Orchestrating: Gilding the Silk Purse?

Started by Cato, August 07, 2007, 04:20:07 AM

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Mark G. Simon

Quote from: Cato on August 07, 2007, 04:20:07 AM
If not, Which works would you like to see orchestrated? 

My list:.... Charles Ives' Concord Sonata.

Consider it done  (by Henry Brant)

http://www.schirmer.com/default.aspx?TabId=2420&State_2874=2&WorkId_2874=29236

Cato

Quote from: Mark G. Simon on August 07, 2007, 04:58:41 PM
Consider it done  (by Henry Brant)

http://www.schirmer.com/default.aspx?TabId=2420&State_2874=2&WorkId_2874=29236

Wow!  And it makes sense for Henry Brant to undertake it! 

Too bad no CD's exist yet: a job for...Michael Tilson Thomas?

Thought experiments: for an orchestration of Liszt's Piano Sonata in B minor, would you use a Wagnerian or post-Wagnerian orchestra?  Since it is Liszt, I will not propose a pre-Wagnerian orchestra!

For an orchestration of Schumann's Davidsbündlertänze which Schu-size orchestra would you use: Schumannian or larger?

And speaking of Schumann, how about putting an orchestra with that Concert sans Orchestre aka Third Piano Sonata?

"Meet Miss Ruth Sherwood, from Columbus, Ohio, the Middle of the Universe!"

- Brian Aherne introducing Rosalind Russell in  My Sister Eileen (1942)

Cato

Quote from: Cato on August 07, 2007, 05:47:25 PM
Wow!  And it makes sense for Henry Brant to undertake it! 

Too bad no CD's exist yet: a job for...Michael Tilson Thomas?

Thought experiments: for an orchestration of Liszt's Piano Sonata in B minor, would you use a Wagnerian or post-Wagnerian orchestra?  Since it is Liszt, I will not propose a pre-Wagnerian orchestra!

For an orchestration of Schumann's Davidsbündlertänze which Schu-size orchestra would you use: Schumannian or larger?

And speaking of Schumann, how about putting an orchestra with that Concert sans Orchestre aka Third Piano Sonata?



Not to be forgotten: a Rimskyan orchestration of Busoni's Fantasia Contrappuntistica ?!
"Meet Miss Ruth Sherwood, from Columbus, Ohio, the Middle of the Universe!"

- Brian Aherne introducing Rosalind Russell in  My Sister Eileen (1942)

karlhenning

Quote from: Cato on August 07, 2007, 05:47:25 PM
And speaking of Schumann, how about putting an orchestra with that Concert sans Orchestre aka Third Piano Sonata?

Or (with a nod to A Certain Schumanniac), re-orchestrating the four symphonies?  >:D

Cato

Quote from: karlhenning on August 08, 2007, 04:11:00 AM
Or (with a nod to A Certain Schumanniac), re-orchestrating the four symphonies?  >:D

Aye, that is an old fight!  Going beyond Mahlerian touch-ups to a complete overhaul!?

Are there any other candidates for such an Extreme Make-over?
"Meet Miss Ruth Sherwood, from Columbus, Ohio, the Middle of the Universe!"

- Brian Aherne introducing Rosalind Russell in  My Sister Eileen (1942)

greg

Quote from: Mark G. Simon on August 07, 2007, 04:58:41 PM
Consider it done  (by Henry Brant)

http://www.schirmer.com/default.aspx?TabId=2420&State_2874=2&WorkId_2874=29236
hmm... small orchestra for him. I expected 20 trombones, 14 pianos and 70 violins, half of which play outside of the auditorium, the other half in the audience.

not edward

For those who're interested: George Friedrich Haas' Opus 68 - Scriabin's 9th sonata for Large Orchestra:

http://rapidshare.com/files/47731903/Opus_68__after_Scriabin_.mp3.html
"I don't at all mind actively disliking a piece of contemporary music, but in order to feel happy about it I must consciously understand why I dislike it. Otherwise it remains in my mind as unfinished business."
-- Aaron Copland, The Pleasures of Music

Cato

Quote from: edward on August 08, 2007, 07:45:38 AM
For those who're interested: George Friedrich Haas' Opus 68 - Scriabin's 9th sonata for Large Orchestra:

http://rapidshare.com/files/47731903/Opus_68__after_Scriabin_.mp3.html

Many thanks for posting this!

