What concerts are you looking forward to? (Part II)

Started by Siedler, April 20, 2007, 05:34:10 PM

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brewski

A busy weekend coming up:

Friday: Curtis Opera Theatre presents The Cunning Little Vixen

Saturday:
The Philadelphia Orchestra
Dalia Stasevska Conductor
Leif Ove Andsnes Piano
Rachmaninoff Piano Concerto No. 3
Bartók Concerto for Orchestra

Sunday: Cédric Tiberghien, piano (live from Wigmore Hall)

-Bruce
"I set down a beautiful chord on paper—and suddenly it rusts."
—Alfred Schnittke (1934-1998)

ritter

#7021
Quote from: brewski on May 02, 2024, 10:36:57 AMA busy weekend coming up:

Friday: Curtis Opera Theatre presents The Cunning Little Vixen

Saturday:
The Philadelphia Orchestra
Dalia Stasevska Conductor
Leif Ove Andsnes Piano
Rachmaninoff Piano Concerto No. 3
Bartók Concerto for Orchestra

Sunday: Cédric Tiberghien, piano (live from Wigmore Hall)

-Bruce
The Philadelphia Orchestra were here in New York at the beginning of the week doing the Mozart Requiem under Nathalie Stutzman.

I decided not to subject my partner to classical concerts in this short US vacation, as he's who got us the tickets for Die Meistersinger in Madrid in a couple of weeks. 5 hours of Wagner will be enough classical for him for the next six months at least... Let's  not test his patience.  ;D

ultralinear

Quote from: brewski on May 02, 2024, 10:36:57 AMSaturday:
The Philadelphia Orchestra
Dalia Stasevska Conductor
Leif Ove Andsnes Piano
Rachmaninoff Piano Concerto No. 3
Bartók Concerto for Orchestra

Stasevska is Principal Guest Conductor with the BBC SO here, and I generally go to anything she's conducting.  Such energy - like a human firework on the podium.  Which doesn't suit every program, but should be wonderful in the Bartok.  And also the Rachmaninov - I saw her conduct his 3rd Symphony a few weeks after Jurowski had given a typically controlled, meticulous but somewhat disjointed performance of the same piece, and honestly it was like a whole other work, bursting with life.  You should have seen what she did with Mosolov's Iron Foundry. ;D 

brewski

Quote from: ultralinear on May 02, 2024, 12:25:01 PMStasevska is Principal Guest Conductor with the BBC SO here, and I generally go to anything she's conducting.  Such energy - like a human firework on the podium.  Which doesn't suit every program, but should be wonderful in the Bartok.  And also the Rachmaninov - I saw her conduct his 3rd Symphony a few weeks after Jurowski had given a typically controlled, meticulous but somewhat disjointed performance of the same piece, and honestly it was like a whole other work, bursting with life.  You should have seen what she did with Mosolov's Iron Foundry. ;D 

Now I'm even more excited! And I love the Mosolov. In my fantasy world, tomorrow night she and the orchestra will pull it out — as an encore!  ;D

#ItCouldHappen

-Bruce
"I set down a beautiful chord on paper—and suddenly it rusts."
—Alfred Schnittke (1934-1998)

T. D.

Earlier today, chamber music series at semi-local library

Hesper String Quartet w. Neilson Chen, piano

2 movements of Louis Vierne string quartet op. 12
Elgar Quintet (piano and SQ) in A minor op. 84
Bartok String Quartet #3
+ encore arrangement of Arirang (Korean trad.)

This is a very good Korean-American quartet formed in 2022 @ Emerson SQ Institute at SUNY Stony Brook. A delight to hear them in a small room. Great concert.

Bachtoven

I was looking forward to hearing Vikingur Olafsson play Bach's Goldberg Variations on the U.C. Berkeley campus yesterday afternoon, but with the heavy rain, pro-Palestinian protesters encamped across from the hall, and the awful weekend Bay Area traffic, I decided to stay home and played his wonderful recording of it instead.

brewski

Coming up today at 2:00 pm (EDT), another live one from the Frankfurt Radio Symphony, with a fantastic, unusual program conducted by Maxime Pascal, with Baiba Skride as the violin soloist. I have not heard the two Gubaidulina pieces.

Stravinsky: Symphony in Three Movements
Gubaidulina: Dialog: Ich und Du (2018)
Messiaen: L'Ascension
Gubaidulina: The Wrath of God (2019)

 
-Bruce
"I set down a beautiful chord on paper—and suddenly it rusts."
—Alfred Schnittke (1934-1998)

pjme

I'll have to wait a full year, but on june 21st 2025 the Antwerp SO will perform three Belgo/Flemish works!
Good and rare.... I'll try to be there.

Conductor is Karel Deseure.

