What are you listening 2 now?

Started by Gurn Blanston, September 23, 2019, 05:45:22 AM

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Daverz



Second listen.  This is a fine Prokofiev 5th, and the sonics are excellent, transparent and with deep bass.

vandermolen

Quote from: Lisztianwagner on April 10, 2023, 11:44:24 AMSymphony No.3 was incredible, now:

William Alwyn
Symphony No.2

Richard Hickox & London Symphony Orchestra


No.2 was Alwyn's own favourite and I can see why. It is the one time IMO where Alwyn's Lyrita performance is superior to Hickox's one on Chandos (although that is very good as well).
"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).

vers la flamme



Gustav Mahler: Symphony No.9 in D major. Leonard Bernstein, Royal Concertgebouw Orchestra

First listen to this recording. It's very, very good so far. Huge climaxes—too huge for some fans, I gather—even the little build-ups that come along at varying times throughout the first movement sound absolutely massive. AMAZING playing from the Concertgebouw, which makes me wonder why I don't have much, much more of the Concertgebouw playing Mahler on disc. They probably sound better than any other orchestra in this repertoire. I don't know that this will become my "reference" recording for this symphony, but I am glad to have it.

Que

Quote from: vers la flamme on April 10, 2023, 02:45:24 PMAMAZING playing from the Concertgebouw, which makes me wonder why I don't have much, much more of the Concertgebouw playing Mahler on disc. They probably sound better than any other orchestra in this repertoire.

Yes, indeed they do...

DavidW

Quote from: vers la flamme on April 10, 2023, 02:45:24 PM

Gustav Mahler: Symphony No.9 in D major. Leonard Bernstein, Royal Concertgebouw Orchestra

First listen to this recording. It's very, very good so far. Huge climaxes—too huge for some fans, I gather—even the little build-ups that come along at varying times throughout the first movement sound absolutely massive. AMAZING playing from the Concertgebouw, which makes me wonder why I don't have much, much more of the Concertgebouw playing Mahler on disc. They probably sound better than any other orchestra in this repertoire. I don't know that this will become my "reference" recording for this symphony, but I am glad to have it.

That is my second favorite Mahler 9.  My favorite is Chailly... which is also again the RCO!  If you want a contrast to that Bernstein recording, imo I recommend Boulez.

classicalgeek

Finally had a little (emphasis on little) time to listen during the workday:

Stravinsky
Symphony of Psalms
various choirs
Orchestre de la Suisse Romande
Neeme Järvi

(on Spotify)




Dukas
Piano sonata in E-flat minor
Vincenzo Maltempo, piano

(on Spotify)



An impressive, large-scale work with which I wasn't too familiar!
So much great music, so little time...

VonStupp

#90026
John Cage
Hymns and Variations (on William Billings)
Five
Four2
Four6
Latvian Radio Choir - Sigvards Kļava

Terrific singing, but not everyday listening, at least for me. The 30-minute final piece, provided below, tested me.
VS


John Cage: Choral Works
All the good music has already been written by people with wigs and stuff. - Frank Zappa

My Musical Musings

Karl Henning

#90027
Maiden-Listen Monday!

Fazil Say
Violin Sonata № 1 (1997)
Friedemann Eichhorn, vn
The Composer, pf

I get to hear some of this composer's music live Friday evening, so I thought I'd do some prior listening.
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

vers la flamme

#90028
Quote from: DavidW on April 10, 2023, 03:11:25 PMThat is my second favorite Mahler 9.  My favorite is Chailly... which is also again the RCO!  If you want a contrast to that Bernstein recording, imo I recommend Boulez.

I've got the Boulez/Chicago too. I listened to it on New Year's Day. I ought to listen again. It really is a contrast, at least tempo wise; the adagio in Lenny's recording is a full eight minutes longer than the Boulez. I have not heard the Chailly, but I do really like what I've heard of his Mahler (not much: just the Wunderhorn-Lieder and the 10th, but they're both great).

Edit: Listening now, I realize that the length of the finale is really just that Lenny takes the string fade-out at the very end, which usually takes about two minutes, and stretches it to something like eight minutes. The rest of the finale is really not all that much slower than most other recordings I've heard.

