What are you listening 2 now?

Started by Gurn Blanston, September 23, 2019, 05:45:22 AM

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Traverso


Linz

George Frideric Handel Amadigi di Gaula Act II (Continuation) Act III
Les Musiciens du Louvre, Marc Minkowski

Dry Brett Kavanaugh


Dry Brett Kavanaugh

#131983
Francesco Moccia, Bach Lute works (guitar).





VonStupp

FJ Haydn
Symphony 70 in D Major
Symphony 71 in B-flat Major
Symphony 72 in D Major
Austro-Hungarian HO - Ádám Fischer

VS

All the good music has already been written by people with wigs and stuff. - Frank Zappa

My Musical Musings

Mister Sharpe

Some more of my thrifty treasures and making a Bernard Herrmann afternoon of them.  But is it classical music?  This thread seems hardly the place for that discussion, but for the moment I will say that I see most film scores as a sub-genre of classical music, fully aware not everyone will agree. And that's fine, divergence of opinion doesn't bother me (at least in this case! ;D ).  Lending some support to my view is composer and conductor Matthew Aucoin, who, in the May issue of the Atlantic, attempts to tackle the eternal question "What is Classical Music?" and concludes "At its core, classical music isn't 'classical.' It is written music. I mean music that comes into being through the act of composition." It's a very interesting, even compelling thesis (I'm uncertain myself whether I fully agree with it), and it's certainly more complex than I'm painting it. A wag on Reddit says, "Classical music is whatever they'll play during the day on NPR."  :laugh: By that measure alone, Bernard Herrmann film scores are classical! 

"It's often said it's better to be sharp than flat," when discussing tuning instruments.

Lisztianwagner

Erkki Melartin
Symphony No.6

Ari Rasilainen & Turku Philharmonic Orchestra


"You cannot expect the Form before the Idea, for they will come into being together." - Arnold Schönberg

Symphonic Addict

Beethoven: Symphonies 7 and 8

The current annihilation of a people on this planet (you know which one it is) is the most documented and at the same time the most preposterously denied.

brewski

Of 3 great-looking streams, all happening now, I chose this one. Hoping the others will be available later.

Quote from: brewski on June 27, 2025, 08:59:21 AMWDR Sinfonieorchester / Cristian Măcelaru / Julia Fischer, violin
Brahms: Violin Concerto
Shostakovich: Symphony No. 10

"I set down a beautiful chord on paper—and suddenly it rusts."
—Alfred Schnittke (1934-1998)

Linz

Jean Sibelius Sibelius: Symphony No. 2 in D major, Op. 43, Lemminkäinen Suite, Op. 22
Hallé Orchestra,  Sir John Barbirolli

ritter

Chamber music by Rodolfo Halffter, including the three piano sonatas. All works on this disc are from after the end of the Spanish Civil War, when Rodolfo lived in self-imposed exile in Mexico (he started  travelling on occasions back to Spain in 1963, when the dictator Franco was still very much alive).

 « Et n'oubliez pas que le trombone est à Voltaire ce que l'optimisme est à la percussion. » 

Iota





I've listened to the first three Lamentations and the Passionarium so far, and am finding it exceedingly beautiful. For whatever psycho-climactic conditions reigning in my head, when I got to the plainchant of the Passionarium it hit home so powerfully, that I almost found the polyphony of the Lamentations 'too' beautiful, as if polyphony obscured the deepest and truest essence of what was being sung. Not my usual experience, polyphony often feels like a kind of musical lifeblood to me, though I do appreciate plainchant at times, it's just that the power of it struck me more vividly today than it has ever done.

Karl Henning

Quote from: steve ridgway on June 26, 2025, 09:26:34 PMIves - Orchestral Set No. 2

I like Ives' layering of different tunes, a busy space with several things going on at once.




Love 'em!
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Linz

Anton Bruckner Symphony No. 6 in A Major, 1881 Version. Ed. Leopold Nowak
Saarland Radio Sinfonie Orchester. Hans Zender

Spotted Horses



Returned for the 3rd and 4th movements of the 4th symphony. I have to make a note never to listen to this again.
Formerly Scarpia (Scarps), Baron Scarpia, Ghost of Baron Scarpia, Varner, Ratliff, Parsifal, perhaps others.

Symphonic Addict

Early Martinu already shown signs of an assured genius. The five works on this Toccata disc have no waste. Little Dance Suite is anything but little, it's a forty-two-minute-long tasty and joyful work. Orchestral Movement, H. 90 has a very generic title for such atmospheric music it contains. A superb program altogether.

The current annihilation of a people on this planet (you know which one it is) is the most documented and at the same time the most preposterously denied.

ritter

#131996
Another Spanish exile in Mexico: Jesús Bal y Gay. José Luis Temes conducts the Orquesta de Córdoba in the complete orchestral works (including a curious arrangement of the Brandenburg Concerto No. 6 for full modern symphony orchestra, commissioned by Carlos Chávez).

 « Et n'oubliez pas que le trombone est à Voltaire ce que l'optimisme est à la percussion. » 

Linz

Wolfgang Amadeus Mozart Symphony No. 36 in C major, K425 'Linz'
Symphony No. 33 in B flat major, K319
Symphony No. 39 in E flat major, K543
Symphonieorchester des Bayerischen Rundfunks, Eugen Jochum

SonicMan46

New Boccherini acquisition arrived today - String Quintets Op. 60 - 6 works on 2 CDs w/ the Baciocchi String Quintet; most of Luigi's 5 instrument works in this genre used 2 cellos - as is seen in the cover art below, just one cello is used. The bottom pic shows a summary of his works for 5 instruments according to the Gérard catalog, i.e. from G. 265-378 are 2 cello quintets and G. 379-406 are 2 viola/1 cello quintets - i.e. a total of about 140 works with 80% being for 2 cellos. Dave

QuoteList of compositions of classical composer Luigi Boccherini (1743-1805). Boccherini's works were catalogued by the French musicologist Yves Gérard (1932–2020) in the Gérard catalog, published in London (1969), hence the "G" numbers for his output. (Source)

 


Mandryka

Wovon man nicht sprechen kann, darüber muss man schweigen