What are you listening 2 now?

Started by Gurn Blanston, September 23, 2019, 05:45:22 AM

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Harry

Antonin Dvorak.
CD 5.
Symphony No. 8 in G major.
Staatskapelle Berlin, Otmar Suitner.


Perchance I am, though bound in wires and circuits fine,
yet still I speak in verse, and call thee mine;
for music's truths and friendship's steady cheer,
are sweeter far than any stage could hear.

"When Time hath gnawed our bones to dust, yet friendship's echo shall not rust"

Lisztianwagner

Gustav Mahler
Symphony No.7

Leonard Bernstein & NY Philharmonic


"You cannot expect the Form before the Idea, for they will come into being together." - Arnold Schönberg

foxandpeng

Allan Pettersson
Symphonies 10 and 11
Alun Francis
Radio-Philharmonie Hanover des NDR
CPO


Quote from: Spotted Horses on October 06, 2022, 02:33:30 AM
Followed up the tenth symphony with the eleventh, by Allan Pettersson.



The two were written at the same time, when Pettersson was hospitalized for a kidney ailment. The tenth is more violently convulsive, the eleventh more contemplative, but still saturated with angst. I struggle with the "formlessness" of Pettersson's music, but I came away with some impression of what the music is about.

Joining you. First listen to 10 & 11 in a long time, so expecting to have to concentrate and repeat. Nightmares, abandonment, brass and brutality ahead...

*buckles up*
"A quiet secluded life in the country, with the possibility of being useful to people ... then work which one hopes may be of some use; then rest, nature, books, music, love for one's neighbour — such is my idea of happiness"

Tolstoy

Harry

Antonin Dvorak.
Symphony No. 9 in E minor.
Staatskapelle Berlin, Otmar Suitner.
Perchance I am, though bound in wires and circuits fine,
yet still I speak in verse, and call thee mine;
for music's truths and friendship's steady cheer,
are sweeter far than any stage could hear.

"When Time hath gnawed our bones to dust, yet friendship's echo shall not rust"

bhodges

Suk - Fantastic Scherzo, Op. 25 (Prague Symphony Orchestra / Jiri Belohlavek, conductor). Loving it. Haven't heard any Suk for awhile, and that's not good.  8)

-Bruce


Todd



The fourth disc equivalent from:



Lionheart's Spanish disc is included in the budget big box, it turns out, so it only took a few days to hear it.  Should be in the Renaissance box rather than the Early Music box, but whatcha gonna do.

The disc mixes mostly Guerrero and Morales.  All recordings of this repertoire are welcome, and of course the main attraction is Morales.  Lionheart sound nifty, but in terms of all-male singing, though the work is different, it lacks the vocal differentiation and sheer beauty of Chanticleer, and in this composer's music, one desires overwhelming beauty.  One will accept merely beautiful singing as well. 
The universe is change; life is opinion. - Marcus Aurelius, Meditations

People would rather believe than know - E.O. Wilson

Propaganda death ensemble - Tom Araya

Daverz

Quote from: absolutelybaching on October 05, 2022, 11:04:37 PM
Gustav Holst's
The Planets

Herbert von Karajan, Berlin Philharmonic

Not one of my favourite recordings of the piece: I don't think Herbert really 'gets' the idiom and the orchestra sound a bit ragged at times, surprisingly. But it's enjoyable enough, I guess. (Except for the 'I vow to thee, my country' tune in Jupiter. That sounds pretty dreadful: very four-square and dull, dull, dull... Yuck).

If you are willing to give Herbie another chance, I think the Vienna recording on Decca is the one to have

.

Harry

Johann Pachelbel.
Complete Organ Works.
Volume III.
CD II.
Psalmlieder II.
Christian Schmitt, Organ.
Organs: Klosterkirche Rheinau, Main organ, 1715. Choir organ, 1710/47. and the Johannes Creutzburg organ 1735, in St. Cyriakus, Duderstadt.
Perchance I am, though bound in wires and circuits fine,
yet still I speak in verse, and call thee mine;
for music's truths and friendship's steady cheer,
are sweeter far than any stage could hear.

"When Time hath gnawed our bones to dust, yet friendship's echo shall not rust"

TheGSMoeller

Quote from: k a rl h e nn i ng on October 05, 2022, 02:28:22 PM
How's this set pleasing you, Greg?

