What were you listening to? (CLOSED)

Started by Maciek, April 06, 2007, 02:22:49 AM

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Harry

Quote from: karlhenning on May 14, 2007, 04:56:07 AM
Good morning day, Harry:)

Stravinsky
Renard
Craft, conductor


Goedenmorgen mijn vriend! :)

karlhenning

Quote from: D Minor on May 14, 2007, 04:58:44 AM
Mz 41 (Jup) (Bohm)  0:)

Quintessential morning music, mon vieux!  :)

Harry

Krenek

Presto (1:08) from his first Symphony.


On repeat!

BachQ

Quote from: karlhenning on May 14, 2007, 05:01:44 AM
Quintessential morning music, mon vieux!  :)

My thoughts exactly . . . . . .  0:)

not edward

Wagner: Siegfried-Idyll; Wesendonck-Lieder (Ludwig/Klemperer)
Strauss: Metamorphosen (Klemperer)
"I don't at all mind actively disliking a piece of contemporary music, but in order to feel happy about it I must consciously understand why I dislike it. Otherwise it remains in my mind as unfinished business."
-- Aaron Copland, The Pleasures of Music

karlhenning

Igor Fyodorovich
Pribaoutki
Berceuses du chat
Catherine Ciesinsky, mezzo &al.

Harry

Krenek.
Symphony No. 5.

Radio Philharmonie Hannover des NDR/Takao Ukigaya.


To sexy for my shirt! ;D

dtwilbanks

Quote from: Que on May 13, 2007, 09:31:00 PM
Would be very interested in your comments on this one! :)

Q

Hi Q!

I don't know lieder, but I know what I like. And I like this. So, I bet that helped you a lot.  ;D

Hector

This weekend it was the turn of Mahler 9 to be reviewed by the Beeb's CD Review.

Short shrift was given to Sinopoli on Pentatone, Horenstein on BBC Legends, Rattle's hect(oring)ic, Giulini's reverential slowness and Barenboim's latest which the reviewer thought sounded like the conductor wanted to play it on the piano.

Bernstein's DVD was recommended as was Ancerl's mid-price account on Supraphon, a performance that I've admired rather than liked because it always sounds bass-light to me (a fault of Supraphon rather than Ancerl and the Czech PO?).

Pride of place went to Abbado's live 1999 recording with the BPO on DG.

I had not heard this until today and the attention to the composer's requirements and, therefore, detail, matched with concentrated and exemplary playing with no loss of tension moved me as this symphony, surely, should.

I am not going to throw out any of the other versions I own (none of the above, incidentally) except Scherchen, which is awful, but have a desire to acquire the Abbado!

karlhenning

Igor Fyodorovich
Octuor
Harmonie Ensemble/New York

Harry

Martinu.
Piano Quintet No. 1.
Martinu Quartet.


Martinu in top form, and Naxos too.

Harry

Martinu.
Piano Quintet, No. 2.
Martinu Quartet.


Very fine, very good, very......................

Harry

Martinu.
Sonata for two Violins and Piano.
Martinu Quartet, and Karel Kosarek.


Yummy.

Harry

J.C Bach.

Symphonies Concertantes, Volume IV.

Hanover Band/Anthony Halstead,


This box with six cd's for bargain price at JPC, is a joy in all repects.
Performances are good, sound is fine, really a treat for sore ears.

Que

Quote from: dtwilbanks on May 14, 2007, 06:21:02 AM
Hi Q!

I don't know lieder, but I know what I like. And I like this. So, I bet that helped you a lot.  ;D

Brahms' Lieder are gorgeous and Bernarda Fink is a superb singer, so I'm not surprised! ;D

Thanks, Q

Danny

An excellent version of the B Minor Mass by Bach made in the early 50's; sometimes the sound doesn't always convey the sweeping and spiritual rush (usually in the movements of the choir where the voices/orchestra aren't mixed properly) but overall I definitley love this interpretation.  



I wonder why a Lutheran chose to write a Latin Mass, though.  Can anyone feel me in?


karlhenning

#2717
Dmitri Dmitriyevich
Symphony No. 7 in C Major Leningrad, Opus 60
Prague Symphony
Maksim Dmitriyevich

dtwilbanks

Quote from: karlhenning on May 14, 2007, 10:33:06 AM
Dmitri Dmitriyevich
Symphony No. 7 in C Major Leningrad, Opus 60
Prague Symphony
Maksim Dmitriyevich




Hey, Karl. You like Russian composers. How come no Rachmaninoff?

dtwilbanks

Quote from: Danny on May 14, 2007, 10:07:02 AM
An excellent version of the B Minor Mass by Bach made in the early 50's; sometimes the sound doesn't always convey the sweeping and spiritual rush (usually in the movements of the choir where the voices/orchestra aren't mixed properly) but overall I definitley love this interpretation. 



I wonder why a Lutheran chose to write a Latin Mass, though.  Can anyone feel me in?

Because it was his job?