What are you listening 2 now?

Started by Gurn Blanston, September 23, 2019, 05:45:22 AM

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Que


prémont

#110361
Quote from: Selig on May 11, 2024, 06:30:28 AMFranz Haselböck playing Bach chorales

Organ built in 1778 by Johann Gottfried Malleck for Eisenstadt Cathedral

(I started listening thinking this was Martin Haselböck, now realizing it's his uncle playing  :-[ )





Franz Haselböck passed Febr.11 2024. He was brother to Hans Haselböck (another Austrian organist 1928-2021) who was Martin Haselböcks father.
Any so-called free choice is only a choice between the available options.

Spotted Horses

#110362
Mozart, Symphonies 20, 31, 33, Pinnock



Nicely done, No 20, in particular, is a wonderfully festive performance of a work where Mozart uses trumpets to good effect. No 34 is a favorite of mine among the "middle" symphonies and I will probably try that next.
There are simply two kinds of music, good music and the other kind. - Duke Ellington

SonicMan46

Decided to go through my Bach collections which will take a while!  Starting w/ CPE Bach:

Bassoon Music - nearly all of this music are bassoon transcriptions done by Sergio Azzolini playing a Baroque instrument (probably my favorite performer on this instrument), except for some of the chamber pieces; the works and their H. & Wq. numbers given below for each disc - Gio on Amazon has an excellent more thorough discussion HERE, for those interested.  Dave

QuoteCD 1:  Source
H 432. Cello Concerto in A minor (Wq 170) (1750) (arrangement of H.430)
H 436. Cello Concerto in B flat major (Wq 171) (1751) (arrangement of H.434)
H 439. Cello Concerto in A major (Wq 172) (1753) (arrangement of H.437)

CD 2:
H 425. Keyboard Concerto in D minor (Wq 22) (1747)
H 479. Concerto for harpsichord & piano in E flat major (Wq 47) (1788)
H 444. Keyboard Concerto in G major (Wq 34) (1755)

CD 3:
H 416. Keyboard Concerto in D major (Wq 13) (1744)
H 588. Trio Sonata in F major (Wq 163)
H 446. Keyboard Concerto in E flat major (Wq 35) (1759)
H 520. Clarinet Sonata in E flat major (Wq 92:5)


VonStupp

Quote from: Roasted Swan on May 10, 2024, 11:17:12 PMCheck out the only other complete recording by Igor Markevitch - a Boulanger specialist - and Andre Mallabrerra - the ideal French lyric tenor.  The recording may be murky, the orchestra 2nd rate and the soprano wobbling but the feel of the piece amazing.  I keep hoping this performance will make it to CD.

I can imagine. My entry to Boulanger was Markevitch on Everest, and still cherish it despite aging sonics. I see BBC Magazine had a recording of Faust under James Gaffigan. The work is still new to me, so I doubt I will be investing in anything else anytime soon.
VS
"All the good music has already been written by people with wigs and stuff."

Lisztianwagner

Mily Balakirev
Symphony No.1 in C major

Herbert von Karajan & Philharmonia Orchestra


"You cannot expect the Form before the Idea, for they will come into being together." - Arnold Schönberg

Bachtoven

Spectacular playing and sound. (DSD64 download)
Audio: B&W 803D3, SVS Ultra 13, McIntosh MA9000, Mark Levinson No.5101, Roon Nucleus Plus, Denafrips Venus II, VPI Prime Signature, Ortofon Cadenza Bronze, Focal Stellia, Sennheiser HD800S

Linz

Bruckner Symphony No. 6 in A Major, 1881 Version. Ed. Leopold Nowak, Kurt Eichhorn, Bruckner Orchester Linz

ritter

Some Wagnerian bleeding chunks tonight: Act I, scene 3 from Die Walküre, an excerpt from the prologue and "Siegfried's Rhine Journey" from Götterdämmerung. Helen Traubel (sop.), Lauritz Melchior (ten.), and Arturo Toscanini conducting the NBC Symphony Orchestra.

CD3 of this set:


Lisztianwagner

Charles Ives
Symphony No.4

Michael Tilson Thomas & Chicago Symphony Orchestra


"You cannot expect the Form before the Idea, for they will come into being together." - Arnold Schönberg

SonicMan46

Bach, CPE - Cello Concertos w/ Bylsma, Altstaedt & Mate (in the 7-disc box) - these are all excellent performances - attached are numerous excellent reviews of Altstaedt's performance except for Dave Hurwitz's scathing comments (he must have been having a 'bad hair' day -  ::)  ;D ) - Dave :)


Karl Henning

Taking a cue from the Bax thread:

Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Linz

Lully Dies Irae, Miserere,
Dumont Memorare, Choeur et Orchestre de la Chappelle Royale, Philippe Herreweghe

Linz

Bruckner Symphony No. 8 in C Minor, 1890 Version. Ed. Leopold Nowak,  Eugen Jochum, Bamberger Symphoniker

Bachtoven

Audio: B&W 803D3, SVS Ultra 13, McIntosh MA9000, Mark Levinson No.5101, Roon Nucleus Plus, Denafrips Venus II, VPI Prime Signature, Ortofon Cadenza Bronze, Focal Stellia, Sennheiser HD800S

AnotherSpin


Symphonic Addict

Quote from: vandermolen on May 10, 2024, 10:43:12 PMA fine HB CD. It was great to have a professional performance of the 10th Symphony although it didn't erase memories of the one featuring the Leicestershire Schools SO.

Even though I used to enjoy the 10th more before, I consider it a pretty interesting work all the same.
Part of the tragedy of the Palestinians is that they have essentially no international support for a good reason: they've no wealth, they've no power, so they've no rights.

Noam Chomsky

Symphonic Addict

Quite marvellous English late-Romanticism. Grey Galloway and The Demon Lover contain splendid music, whilst Coronach is mildly less engrossing.

Part of the tragedy of the Palestinians is that they have essentially no international support for a good reason: they've no wealth, they've no power, so they've no rights.

Noam Chomsky

Bachtoven

Audio: B&W 803D3, SVS Ultra 13, McIntosh MA9000, Mark Levinson No.5101, Roon Nucleus Plus, Denafrips Venus II, VPI Prime Signature, Ortofon Cadenza Bronze, Focal Stellia, Sennheiser HD800S

Symphonic Addict

More fine English late-Romanticism:

Elgar: In the South

Part of the tragedy of the Palestinians is that they have essentially no international support for a good reason: they've no wealth, they've no power, so they've no rights.

Noam Chomsky