What are you listening 2 now?

Started by Gurn Blanston, September 23, 2019, 05:45:22 AM

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Mandryka

#140780
Quote from: prémont on January 08, 2026, 03:20:28 AMNot as far as I know, except Pandolfo's own recording of suite no. 5 some years before the complete set.

After Pandolfo I only know a few recordings of the suites on gamba:

Sadao Udagawa suites 1, 3, 2 & 5 (5 in the shape of Bach's lute arrangement) Tedious listening because of absurdly slow tempi.

Myriam Rignol suite 1 - 6

Ronan Kernoa plays some of the suites on diverse gamba's.

I recall a single individual rather new recording of maybe suite no 1 by some female gambist. I have it somewhere digitally and won't be able to trace it quickly.

       
Quote from: prémont on January 08, 2026, 05:01:17 AMNo, I think it was someone else and a complete suite.

Edit:
@Mandryka & @Selig
Even if I thought it was a female gambist, it must have been a male gambist I recalled.
These two I found in my download batch:

https://www.prestomusic.com/classical/products/8615604--risonanze-music-for-viola-da-gamba

https://www.prestomusic.com/classical/products/8253670--the-bach-album-fahmi-alqhai

I recall both of them as being rather good.

Also Philippe Pierlot here

https://www.prestomusic.com/classical/products/9310106--meditation?srsltid=AfmBOoonVLB7zjDxTsO6L8pNTqWOpgoA1chypy7kvodo2QuW42HYQfHM
Wovon man nicht sprechen kann, darüber muss man schweigen

prémont

Reality trumps our fantasy far beyond imagination.

Mandryka

Quote from: prémont on January 08, 2026, 03:20:28 AMNot as far as I know, except Pandolfo's own recording of suite no. 5 some years before the complete set.


Do you mean Suite 4 here?

https://www.paolopandolfo.com/portfolio/a-solo/
Wovon man nicht sprechen kann, darüber muss man schweigen

prémont

Quote from: Mandryka on January 08, 2026, 09:16:59 AMDo you mean Suite 4 here?

https://www.paolopandolfo.com/portfolio/a-solo/

I supposed this was taken from his complete set, and this is why I ignored it.

The older recording I think of (of suite no.5) was a filler for Pandolfo's first recording of the harpsichord/viola da gamba sonatas (with Alessandrini on HM France released 1995, recorded 1993).

https://www.discogs.com/master/838924-JS-Bach-Paolo-Pandolfo-Rinaldo-Alessandrini-Sonaten-F%C3%BCr-Viola-Da-Gamba-Cembalo-Sonates-BWV-1027-29-

The recording you refer to of suite no. 4 was released by Glossa 1998. The complete set was released by Glossa 2001. The producer of suite no. 4 and the complete set is identical.
Reality trumps our fantasy far beyond imagination.

Todd

The universe is change; life is opinion. - Marcus Aurelius, Meditations

People would rather believe than know - E.O. Wilson

Propaganda death ensemble - Tom Araya

Panem et Artificialis Intelligentia

Mandryka

Quote from: prémont on January 08, 2026, 09:38:26 AMI supposed this was taken from his complete set, and this is why I ignored it.

The older recording I think of (of suite no.5) was a filler for Pandolfo's first recording of the harpsichord/viola da gamba sonatas (with Alessandrini on HM France released 1995, recorded 1993).

https://www.discogs.com/master/838924-JS-Bach-Paolo-Pandolfo-Rinaldo-Alessandrini-Sonaten-F%C3%BCr-Viola-Da-Gamba-Cembalo-Sonates-BWV-1027-29-

The recording you refer to of suite no. 4 was released by Glossa 1998. The complete set was released by Glossa 2001. The producer of suite no. 4 and the complete set is identical.