Worldpremiere of Danses macabres by Erik Desimpelaere  after Brueghel's  The triumph of death

https://www.erikdesimpelaere.com/Partituren%20composities/Danses-macabres/Danses%20Macabres%20-%20preview.pdf

Denise Tolkowsky's (very muscular) pianoconcerto (1958). The work was written for her husband Alex De Vries (1919-1964)

https://www.svm.be/componisten/tolkowsky-denise?language=en


Daniel Sternefeld's second symphony "Brueghel"

https://www.svm.be/componisten/sternefeld-daniel?language=en (several YT videos with Sternefeld's compositions, including the second symphony).


Brian

#7028
I've posted a couple times around the board that this week I'll be seeing the Dallas Symphony and conductor Daniele Rustioni do the Casella Symphony No. 2. Unfortunately that's no longer true. At some point in the last few months there was a major program change and artist change, and subscribers with tickets were not informed.

The new program:

Lili Boulanger - D'un matin de printemps
Rachmaninov - Paganini Rhapsody
Shostakovich - Symphony No. 15

Andris Poga, conductor
Behzod Abduraimov, piano

The pianist and piano work have not changed. The Boulanger was added, which is cool. But the Shostakovich I am worried about. Not just because I was mentally prepared for a big riotous late romantic extravaganza full of Italian tunes, and am getting...uh...morbid Rossini quotes?  ;D But because many of the hallmarks of DSCH 15 seem perfectly calibrated to touch my partner's sore spots. She's a former oboist and keen classical listener, but she hates long slow stretches, percussion only bits, short snippety cells, and quiet endings.

I think we'll just find out together what happens  8) but man, to have 2/3s of the program changed with no notice is an annoyance.

ultralinear

Quote from: Brian on May 17, 2024, 04:32:46 PMI've posted a couple times around the board that this week I'll be seeing the Dallas Symphony and conductor Daniele Rustioni do the Casella Symphony No. 2. Unfortunately that's no longer true. At some point in the last few months there was a major program change and artist change, and subscribers with tickets were not informed.

The new program:

Lili Boulanger - D'un matin de printemps
Rachmaninov - Paganini Rhapsody
Shostakovich - Symphony No. 15

Andris Poga, conductor
Behzod Abduraimov, piano

The pianist and piano work have not changed. The Boulanger was added, which is cool. But the Shostakovich I am worried about. Not just because I was mentally prepared for a big riotous late romantic extravaganza full of Italian tunes, and am getting...uh...morbid Rossini quotes?  ;D But because many of the hallmarks of DSCH 15 seem perfectly calibrated to touch my partner's sore spots. She's a former oboist and keen classical listener, but she hates long slow stretches, percussion only bits, short snippety cells, and quiet endings.

I think we'll just find out together what happens  8) but man, to have 2/3s of the program changed with no notice is an annoyance.

Wow that's really annoying. >:(

It happens here quite frequently, and it doesn't matter if the substitute program is "just as good" if it's not what you took the time and expense to book for.  Particularly if what attracted you in the first place was a rarity like the Casella.

Tomorrow night we have an all-Ukrainian program:

Thomas de Hartmann  Selection from La Fleurette Rouge Suite
Anna Korsun  Terricone
Boris Lyatoshinsky  Symphony No.4

Bournemouth Symphony Orchestra
Kirill Karabits  conductor


Ian

I've bought tickets for all these upcoming Orchestre Philharmonique Royale de Liège performances:

November 16th
BERLIOZ, Symphonie fantastique


January 10th
RAVEL, Rapsodie espagnole
RAVEL, Concerto en sol
STRAVINSKY, Le sacre du printemps


February 14th
RAVEL, Valses nobles et sentimentales
PROKOFIEV, Concerto pour piano n° 3
MOUSSORGSKI / RAVEL, Tableaux d'une exposition


April 25th
LALO, Symphonie espagnole
SAINT-SAËNS, Symphonie n° 3 « avec orgue »


May 8th
DELIUS, The Walk to the Paradise Garden
YSAŸE, Poème nocturne
DVOŘÁK, Symphonie no 9 « du Nouveau Monde »

Florestan

#7031
Yesterday night I greatly enjoyed this concert:



I believe there is no need for translation other than Seară = Evening and Tricornul = The Three-Cornered Hat.

Next I'll attend this, on May 31:



(The Stravinsky work is The Firebird)

When I'm creating at the piano, I tend to feel happy; but - the eternal dilemma - how can we be happy amid the unhappiness of others? I'd do everything I could to give everyone a moment of happiness. That's what's at the heart of my music. — Nino Rota

brewski

Quote from: Brian on May 17, 2024, 04:32:46 PMI think we'll just find out together what happens  8) but man, to have 2/3s of the program changed with no notice is an annoyance.

Wow. Yesterday I heard from a friend in Missouri who is in Dallas for the same concert, but I didn't know to ask if he had originally made plans because of the previous program. He seemed excited by the Shostakovich (I would be, too) but true: quite a 180 turn from the original menu. Would love to hear your comments, in any case. I have heard that Boulanger live twice in the last year or so, thanks to the advocacy of conductor Thomas Søndergård, and it's worth a spot in the rotation.

