What are you listening 2 now?

Started by Gurn Blanston, September 23, 2019, 05:45:22 AM

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SonicMan46, Papy Oli and 23 Guests are viewing this topic.

Linz

Anton Bruckner Symphony No. 8 in C Minor, 1890 Version. Ed. Leopold Nowak
Bavarian Radio Symphony Orchestra, Karl Böhm


Papy Oli

Olivier

Philo

Quote from: Philo on January 08, 2026, 07:37:07 PMEither tonight or tomorrow, this is next:

Paul Dukas Cantates, choeurs et musique symphonique



What a recording! I normally find French to be a language which repulses me, but Dukas really knows what he is doing. Of course, he is a master orchestrator, which is why I picked his disc up at the same time I got the Rimsky, who knows - one day I may even get something by Berlioz - I used to have Les Troyens, but no clue where that went, lol, and I recall liking that, and I've heard his mass, which I found overrated, but that was only because I went it with very high expectations, and it didn't come close to being earth shattering.

Dukas, on the other hand, if all French was like this, I'd definitely be more apt for its return to the world stage, but I know most French just sounds like trash, so I really do appreciate Dukas's quality over quantity approach, as that is the best way, in my opinion, to get the most out of an ugly language like French.

Either tonight or tomorrow, more Rimsky:


JBS

Quote from: Philo on January 09, 2026, 04:01:04 PMEither tonight or tomorrow, more Rimsky:



I rather liked that Borusan CD

TD



Performed on original instruments, but truthfully I don't hear any difference from unoriginal instruments.

Hollywood Beach Broadwalk

Karl Henning

Quote from: Mookalafalas on January 09, 2026, 05:04:59 AMI love both of these groups, but frankly did not have high expectations for this disk. Quartets are great because of a "less is more" clarity of voices. There is no way two great quartets playing together will be twice as good...  BUT, 20 minutes in, this is pretty damned awesome. For once, it's a pleasure to be proven wrong.

Both Octets are dynamite!
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Mapman

Mahler: Kindertotenlieder
Fischer-Dieskau; Kempe: Berlin


Madiel

Vivaldi violin concertos

Concerto in B flat, RV 380
Concerto in C, RV 186



RV 380 didn't enthuse me that much, I think partly because the 1st movement is "Andante molto"... which kind of ends up being neither here nor there. Biondi's cadenzas are more noticeable and intrusive this time. I did quite like the final movement though.

RV 186 is a brighter, punchier work that I took to more readily. No cadenzas this time.
Nobody has to apologise for using their brain.

AnotherSpin



Couperin: Magnificat / Lecons De Tenebres

Robin Blaze and Daniel Taylor

Madiel

More Vivaldi, that was hot off the presses when it was recorded in 2008...

"Se lento ancora il fulmine", from the opera Argippo
Concerto for 2 violins and cello in G minor, RV 578a (with a different final movement from the published RV 578)
Recorder sonata in G, RV 806



Good performances. And it's actually quite nice to have an album where there's a variety of different genres.

Nobody has to apologise for using their brain.

AnotherSpin


Que

#140850
For my morning listening a recording that I hadn't listened to for a long time...  ::)
On it Van Nevel explores the connection between Monteverdi, featuring a mass in pure Renaissance style, and pioneering, stylistically progressive pieces by Franco-Flemish Renaissance composers. Sounds fussy, but the performances are beautiful and the mix works well...



Monteverdi was a pioneer of the musical style we now call Baroque, but the Mass on this record is in classic Renaissance style and the music might have been written in the 1500s rather than the 1600s. In between the five parts of Monteverdi's Mass, four madrigals have been placed by composers of an earlier generation, who shifted borders at their time and sound chromatic, sometimes enharmonic, or are dramatically charged. They were written before Monteverdi's Mass, but in a more progressive style. Thus, the album gives a surprising insight into the styles of this period and provides an impressive new view onto Monteverdi's monumental "Messa in illo tempore".

ritter

Robert Craft conducts Schoenberg. Chamber Symphony No. 2, Die glückliche Hand, and the Wind Quintet.



 « Et n'oubliez pas que le trombone est à Voltaire ce que l'optimisme est à la percussion. » 

71 dB

J.S.Bach - Concertos BWV 1053, 1056, 1060* & 1061*
Robert Veyron-Lacroix & Anne-Marie Beckensteiner*, harpsichord
Orchestre de chambre Jean-françois Paillard
Jean-françois Paillard
Spatial distortion is a serious problem deteriorating headphone listening.
Crossfeeders reduce spatial distortion and make the sound more natural
and less tiresome in headphone listening.

My Sound Cloud page <-- NEW July 2025 "Liminal Feelings"

Wanderer


Traverso

Boulez

Pierre Boulez: Livre pour quatuor, version 1962



Quatuor Parisii




Mookalafalas

Quote from: Karl Henning on January 09, 2026, 05:47:58 PMBoth Octets are dynamite!
Yeah, I played this 3 times (once was by accident, but after I started it I couldn't turn it off).
TD:

  Yeol Eum Son is spearheading this, even though the heart of this disk is a string quartet. Excellent, so far. Apparently, all the artists are Korean. I don't have any notes, so I don't even know the name of the quartet, but aim to find out.
It's all good...

San Antone

Latest and last installment of the Cuarteto Casals traversal of the Shostakovich string quartets.  IMO, very good and welcome addition to a crowded field.



Traverso

Mozart

Le Nozze Di Figaro

I don't listen to operas much, but I remember very well that I used to get a lot of cheerful pleasure from listening to Mozart operas in particular.

I have several performances, Karajan (Decca) Giulini and Marriner. Today the performance with Solti






Que


ritter

A rare appearance of Max Reger chez ritter.

Clarinet Quintet in A, op. 146 (Sabine Meyer et al.), String Sextet in F, op. 116, Liebestraum (version for string quintet).

CD 3 of this set:

 « Et n'oubliez pas que le trombone est à Voltaire ce que l'optimisme est à la percussion. »