What are you listening 2 now?

Started by Gurn Blanston, September 23, 2019, 05:45:22 AM

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Symphonic Addict

Gubaidulina: Hour of the Soul and Detto II

The current annihilation of a people on this planet (you know which one it is) is the most documented and at the same time the most preposterously denied.

Mister Sharpe

#134041
Almost always, curious thing, whenever I listen to Vladimir Ashkenazy, pianist or conductor, I come away thinking he really ought to be better appreciated. I've felt this way for a very long time (despite his 7 Grammy Awards - isn't that enough for me?). Certainly, I'm aware that for many, maybe most, his pianism is valued more than his conducting. Personally, I've liked so much of Ashkenazy's conducting that I don't feel any need to distinguish those lines of work.  In any case, inspired by a glance at the current issue of International Piano devoted to Chopin (great issue, btw), I felt a need to re-listen to the Nocturnes. Wondering what my old Penguin Guide (RIP) said about Ashkenazy's set, I turned to it and found - as I suspected - continuing love for Rubinsteins's performance on RCA - I like it too! - which it accords a Key, its topmost rating. But I've always felt Ashkenazy's on Decca/London to be topshelf and a worthy competitor. Incomprehensibly, it gets not a mention in the Guide, sadly playing into my personal quibble/mania with the classical world.  Edit:   Ha-ha - joke's on me, Penguin's comments are under the Ballades, about the Nocturnes it says, "the playing is splendidly imaginative and atmospheric. As always, Ashkenazy is completely attuned to Chopin's unique sound-world, and CD transfers are impeccable."

"We need great performances of lesser works more than we need lesser performances of great ones." Alex Ross

Linz

Joseph Haydn Symphonies Vol. 4 CD1
Symphony No. 21 in A major
Symphony No. 22 in E-flat major
Symphony No. 23 in G major
The Academy of Ancient Music, Christopher Hogwood

Dry Brett Kavanaugh

Scriabin: Poem of Ecstasy - Liszt: Les préludes, S. 97.  Pierre Monteux · Roger Voisin · Boston Symphony Orchestra.







Linz

Giovanni Sgambati Symphonies Nos. 1 & 2
Württembergische Philharmonie Reutlingen, Ola Rudner

Symphonic Addict

It's amazing how many worthwhile composers remain relatively unknown nowadays. This seems to be the case with Friedrich Kuhlau (1786-1832), a Danish composer who wrote music in a late classical and early romantic style. These two piano quartets are solid, well-crafted, delectable works, whose merit is more than palpable.

The current annihilation of a people on this planet (you know which one it is) is the most documented and at the same time the most preposterously denied.

brewski

Bartók: Concerto for Orchestra (Bloch / Orchestre National de Lille). Inspired by earlier comments, giving this a listen. Liking it a lot, particularly the winds.

"I set down a beautiful chord on paper—and suddenly it rusts."
—Alfred Schnittke (1934-1998)

JBS

Quote from: Dry Brett Kavanaugh on August 13, 2025, 12:34:55 PMNice cover art! Is she half-Japanese?

One parent Japanese, the other Bavarian; born in Osaka and raised in Salzburg.

https://en.wikipedia.org/wiki/Midori_Seiler

Hollywood Beach Broadwalk

(poco) Sforzando

Quote from: brewski on August 13, 2025, 05:31:57 PMBartók: Concerto for Orchestra (Bloch / Orchestre National de Lille). Inspired by earlier comments, giving this a listen. Liking it a lot, particularly the winds.


Ah. Much cheaper than paying $50-60 for the CD, though who knows if the sound is of CD quality.
"I don't know what sforzando means, though it clearly means something."