-Bruce
"I set down a beautiful chord on paper—and suddenly it rusts."
—Alfred Schnittke (1934-1998)

brewski

Quote from: ultralinear on May 18, 2024, 02:02:44 AMTomorrow night we have an all-Ukrainian program:

Thomas de Hartmann  Selection from La Fleurette Rouge Suite
Anna Korsun  Terricone
Boris Lyatoshinsky  Symphony No.4

Bournemouth Symphony Orchestra
Kirill Karabits  conductor


Wow, speaking of rarities! I know of Lyatoshinsky but haven't heard any of his works, and don't know the other two at all. Hope it's as fascinating as it appears on paper.

-Bruce
"I set down a beautiful chord on paper—and suddenly it rusts."
—Alfred Schnittke (1934-1998)

Brian

Karabits brought Korsun to a half-Ukrainian program in Dallas last fall, along with a work by Victoria Poleva. I missed it, sorry to say - to sell tickets the rest of the program was Richard Strauss. An all-Ukrainian night sounds fascinating! And without the help of Tchaikovsky Symphony No. 2 as a possible ticket seller.

VonStupp

#7035
Gustav Mahler: Symphony 2
Chicago Symphony Orchestra
Neeme Järvi

I was supposed to see this next weekend, but ended up with a possible concussion, so it may not be possible.

Esa-Pekka Salonen was originally leading this performance, but I think he backed out of engagements recently. Have never seen Järvi live.
VS
"All the good music has already been written by people with wigs and stuff."

ultralinear

Quote from: Brian on May 18, 2024, 06:40:43 AMKarabits brought Korsun to a half-Ukrainian program in Dallas last fall, along with a work by Victoria Poleva. I missed it, sorry to say - to sell tickets the rest of the program was Richard Strauss. An all-Ukrainian night sounds fascinating! And without the help of Tchaikovsky Symphony No. 2 as a possible ticket seller.

It's part of a one-day Voices from The East presentation:

1pm  Azerbaijan & Turkmenistan

    Franghiz Ali-Zadeh Nagillar (Fairy Tales)
    Nurymov Symphony No.2
    Garayev Selection from Seven Beauties Ballet Suite

4pm  Georgia & Armenia

    Kancheli Styx for viola, chorus & orchestra
    Terterian Symphony No.3

7:30pm  Ukraine  program as above

A younger me would have gone to all of them, but nowadays I tend to just pick one to focus my energies on. :-\  I've already heard both Lyatoshinsky 2nd & 3rd symphonies in concert, so am looking forward to adding the 4th.


ultralinear

Quote from: brewski on May 18, 2024, 06:04:44 AMWow, speaking of rarities! I know of Lyatoshinsky but haven't heard any of his works, and don't know the other two at all. Hope it's as fascinating as it appears on paper.

-Bruce

The 2nd & 3rd are more modernist - in style if not date - which generally I prefer.  By the time of the 4th the hammer of Socialist Realism had come down hard, so what you tend to get is program music - but it's still pretty good stuff.  A bit like Shostakovich 11th - wouldn't be my first choice, but very happy to give it a listen. :)

ultralinear

#7038
Quote from: VonStupp on May 18, 2024, 07:16:56 AMGustav Mahler: Symphony 2
Chicago Symphony Orchestra
Neeme Järvi

I was supposed to see this next weekend, but ended up with a possible concussion, so it may not be possible.

Esa-Pekka Salonen was originally leading this performance, but I think he backed out of engagements recently. Have never seen Järvi live.
VS

Sorry to hear that, it looks like a great concert if you were able to make it. :-\ 

I've never seen Neeme Järvi in performance either, though I have seen Paavo a fair few times, also Krystjan. :)

I have tickets for MTT conducting the Resurrection in October, though whether anything comes of that seems a bit of a long shot, indeed I thought so even when making the booking. :blank: 

Brian

Quote from: ultralinear on May 18, 2024, 08:05:59 AMIt's part of a one-day Voices from The East presentation:

1pm  Azerbaijan & Turkmenistan

    Franghiz Ali-Zadeh Nagillar (Fairy Tales)
    Nurymov Symphony No.2
    Garayev Selection from Seven Beauties Ballet Suite

4pm  Georgia & Armenia

    Kancheli Styx for viola, chorus & orchestra
    Terterian Symphony No.3

7:30pm  Ukraine  program as above

A younger me would have gone to all of them, but nowadays I tend to just pick one to focus my energies on. :-\  I've already heard both Lyatoshinsky 2nd & 3rd symphonies in concert, so am looking forward to adding the 4th.



Wow, what a day! A younger me would have done 'em all as well. I know the Garayev/Karayev from disc, it is opulent Hollywoody exotica.

Neeme Jarvi live is not exactly a thriller - when we were subscribers in Detroit he had health problems and had to sit down most of the time - but he is at least no-nonsense. He had recovered fully by the last time I saw him, in 2010, leading the London Philharmonic in Dvorak's Te Deum and Stabat Mater. The latter was released on CD but they omitted the former, which was too bad as it was a very lively performance.