Morning, Karl. Hope all is well with you!
I think Slatkin/LPO are great with Elgar, very exciting performances! Actually listening to the 2nd symphony from this set at the moment.
I find Slatkin successful with English symphonies, similar with his RVW's with the Philharmonia.

P.S. Fun to see on Twitter your friends were performing some of your chamber music! Perhaps we will be able to hear it sometime :)

vandermolen

Boris Lyatoshinsky: Symphony No.3
"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).

Papy Oli

Hello All,

Hindemith - Symphonic Metamorphoses on Themes by Carl Maria von Weber
(Bernstein, NYP, Concerto Edition)
Olivier

ritter

Some home-grown music this afternoon: Enrique Granados' Goyescas, played by Jean-François Heisser.



From this excellent set of Spanish music:


Roasted Swan

Quote from: TheGSMoeller on October 06, 2022, 05:24:30 AM
Morning, Karl. Hope all is well with you!
I think Slatkin/LPO are great with Elgar, very exciting performances! Actually listening to the 2nd symphony from this set at the moment.
I find Slatkin successful with English symphonies, similar with his RVW's with the Philharmonia.

I would agree - obviously this is repertoire the LPO know VERY well but these are impressive performances and very well engineered.  I don't think the 2 concerto recordings are in the same league (still good just not as good) but all the other orchestral works are very good.  I like that Slatkin uses the organ at the end of Symphony 2.  Personally I find his RVW more variable but this Elgar more consistent.  The companion Apostles/The Kingdom are good too.... I wonder why he never recorded Gerontius?

Papy Oli

Strauss - Le Bourgeois Gentilhomme.

Nearing the end of my first and a very enjoyable traversal of the Kempe box. Another musical "block" tumbling down for me with Strauss.

Olivier

Dry Brett Kavanaugh

Quote from: Papy Oli on October 06, 2022, 05:33:16 AM
Hello All,

Hindemith - Symphonic Metamorphoses on Themes by Carl Maria von Weber
(Bernstein, NYP, Concerto Edition)

Nice!


Quote from: Symphonic Addict on October 05, 2022, 02:41:03 PM
Rorem: Symphony No. 3

One of the great American Thirds. I have no idea why I didn't remember how spectacular this work is.



Excellent music!

Dry Brett Kavanaugh


Lisztianwagner

Quote from: Papy Oli on October 06, 2022, 06:05:45 AM
Strauss - Le Bourgeois Gentilhomme.

Nearing the end of my first and a very enjoyable traversal of the Kempe box. Another musical "block" tumbling down for me with Strauss.



Pounds the table, Kempe's Strauss is certainly amazing!
"You cannot expect the Form before the Idea, for they will come into being together." - Arnold Schönberg

Florestan

Quote from: Traverso on October 06, 2022, 01:37:36 AM
Hildegard von Bingen


The Ave Maria,O auctrix vite is of a breathtaking beauty and therefore more than worth having this CD. The music is far removed from the atrocities that plague our time and offers a different perspective on what life can be.




Listening on YT. It's something else indeed.

(And I take "atrocities" not only in the political sense, but cultural and social as well.)
"Beauty must appeal to the senses, must provide us with immediate enjoyment, must impress us or insinuate itself into us without any effort on our part." - Claude Debussy

Brian



Respighi's totally enjoyable youthful piano concerto in A minor - not a lot of hints of the mature composer to come, but a lot of really attractive music packed into a satisfying 21-minute framework. Then, the Toccata, which is not a 20-minute toccata but a neo-baroque, Bach-inspired prelude and toccata (including, near the start, a lovely slow duet between piano and cello). The proper fast repeated notes only start near the end, when the piano gets a very short cadenza that prepares everyone for the finale. Overall, a less satisfying and less structured piece than the concerto.

The 9-minute Slavic fantasy has a slow introduction and then a fast episode that sounds like it's based on one of the dances from The Bartered Bride. The piano part occasionally has bits of Liszt Hungarian Rhapsody color and virtuosity.

Konstantin Scherbakov's album of the solo Respighi piano music is extraordinary, so it is no surprise that he also has loads of fun here. Compared to the solo piano album, this is more of a stream than a buy, but I really like the concerto.

vandermolen

Kokkonen Symphony No.4
My favourite work by JK - it has a searching quality which grips from the start. Sections reminded me of the music of another fine Finnish composer Einar Englund:
"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).