What are you listening 2 now?

Started by Gurn Blanston, September 23, 2019, 05:45:22 AM

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Daverz and 22 Guests are viewing this topic.

Florestan

Quote from: JBS on Today at 07:59:27 AMBeyond them and within them and through them. Christianity expresses the within/through part via the Incarnation.

Yes. Christianity is essentially a person, not a doctrine. Contrary to Protestantism, first and foremost contrary to Calvinism, action is essential. A "pagan" whose behavior is consistently moral is more Christian than a "saved" person who delude themselves with the "once saved, always saved" fallacy.
"Beauty must appeal to the senses, must provide us with immediate enjoyment, must impress us or insinuate itself into us without any effort on our part." - Claude Debussy

Karl Henning

Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Karl Henning

Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

brewski

From December 8, the 2025 Nobel Prize Concert from Stockholm, with violinist María Dueñas, conductor Semyon Bychkov, and the Royal Stockholm Philharmonic Orchestra. Dessner's piece is a knockout.

Bryce Dessner: Mari (2020, dedicated to Bychkov and the Czech Philharmonic)
Mendelssohn: Violin Concerto
Dvořák: Symphony No. 9

"I set down a beautiful chord on paper—and suddenly it rusts."
—Alfred Schnittke (1934-1998)

Dry Brett Kavanaugh

Quote from: Karl Henning on Today at 08:28:58 AM@Dry Brett Kavanaugh @VonStupp




Nice video and wonderful composition! Especially I like the final movement.
Bream is wearing a stripe shirt, check jacket and flower tie. He makes me dizzy.

DavidW

I'm seeing so many of my favorites on this thread today! Anyway, thread duty:

I decided to revisit Dausgaard/SWO's Schubert 8 and 9, and this time I was in the mood for his lean, aggressive Schubert. I enjoyed it.

I followed that up with a mediocre Tchaikovsky 6 and a better Romeo and Juliet.


Linz

Pyotr Il'yich Tchaikovsky The Nutcracker Complete ballet
London Symphony Orchestra, Andre Previn

Symphonic Addict

Rey: Fatih Sultan Mehmet 'Le Conquérant'

The current annihilation of a people on this planet (you know which one it is) is the most documented and at the same time the most preposterously denied. The terror IS REAL!

Dry Brett Kavanaugh


Symphonic Addict

Valen: Le Cimetière marin

Quite haunting and atmospheric. Twelve-tone music I can enjoy.

The current annihilation of a people on this planet (you know which one it is) is the most documented and at the same time the most preposterously denied. The terror IS REAL!

Daverz

Quote from: Linz on Today at 11:46:49 AMPyotr Il'yich Tchaikovsky The Nutcracker Complete ballet
London Symphony Orchestra, Andre Previn

I opted for Ozawa/Boston ;)


Symphonic Addict

Chisholm: Pictures from Dante

Tremendous diptych, the sort of work that features that important inner contrast I often seek in music.

The current annihilation of a people on this planet (you know which one it is) is the most documented and at the same time the most preposterously denied. The terror IS REAL!

Symphonic Addict

Brahms: Symphony No. 3

I had the urge to push the play button on this work. The familiar stuff is familiar for a reason. After the 4th, my favorite of his symphonies.

The current annihilation of a people on this planet (you know which one it is) is the most documented and at the same time the most preposterously denied. The terror IS REAL!

Linz

Anton Bruckner Symphony No. 9 in D Minor, 1894 Original Version. Ed. Leopold Nowak
Südwestfunk-Sinfonnieorchester Baden-Baden, MSichael Gielen

brewski

Scriabin: The Poem of Ecstasy (Jiří Bělohlávek / BBC Symphony Orchestra, live recording from the Proms, July 18, 2008).

"I set down a beautiful chord on paper—and suddenly it rusts."
—Alfred Schnittke (1934-1998)