot of bull. I was and still am very angry about this as you might imagine.
I'm sorry to hear this. We all (me, wife, daughter, brother) voted against Brexit. Personally I think that it's a disaster.
"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).

vandermolen

Vaughan Williams: 'Epithalamion' - one of his most beautiful and underrated works. Lovely late-night listening:
"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).

Lisztianwagner

Alexander Zemlinsky
Symphonische Gesänge


"You cannot expect the Form before the Idea, for they will come into being together." - Arnold Schönberg

Mapman

Strauss: Rosenkavalier Suite
Andris Nelsons: Gewandhausorchester Leipzig

Beautifully played! The oboist has to much vibrato for my taste, and doesn't quite play with the violin soloist during the waltz. Some of the tempos seem a little on the slow side (such as the presentation of the rose music), but still work. Some other recordings have more prominent horns. I think this is an excellent performance.


Mirror Image

Quote from: Mapman on May 06, 2022, 12:49:52 PM
Strauss: Rosenkavalier Suite
Andris Nelsons: Gewandhausorchester Leipzig

Beautifully played! The oboist has to much vibrato for my taste, and doesn't quite play with the violin soloist during the waltz. Some of the tempos seem a little on the slow side (such as the presentation of the rose music), but still work. Some other recordings have more prominent horns. I think this is an excellent performance.


Quote from: Lisztianwagner on May 06, 2022, 12:09:43 PM
Alexander Zemlinsky
Symphonische Gesänge




8)

prémont

Quote from: Mandryka on May 06, 2022, 06:20:20 AM
I knew the name was familiar to me from somewhere -- it's because he did a Musical Offering, dated but nice, he uses some sort of strange sounding keyboard. It looks like there's quite a bit of Bach.

Maybe you also recall his Goldberg variations and Inventions?
Reality trumps our fantasy far beyond imagination.