They're not the same. Look at the timings

https://www.qobuz.com/gb-en/album/viola-da-gamba-recital-pandolfo-paolo-ortiz-d-corkine-w-hume-t-sumarte-r-machy-s-marais-m-bach-js-paolo-pandolfo/mfmq7ax24w2dc

https://www.qobuz.com/gb-en/album/bach-js-cello-suites-nos-1-6-paolo-pandolfo/lktqjnq4h1xra
Wovon man nicht sprechen kann, darüber muss man schweigen


AnotherSpin


Mandryka

#140788
Quote from: prémont on January 08, 2026, 10:29:11 AMThen I'm going to purchase it.

It's may not be your sort of music, but I've been really enjoying this today, since we started this discussion. I guess I must be ready for it, the time is right for Ferrabosco!

https://www.qobuz.com/gb-en/album/alfonso-ferrabosco-ii-complete-music-for-solo-lyra-viol-paolo-pandolfo/tfcx5f1shr2ja
Wovon man nicht sprechen kann, darüber muss man schweigen

Linz

Richard Strauss  4 Letzte Lieder
Gesänge älterer deutscher Dichter, Op. 43
8 Lieder, Op. 4
Elisabeth Schwarzkopf
Berlin Symphony Orchestra, George Szell

brewski

Steve Reich: Music for 18 Musicians (Bang on a Can All-Stars & Friends, recorded in 2024 at the Long Play Festival in Brooklyn). As the years go by, this might be my favorite Reich of all. Lots of good ones around, hadn't heard this version until today.

"I set down a beautiful chord on paper—and suddenly it rusts."
—Alfred Schnittke (1934-1998)

Spotted Horses

Finally, a selection from this release which fully convinces me, and which I would compare with my favorite works of Bacewicz. The Symphony No 1. Written during the war period, it is neoclassical in its scale, but expressionistic in its style. At times I found it to evoke Sibelius, Bartok.


Formerly Scarpia (Scarps), Baron Scarpia, Ghost of Baron Scarpia, Varner, Ratliff, Parsifal, perhaps others.

Linz

Antonín Dvorák String Quartets Nos. 14. & 12
Prazak Quartet

Bachthoven

Nails in my brain
All that's left

Philo

Quote from: Philo on January 08, 2026, 03:25:08 AMIn my opinion, Apparition de l'église éternelle is the GOAT organ work. 8)

I'll be honest, up to this point, this has been the only music I've listened to today, lol. It is so good, definitely fighting for my favorite classical piece of all time, but, now, time for a shift.


Karl Henning

#140795
Quote from: Brian on January 02, 2026, 06:26:56 AM

For the 15th year in a row, the first thing I listened to to mark the new year was Vaughan Williams' Tallis Fantasia. It has such a feeling of newness and fresh beginnings to me, like new fallen snow. A blank slate onto which I can project my hopes and fears for the year.
Nice ritual! TD: H/T @Mandryka  and @Papy Oli ...
Quatuor Diotima playing Boulez' Livre pour quatuor. Oh, I like this a very great deal. Oli, I suspect this will not be super helpful but ... firstly, one needs practically to disregard the entire string quartet tradition. Secondly, while my expectation is that the composer has micromanaged the musical materials to a degree frankly beyond my own interest, the effect is a wild freedom. I love it.
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Dry Brett Kavanaugh


Linz

Anton Bruckner Symphony No. 7 in E Major, 1885 Version. Ed.Leopold Nowak
Venezuela Symphony Orchestra, Eduardo Chibás

Karl Henning

Revisiting Chick Corea's pf cto no. 1
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

brewski

Quote from: Brian on January 02, 2026, 06:26:56 AM

For the 15th year in a row, the first thing I listened to to mark the new year was Vaughan Williams' Tallis Fantasia. It has such a feeling of newness and fresh beginnings to me, like new fallen snow. A blank slate onto which I can project my hopes and fears for the year.


That is quite a lovely tradition! Even if the Previn recording didn't satisfy, there's still...the piece itself.

I'm not sure what I would choose for a similar ritual, but thanks for planting the idea.
"I set down a beautiful chord on paper—and suddenly it rusts."
—Alfred Schnittke (1934-1998)