DavidW

Quote from: vers la flamme on April 10, 2023, 04:05:24 PMI've got the Boulez/Chicago too. I listened to it on New Year's Day. I ought to listen again. It really is a contrast, at least tempo wise; the adagio in Lenny's recording is a full eight minutes longer than the Boulez. I have not heard the Chailly, but I do really like what I've heard of his Mahler (not much: just the Wunderhorn-Lieder and the 10th, but they're both great).

Edit: Listening now, I realize that the length of the finale is really just that Lenny takes the string fade-out at the very end, which usually takes about two minutes, and stretches it to something like eight minutes. The rest of the finale is really not all that much slower than most other recordings I've heard.

Oh yes that Bernstein III is a monster in length.  Most performances clock in at 26-28 minutes in the finale.  Funny enough the recording that introduced me to the work (Walter, '38) takes it in only 18 minutes!  The strings play with almost no vibrato as well.

Karl Henning

Maiden-Listen Monday!

Alexandre Tansman
String Quartet № 2 (1922)
Silesian  String Quartet

Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Symphonic Addict

Hartmann: Symphonische Hymnen

Quite likely my favorite work by him. Powerful stuff.

Part of the tragedy of the Palestinians is that they have essentially no international support for a good reason: they've no wealth, they've no power, so they've no rights.

Noam Chomsky

Todd



More home run Brahms from the Prazak.
The universe is change; life is opinion. - Marcus Aurelius, Meditations

People would rather believe than know - E.O. Wilson

Propaganda death ensemble - Tom Araya

JBS

Third listen


I assume @Florestan has this on his shopping list already.

Hollywood Beach Broadwalk

Symphonic Addict

Quote from: Karl Henning on April 10, 2023, 05:01:35 PMMaiden-Listen Monday!

Alexandre Tansman
String Quartet № 2 (1922)
Silesian  String Quartet



Some of these quartets are dynamite!
Part of the tragedy of the Palestinians is that they have essentially no international support for a good reason: they've no wealth, they've no power, so they've no rights.

Noam Chomsky

foxandpeng

Wojciech Kilar
Lament
September Symphony
Warsaw Philharmonic Symphony Orchestra and Choir


Insomnia companion for the small hours. These are very satisfying.
"A quiet secluded life in the country, with the possibility of being useful to people ... then work which one hopes may be of some use; then rest, nature, books, music, love for one's neighbour — such is my idea of happiness"

Tolstoy

Mapman

Maiden-Listen Monday
Hotteterre: Trio Sonata in e minor, Op. 3/4
Les Eléments

Two flutes and continuo. Not the sort of music that I typically listen to, but a nice change of pace. (I find that my appreciation of counterpoint increases over time.)


Symphonic Addict

Robert Kahn (1865-1951): Piano Trios Nos. 1 and 2

Beautiful music, beautifully played. The style of this composer is akin to that of Ludwig Thuille.

Part of the tragedy of the Palestinians is that they have essentially no international support for a good reason: they've no wealth, they've no power, so they've no rights.

Noam Chomsky

Symphonic Addict

Finally I got around to listening to the whole disc. Death on the Pale Horse drew my attention the most.




Lyatoshynsky: Symphony No. 2

Intensity and lushness galore: a gripping combination. My favorite Lyatoshynsky disc.

Part of the tragedy of the Palestinians is that they have essentially no international support for a good reason: they've no wealth, they've no power, so they've no rights.

Noam Chomsky

Roasted Swan

A couple of Charity Shop recent acquisitions.  First;



I like these early Levine recordings very much (I understand why some cannot get past his non-musical past).  The Chicago SO absolutely blaze - its a genuinely thrilling performance and goes right to the top of the pile of my favourite non-Russian versions.

Then;



which I had on a cassette but nothing else.  Goodness me these Jarvi/SNO/Chandos discs were just superb in every respect.  Great sound, great playing and firey characterful interpretations.  Apart from the familiar Kije this is a bit of a pick-up programme filling in gaps in the rest of the Chandos/Prokofiev series.  But what tremendous gaps!  The whole programme is excellent; the String Andante and the early Autumn are really worth hearing.  And The Stone Flower derserves to be much better known - a worthy companion ballet to sit alongside Romeo & Juliet or Cinderella I reckon......