Default Numbers in Music

Started by springrite, January 10, 2024, 09:20:05 AM

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springrite

When someone mentions Opus 111, there is no need to mention the composer or the work. We automatically assume that it is Beethoven's Piano Sonata #32. Of course other composers have Opus 111s, but sorry!

What are some other default numbers in music for you?
Do what I must do, and let what must happen happen.

Todd

Quote from: springrite on January 10, 2024, 09:20:05 AMWhat are some other default numbers in music for you?

I refer to all chamber and solo piano works by Beethoven by opus number.  I use Deutsch numbering for Schubert's piano sonatas and Köchel numbering for Mozart's piano sonatas.  Otherwise, I generally use plain language names - eg, so-and-so's Symphony <#>.
The universe is change; life is opinion. - Marcus Aurelius, Meditations

People would rather believe than know - E.O. Wilson

Propaganda death ensemble - Tom Araya

Panem et Artificialis Intelligentia

Florestan

Hob I: 88

KV 623

D850

;D
"Beauty must appeal to the senses, must provide us with immediate enjoyment, must impress us or insinuate itself into us without any effort on our part." - Claude Debussy

Brian

Quote from: springrite on January 10, 2024, 09:20:05 AMWhat are some other default numbers in music for you?
I definitely know what people mean by Opp. 109-111 (even though I love Brahms' Op. 111 as well), as well as D. 956 and 960.

Karl Henning

Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

(poco) Sforzando

But how about Beethoven's op. 100? Arguably his greatest work ever.
"I don't know what sforzando means, though it clearly means something."

Florestan

Op. 13, Op. 23, Op. 35, Op. 64 and Op. 71 are my favorite works of their composer.
"Beauty must appeal to the senses, must provide us with immediate enjoyment, must impress us or insinuate itself into us without any effort on our part." - Claude Debussy

DavidW

Op 20, 50, 76 if you know, you know




Karl Henning

Quote from: DavidW on January 10, 2024, 11:11:03 AMOp 20, 50, 76 if you know, you know




(* chortle *)
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

springrite

These musical numbers sometimes come handy when I had to remember a long number. 626-894-127-9 is piece of cake.
Do what I must do, and let what must happen happen.

DavidW

Quote from: springrite on January 11, 2024, 03:07:27 AMThese musical numbers sometimes come handy when I had to remember a long number. 626-894-127-9 is piece of cake.

Well now we know the code to your safe!

Jo498

Quote from: springrite on January 10, 2024, 09:20:05 AMWhen someone mentions Opus 111, there is no need to mention the composer or the work. We automatically assume that it is Beethoven's Piano Sonata #32. Of course other composers have Opus 111s, but sorry!

What are some other default numbers in music for you?
Default opus numbers are Beethoven's unless a number is strongly occupied by someone else, sometimes a Haydn string quartet opus (20,33,50,76,77), even opus 55 I associate more with Haydn because the Eroica is more the Eroica than op.55. op.88 is Brahms quintet not whatever Beethoven's op.88 is, fortunately op.15 fits both. op.41 is Schumann's quartets. But I don't know most other opus numbers as well as Beethoven's (and some of Brahms), so I usually remember the pieces not by them but differently.
Tout le malheur des hommes vient d'une seule chose, qui est de ne savoir pas demeurer en repos, dans une chambre.
- Blaise Pascal

springrite

Some of my default numbers:

Mostly Beethoven and mostly quartets and piano sonatas.

Mozart: 525, 626, 502

Schubert: 894, 958, 959, 960

Do what I must do, and let what must happen happen.

springrite

Obviously, some BWV numbers as well, such as 565, 532, 645...
Do what I must do, and let what must happen happen.

DavidW

Quote from: springrite on January 12, 2024, 04:02:49 AMObviously, some BWV numbers as well, such as 565, 532, 645...

232, 1080

Maestro267

4. Four is used so much in music, whether the number of sections in a standard orchestra (woodwind, brass, percussion, strings), the standard instruments in each of three of those four sections, the number of beats in the majority of bars, the number of movements in the standard symphony, string quartet, sonata...the string quartet itself being the preeminent form of chamber music. I could go on.

Jo498

Maybe because 4 is the number of the material world: 4 classical elements, 4 compass directions, 4 seasons...  ;)
Tout le malheur des hommes vient d'une seule chose, qui est de ne savoir pas demeurer en repos, dans une chambre.
- Blaise Pascal

Florestan

#17
Quote from: Jo498 on January 13, 2024, 09:51:30 AMMaybe because 4 is the number of the material world: 4 classical elements, 4 compass directions, 4 seasons...  ;)

The sign of the cross...

The four horsemen of the Apocalypse...

Wagner's Tetralogy...

Mendelssohn, Meyerbeer, Mahler, Moszkowski...

One, two, three, four,
Mozart is the great'st 'f them all!





"Beauty must appeal to the senses, must provide us with immediate enjoyment, must impress us or insinuate itself into us without any effort on our part." - Claude Debussy

foxandpeng

Nope. All such numbers mean nothing to me personally. Composer and title of the work is all I ever know.
"A quiet secluded life in the country, with the possibility of being useful to people ... then work which one hopes may be of some use; then rest, nature, books, music, love for one's neighbour — such is my idea of happiness"

Tolstoy

steve ridgway

Quote from: Florestan on January 13, 2024, 10:12:34 AMThe four horsemen of the Apocalypse...

Oh yes, Demis Roussos sings a song about them on this...