What are you listening 2 now?

Started by Gurn Blanston, September 23, 2019, 05:45:22 AM

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Mandryka



One of the great 20th century trumpet concertos (actually, I can't think of any other 20th century trumpet concertos -- but no matter, it's a trumpet concerto (IMO) and it's great so . . . )
Wovon man nicht sprechen kann, darüber muss man schweigen

Lisztianwagner

Gustav Mahler
Das Lied von der Erde

James King, Janet Baker
Bernard Haitink & Royal Concertgebouw Orchestra


"You cannot expect the Form before the Idea, for they will come into being together." - Arnold Schönberg

ritter

#99842
Quote from: Mandryka on October 18, 2023, 10:36:09 AM

One of the great 20th century trumpet concertos (actually, I can't think of any other 20th century trumpet concertos -- but no matter, it's a trumpet concerto (IMO) and it's great so . . . )
Stockhausen at the top of his game....I should revisit that soon. Good evening, Mandryka!


TD:

First listen to this new arrival, with a varied programme of Italian avant-garde music:



Contents can be seen in discogs.

Kind of cute to encounter the valse from Messager's Isoline in one of the Bussotti works (it was a kind of an idée fixe for good old Sylvano  :) ).

Berio's early Chamber Music is a work I do not revisit often, but it's rather attractive in its Dallapiccola-permeated style. OTOH, Sequenza III for solo voice (which here is sung by a male singer —the excellent Nicholas Isherwood—; was this version sanctioned by the composer?) may be very interesting and clever, but I personally find it insufferable (as I do most of the Sequenze, TBH — I much prefer the Chemins series).


Franco Donatoni's jazzy Hot (for saxophone and six instruments) has turned out to be the highlight of this disc. A superb piece!



vers la flamme



Johann Sebastian Bach: Sonatas & Partitas for Solo Violin. Arthur Grumiaux

Great recording. Would love to hear a HIP one to see how it compares, though not entirely sure what it would entail (less vibrato maybe—not that Grumiaux's recording is particularly drenched in it).

Brian



Les Pêcheurs de Saint-Jean seems to be a suite from an opera - a 10-minute overture plus two shorter snippets. The overture has lots of bold writing for trombones, but also a great big ripoff of Wagner's Tannhauser overture in the middle, and a delicate violin solo. The two little pieces are fairly forgettable.

The Cello Concerto is in a more conservative idiom than Saint-Saens' two concertos, with less memorable tunes and a longer structure. It is an artifact of that era when some French composers (like Gouvy) were trying to imitate Germanic orchestral forms but with limited success. The only real formal twist is the slow, quiet ending.

Madiel

Quote from: vers la flamme on October 18, 2023, 11:23:31 AM

Johann Sebastian Bach: Sonatas & Partitas for Solo Violin. Arthur Grumiaux

Great recording. Would love to hear a HIP one to see how it compares, though not entirely sure what it would entail (less vibrato maybe—not that Grumiaux's recording is particularly drenched in it).

I highly recommend David Watkin.
Nobody has to apologise for using their brain.

AnotherSpin

Quote from: Madiel on October 18, 2023, 12:37:31 PMI highly recommend David Watkin.

I did not know that cellist David Watkin performed Sonatas and Partitas for solo violin.

Madiel

Quote from: AnotherSpin on October 18, 2023, 01:10:00 PMI did not know that cellist David Watkin performed Sonatas and Partitas for solo violin.

Doh. I was distracted.
Nobody has to apologise for using their brain.

Symphonic Addict

The last CD to play devoted to this composer. A truly stupendous craftsman all round.

The current annihilation of a people on this planet (you know which one it is) is the most documented and at the same time the most preposterously denied. The terror IS REAL!

Symphonic Addict

Quote from: DavidW on October 18, 2023, 08:54:51 AM

To my ears, Honeck was a little interventionist in this performance.
The current annihilation of a people on this planet (you know which one it is) is the most documented and at the same time the most preposterously denied. The terror IS REAL!

Henk

'The 'I' is not prior to the 'we'.' (Jean-Luc Nancy)

'... the cultivation of a longing for the absolute born of a desire for one another as different.' (Luce Irigaray)

Brian

Quote from: Symphonic Addict on October 18, 2023, 01:16:09 PMThe last CD to play devoted to this composer. A truly stupendous craftsman all round.


Congrats on reply #100000 to this thread!  ;D

Symphonic Addict

The current annihilation of a people on this planet (you know which one it is) is the most documented and at the same time the most preposterously denied. The terror IS REAL!

Lisztianwagner

Edward Elgar
Sea Pictures

Janet Baker (mezzo-soprano)
Sir John Barbirolli & London Symphony Orchestra


"You cannot expect the Form before the Idea, for they will come into being together." - Arnold Schönberg

vers la flamme

Quote from: Lisztianwagner on October 18, 2023, 02:59:47 PMEdward Elgar
Sea Pictures

Janet Baker (mezzo-soprano)
Sir John Barbirolli & London Symphony Orchestra




Love that box set.



Georg Philipp Telemann: Luther Cantatas. Gotthold Schwarz, Sächsische Barockorchester, Bach Consort Leipzig

First listen, I think, to any of Telemann's vocal music. So far so good.

Linz

Bruckner Symphony No. 8 in C Minor, 1887/90 Mixed Versions. Ed. Robert Haas, Franz Konwitschny, Radio Symphony Orchetra Berlin

classicalgeek

Quote from: Karl Henning on October 14, 2023, 11:25:49 AMOzawa did a lot of superb work in Boston.

That he did, Karl! I grew up in New Hampshire in the late 80s and early 90s (before moving to the Pacific Northwest after college), and I went to several BSO concerts conducted by Ozawa. The most memorable was a Mahler 2 in November 1989 - a transcendental experience for 14-year-old me! ;D

TD:
Shostakovich
Symphony no. 8
Pittsburgh Symphony Orchestra
Mariss Jansons

(on CD)



A fine Shostakovich 8, even if my favorites still remain Haitink/Concertgebouw and Previn/LSO/EMI.
So much great music, so little time...

Dry Brett Kavanaugh

Erik Satie works - Ronan O'Hora.



Symphonic Addict

Yoshimatsu: White Landscapes

Soothing, relaxing, almost 10 minutes of sheer bliss.

The current annihilation of a people on this planet (you know which one it is) is the most documented and at the same time the most preposterously denied. The terror IS REAL!

Linz

Bach Attributions, Christopher Herrick organ, Eight Little Preludes and Fugues, BWV553-560, Fifteen Chorale Preludes, Fugue in G major, BWV581 and Partita 'Allein Gott in der Hoh sei Ehr', BWV771