I looked quickly for a CD, but none seems available.  Anyone know of a recording?
"Meet Miss Ruth Sherwood, from Columbus, Ohio, the Middle of the Universe!"

- Brian Aherne introducing Rosalind Russell in  My Sister Eileen (1942)

not edward

Quote from: Cato on August 08, 2007, 10:04:15 AM
Many thanks for posting this!

I looked quickly for a CD, but none seems available.  Anyone know of a recording?
I'm pretty sure it's not yet out on CD--the work dates from 2004. However, one of Haas' other recreations--an orchestral version of Schubert's incomplete D840 sonata--is available (coupled with fragments from the finale of Bruckner's Ninth) here:

http://www.amazon.de/Torso-Peter-Hirsch/dp/B00008CLLY/
"I don't at all mind actively disliking a piece of contemporary music, but in order to feel happy about it I must consciously understand why I dislike it. Otherwise it remains in my mind as unfinished business."
-- Aaron Copland, The Pleasures of Music

Cato

Thanks again to Edward for the Haas link!

Quote from: Mark G. Simon on Charles Ives/Henry Brant's Concord Symphony :

QuoteConsider it done  (by Henry Brant)

http://www.schirmer.com/default.aspx?TabId=2420&State_2874=2&WorkId_2874=29236

Greg wrote:

Quotehmm... small orchestra for him. I expected 20 trombones, 14 pianos and 70 violins, half of which play outside of the auditorium, the other half in the audience.

Dude!  That's the job for you!   0:)
"Meet Miss Ruth Sherwood, from Columbus, Ohio, the Middle of the Universe!"

- Brian Aherne introducing Rosalind Russell in  My Sister Eileen (1942)

greg

Quote from: edward on August 08, 2007, 07:45:38 AM
For those who're interested: George Friedrich Haas' Opus 68 - Scriabin's 9th sonata for Large Orchestra:

http://rapidshare.com/files/47731903/Opus_68__after_Scriabin_.mp3.html
pretty cool!
and it was also fun to listen and think "hm, nice touch there..... nah, i wouldn't have done that", etc.

he keeps it big, not surprising for a spectral composer- or maybe he's just trying to imitate Scriabin's style of orchestration, which is also big? For me, though, it would've sounded nicer if during certain moments he'd have reduced it to maybe 1, or just a couple instruments playing. The intimacy of the sonata is lost during those moments and there should be more of a contrast between certain moments and the ending, where of course the whole orchestra should be playing, in a typical grand Scriabin climax

Guido

Geologist.

The large print giveth, and the small print taketh away

Scott

Quote from: Guido on October 20, 2007, 04:35:49 PM
The orchestration of the Concord Sonata has just been released. http://www.amazon.com/Concord-Symphony-Piano-Sonata-Mass/dp/B000X2YYDO/ref=sr_1_1/102-9590326-8018512?ie=UTF8&s=dmusic&qid=1192926938&sr=8-1

Good Lord, what a find! Thank you thank you. I've downloaded it -- my first time to do this -- and it was easy as pie. And I'm listening to Emerson as I write this.
Without music, life would be a mistake. -- Nietzsche

Brian

#33
I find, when imagining music in my head on occasion, that the first movement of the Eroica Symphony makes a smashing string quintet (two violas).

EDIT: Wow, didn't realize the original discussion was so old!

Scott

Quote from: Larry Rinkel on August 07, 2007, 08:39:19 AM
Wasn't it Weingartner who made a mess of the Hammerklavier?

Yes, it was Weingartner, whose credentials as a Beethovenian are unimpeachable -- his recording of the Eroica is still my favorite -- but that orchestration of the Hammerklavier is, erm, awful.
Without music, life would be a mistake. -- Nietzsche

Guido

You are welcome! :)

When I have enough money, I will download it immediately - A sad state of affairs when you can't afford $5 for a CD!
Geologist.

The large print giveth, and the small print taketh away

greg