What are you listening 2 now?

Started by Gurn Blanston, September 23, 2019, 05:45:22 AM

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Mister Sharpe

Sonata for violin and piano, G maj.  Quite surprised, nay, astonished, even more nay, delighted, to see how numerous the Lekeu CD issues are of late. 

"We need great performances of lesser works more than we need lesser performances of great ones." Alex Ross

JBS


Hollywood Beach Broadwalk

SonicMan46

Giuliani, Mauro (1781-1829) - Solo & Chamber Music with David Starobin on a copy of a J.G. Staufer guitar (ca. 1829) made by Gary Southwell; the first volume is a CD w/ booklet of solo works; the second volume is a MP3 CD-R of solo and duet music - its contents are listed HERE.

Giuliani 'was a leading guitar virtuoso of the early 19th century' (Source). He wrote a wide variety of music for the instrument, including many solo works, duos (for violin, flute, and guitar; the first two interchangeable), concertos, Rossini themes, etc.  I own a dozen or so recordings of his works, about half being duets with violin or flute.  Dave

 

Linz

Anton Bruckner Symphony No. 4 in E Flat Major,  1878/80 Version (1880 with Bruckner's 1886 revisions) - Ed. Leopold Nowak
Royal Concertgebouw Orchestra, Eugen Jochum:

Traverso

Mahler

Sympnony No.7

Concertgebouw Orchestra Amsterdam

Kirill KONDRASHIN




Karl Henning

Quote from: Karl Henning on August 16, 2025, 08:25:37 AMCuriously, I've been listening to Respighi of late, as well (rather more than Iis my wont) mostly the Antiche danze ed arie Suites.
In the tranche of CDs which Dan kindly offloaded hither are two Respighi discs, I first listened some few times to Neville Marriner leading the LA Chamber Orchestra.
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Dry Brett Kavanaugh

Schmitt: La tragédie de Salomé; R. Strauss: Salome's Dance of the Seven Veils; Lalo: Namouna, Suite No. 1.

Detroit Symphony Orchestra · Paul Paray.






JBS

Opera in the afternoon




Hollywood Beach Broadwalk

Iota



Schubert: Piano Sonata in A Major, D. 664
Can Çakmur (piano)


D664 has never been as enchanting to me as it is in this recording, Çakmur really is a remarkable pianist, There's always something happening in his Schubert, every note almost seems shaped, but it is done with such artistry that the flow of the music is not impeded in any way, and hidden treasures suddenly seem to pour out of the music. Even the last movement, which has never been one of Schubert's most interesting moments to me, seemed less of a duty than usual.

Linz

Joseph Haydn Symphonies Vol. 4 CD 3
Symphony No. 30 in C major
Symphony No. 31 in D major, 'Horn Signal'
Symphony No. 34 in D minor
The Academy of Ancient Music, Christopher Hogwood

Lisztianwagner

Camille Saint-Saëns
Symphony No.3

Pierre Cochereau (organ)
Herbert von Karajan & Berliner Philharmoniker


"You cannot expect the Form before the Idea, for they will come into being together." - Arnold Schönberg

Karl Henning

#134191
Yesterday and today, I've spent some time with the St Paul Chamber Orchestra, led by Hugh Wolff. where Marriner's recording is the three Suites of the title, the program of the Wolff disc is the Trittico botticelliano (I keep forgetting that the second number is L'Adorazione dei Magi, and very creatively adopts the plainchant, Veni, Emmanuel) Gli Uccelli and the second and third Antiche danze ed arie SuitesGli Uccelli is in much the same vein as these. The third Suite (1932) is strings alone, and concludes with a Passacaglia. Largely for those reasons it has become my favorite of the three. With the exception of the third number (Siciliana) Marriner's timings are briefer than those of Wolff. Without finding any genuine objection to the Marriner, I find I prefer the Wolff.
Separately, my introduction to  Gli Uccelli was a performance in Carnegie Hall by the Orpheus Chamber Orchestra, to which, if I do not wildly misremember, @brewski invited me.
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Linz

Richard Wagner Der fliegende Holländer, WWV 63: Overture
Tannhäuser, WWV 70: Overture
Lohengrin, WWV 75, Act 1: Prelude and Act 3: Prelude
Die Meistersinger von Nürnberg, WWV 96: Prelude
Charles Gounod Faust, Ballet Music
Paris Opera Orchestra, André Cluytens

Dry Brett Kavanaugh

Quote from: Linz on August 16, 2025, 12:46:05 PMRichard Wagner Der fliegende Holländer, WWV 63: Overture
Tannhäuser, WWV 70: Overture
Lohengrin, WWV 75, Act 1: Prelude and Act 3: Prelude
Die Meistersinger von Nürnberg, WWV 96: Prelude
Charles Gounod Faust, Ballet Music
Paris Opera Orchestra, André Cluytens



Nice recording!

Dry Brett Kavanaugh

Ginastera, Villa-Lobos, and Chavez.






DavidW

This morning, the Great Symphony:


This afternoon, Vivaldi:

Linz

Anton Bruckner Symphony no. 6 in A Major, 1881 Version. Ed. Leopold Nowak
SWR Sinfonieorchester Baden-Baden und Freiburg, Ferdinand Leitner
Karl Amadeus Hartmann Ymphony No. 6

hopefullytrusting

More Honeck:


Honeck's conducting Mahler Symphony 1 with the NDREO:
https://www.youtube.com/watch?v=lurl-klLJWo

If you know, you know. 8)

JBS

Furtwangler as composer



The issue I have is with the Naxos label, gives the orchestra's name as Czecho-Slovak State Philharmonic (Kosice), and replaces the serene Seurat with the upper half of this painting (War, second version) by Böcklin.


Just a slight change of tone...

Hollywood Beach Broadwalk

JBS

Two first listens. Both seem recommendable.

Hollywood Beach Broadwalk