Madiel

Quote from: Mister Sharpe on August 13, 2025, 01:33:51 PMAlmost always, curious thing, whenever I listen to Vladimir Ashkenazy, pianist or conductor, I come away thinking he really ought to be better appreciated. I've felt this way for a very long time (despite his 7 Grammy Awards - isn't that enough for me?). Certainly, I'm aware that for many, maybe most, his pianism is valued more than his conducting. Personally, I've liked so much of Ashkenazy's conducting that I don't feel any need to distinguish those lines of work.  In any case, inspired by a glance at the current issue of International Piano devoted to Chopin (great issue, btw), I felt a need to re-listen to the Nocturnes. Wondering what my old Penguin Guide (RIP) said about Ashkenazy's set, I turned to it and found - as I suspected - continuing love for Rubinsteins's performance on RCA - I like it too! - which it accords a Key, its topmost rating. But I've always felt Ashkenazy's on Decca/London to be topshelf and a worthy competitor. Incomprehensibly, it gets not a mention in the Guide, sadly playing into my personal quibble/mania with the classical world.  Edit:   Ha-ha - joke's on me, Penguin's comments are under the Ballades, about the Nocturnes it says, "the playing is splendidly imaginative and atmospheric. As always, Ashkenazy is completely attuned to Chopin's unique sound-world, and CD transfers are impeccable."



I have the box set of Ashkenazy's Chopin, and I'm pretty sure that was on the basis of the Penguin Guide years ago.

He rarely puts a foot wrong across 13 discs worth. And the original albums were programmed very well, too, mostly with mixed recitals of pieces from the same period of Chopin's career. 
Every single post on the forum is unnecessary. Including the ones that are interesting or useful.

AnotherSpin



J.S. Bach:
Ach, Was Ist Doch Unser Leben? Organ Works

Pietro Paganini

Wanderer


AnotherSpin




Buxtehude: Membra Jesu Nostri
Ricercar Consort - Philippe Pierlot


Daverz

Quote from: Madiel on August 13, 2025, 08:00:20 PMI have the box set of Ashkenazy's Chopin, and I'm pretty sure that was on the basis of the Penguin Guide years ago.

He rarely puts a foot wrong across 13 discs worth. And the original albums were programmed very well, too, mostly with mixed recitals of pieces from the same period of Chopin's career. 

The only negative things I've read about Ashkenazy's piano discography is about the Decca sound ("flinty" is one of the complaints).

Madiel

Quote from: Daverz on August 13, 2025, 09:59:25 PMThe only negative things I've read about Ashkenazy's piano discography is about the Decca sound ("flinty" is one of the complaints).

The Schumann series is considered to have poor sound. I don't think people complain in that way about the Chopin or Rachmaninov.
Every single post on the forum is unnecessary. Including the ones that are interesting or useful.

hopefullytrusting

Yesterday, I listened to Bach's Inventions and Symphonies, as well as the more complex fugal work of Busoni and Reger.

Also, relistened to Mozart 41, again - because I will get it, eventually - not yesterday, but I do have a newer sense of appreciation for it. :)

Que

#134056
Quote from: Florestan on August 13, 2025, 08:23:04 AMAnd what are the results?

I'll do a little write up on the Haydn thread.  :)
But there are a lot of good options.

71 dB

#134057
This twofer arrived today:

Dvořák - Complete Piano Trios - Suk Trio - Supraphon Archiv SU 3545-2 112

Considering how much I enjoy Piano Trios in general, it is surprising how I managed to overlook these works this long...
Spatial distortion is a serious problem deteriorating headphone listening.
Crossfeeders reduce spatial distortion and make the sound more natural
and less tiresome in headphone listening.

My Sound Cloud page <-- NEW July 2025 "Liminal Feelings"

vandermolen

Quote from: Lisztianwagner on August 13, 2025, 11:07:43 AMWilliam Alwyn
Elizabethan Dances
Festival March

Richard Hickox & London Symphony Orchestra



That's a fabulous Alwyn CD - I especially like the 4th Symphony (the opening movement is like a symphony in itself) and the enjoyable Elizabethan Dances.
"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).

vandermolen

Bliss: Meditations on a Theme by John Blow:
Sir Andrew Davis (Chandos CD)
BBC SO
"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).