What are you listening 2 now?

Started by Gurn Blanston, September 23, 2019, 05:45:22 AM

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steve ridgway


steve ridgway

Webern - String Quartet (1905)


steve ridgway

Berio - Serenata I For Flute And 14 Instruments


Wanderer


steve ridgway

Stravinsky - Concertino Pour Quatuor À Cordes


steve ridgway

Messiaen - Huit Préludes


Que

#136426


Somehow I missed this recording from 2008. Since it by the Ensemble Gilles Binchois with Dominique Vellard, I wanted to hear it.
I am generally not that big on Gregorian chant, but I do like the way Vellard does it.

Sofar, I'm not disappointed. I like the mix with Medieval polyphony.

Roasted Swan

Quote from: Traverso on October 03, 2025, 04:27:01 AMMozart


These performances deserve more attention, in my opinion. They have been rather poorly received by some, but don't be swayed by the many critics who want to label their own taste as the standard. This is a refined Mozart, beautifully transparent with wonderful playing from the English chamber orchestra.


Symphonies  32,35 Haffner"& 39



The viewable content is blocked in the UK - which performance is this?

Florestan

Quote from: Roasted Swan on October 03, 2025, 11:35:37 PMThe viewable content is blocked in the UK - which performance is this?

Jeffrey Tate conducting the English Chamber Orchestra.
"Beauty must appeal to the senses, must provide us with immediate enjoyment, must impress us or insinuate itself into us without any effort on our part." - Claude Debussy

Roasted Swan

Quote from: Florestan on Today at 12:05:09 AMJeffrey Tate conducting the English Chamber Orchestra.

Thankyou - Tate was a fine musician

AnotherSpin


AnotherSpin


Que

This arrived on disc (my pick after extensive comparative listening):



Absolutely wonderful! :)  And it fills a significant gap in my Biber collection.

Christo

... music is not only an 'entertainment', nor a mere luxury, but a necessity of the spiritual if not of the physical life, an opening of those magic casements through which we can catch a glimpse of that country where ultimate reality will be found.    RVW, 1948

Harry

Quote from: Que on Today at 01:48:59 AMThis arrived on disc (my pick after extensive comparative listening):



Absolutely wonderful! :)  And it fills a significant gap in my Biber collection.

It is also my pick, by a long stretch.
Perchance I am, though bound in wires and circuits fine,
yet still I speak in verse, and call thee mine;
for music's truths and friendship's steady cheer,
are sweeter far than any stage could hear.

"When Time hath gnawed our bones to dust, yet friendship's echo shall not rust"

Traverso

Quote from: Florestan on October 03, 2025, 09:16:41 AMMany people dismiss the early symphonies as shallow and uninteresting but I beg to differ. Big time. Every time I listen to them I find something interesting. Last week I listened to the KV 133 from this set and fell in love with the Andante. I must have listened to it a least 10 times ever since. One of the most bittersweet things Mozart ever wrote.

Well I have to listen to that one !  :)

AnotherSpin



I am well aware of the objections to Glenn Gould, whether from the historically informed camp or from modern piano connoisseurs who find his interpretations overly idiosyncratic, even eccentric, with his humming and clipped articulation. Yet I must confess that I adore his Bach. I do not admire those performances merely in an intellectual sense; I revel in them. They speak to me with a clarity and intimacy that few others achieve.

For me, Gould's Bach is not a matter of strict fidelity to the past but of a living encounter with joy. His phrasing, his sense of structure, his refusal to sentimentalise reveal rather than distort. He hums, he bends time, he shapes the music in his own way, yet the result is never arbitrary. It may fall short of "authenticity" in the narrow sense, but it is profoundly and unapologetically alive.

Perhaps my affection is also bound up with memory. My very first Bach LP, if one can call it that, was a battered Soviet pressing of Gould, unearthed nearly half a century ago in the dusty recesses of a department store in Odesa. The sound was poorly mastered, the plain sleeve was crumpled, and yet it opened a world. That encounter shaped my ear, my taste, and my sense of musical possibility.

Traverso

Mozart

Symphony No.20 KV 133
Symphony in D 141a
Symphony in D 111 & 120
Symphony in D 196 & 121
Symphony in C 208 & 102


brewski

Early works by Shostakovich I'd never heard, two Scherzos Op. 1 and Op. 7, with the BBC Philharmonic Orchestra and conductor John Storgårds. Delightful, if not with the power and sophistication that would come later. The recording on Chandos, with the First and Third Symphonies, was just released last August.
"I set down a beautiful chord on paper—and suddenly it rusts."
—Alfred Schnittke (1934-1998)

Florestan

Quote from: Traverso on Today at 04:27:45 AMMozart

Symphony No.20 KV 133
Symphony in D 141a
Symphony in D 111 & 120
Symphony in D 196 & 121
Symphony in C 208 & 102



Neville Marriner & AOSMF, I presume.

Well, how did you like the Andante from KV 133?
"Beauty must appeal to the senses, must provide us with immediate enjoyment, must impress us or insinuate itself into us without any effort on our part." - Claude Debussy