What were you listening to? (CLOSED)

Started by Maciek, April 06, 2007, 02:22:49 AM

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not edward

"I don't at all mind actively disliking a piece of contemporary music, but in order to feel happy about it I must consciously understand why I dislike it. Otherwise it remains in my mind as unfinished business."
-- Aaron Copland, The Pleasures of Music

longears


Nonets and Septets - Martinu: Nonet for wind quintet & piano quartet, H. 144 (fragment) / Jiri Jaroch: Detska Suite (Children's Suite) / Villa-Lobos: Chôros No. 7 / Stravinsky: Septet / d'Indy 

By the National Chamber Players under Lowell Graham.  So much lovely music, so little known.  Sigh. 

Lethevich

Heather Harrison reminded me that I owned this CD by mentioning a Penderecki concerto in another thread.



I have major problems with these works, but for some reason I can't bring myself get rid of the disc. I admire atmospheric, broody, insular, melodic music, and pieces of audacious length (it seems to be easy for modern composers to retreat into "micro" forms), but at the same time I can't find myself able to call these works "great", and even to call them good would require caveats - I like the idea of them, and I sort of enjoy listening to them, but they're really annoying me at the same time... Basically, I like the idea of owning them, and the idea of the music, but actually listening to them makes me almost change my mind...
Peanut butter, flour and sugar do not make cookies. They make FIRE.

George



Excellent transfer and performances here. This sure came in handy last night, which was nearly sleepless.   

Que



Harry

Quote from: Lethe on October 27, 2007, 08:08:50 AM
Heather Harrison reminded me that I owned this CD by mentioning a Penderecki concerto in another thread.



I have major problems with these works, but for some reason I can't bring myself get rid of the disc. I admire atmospheric, broody, insular, melodic music, and pieces of audacious length (it seems to be easy for modern composers to retreat into "micro" forms), but at the same time I can't find myself able to call these works "great", and even to call them good would require caveats - I like the idea of them, and I sort of enjoy listening to them, but they're really annoying me at the same time... Basically, I like the idea of owning them, and the idea of the music, but actually listening to them makes me almost change my mind...

Yes I think I get that..... ;D

not edward

Quote from: Lethe on October 27, 2007, 08:08:50 AM
Heather Harrison reminded me that I owned this CD by mentioning a Penderecki concerto in another thread.



I have major problems with these works, but for some reason I can't bring myself get rid of the disc. I admire atmospheric, broody, insular, melodic music, and pieces of audacious length (it seems to be easy for modern composers to retreat into "micro" forms), but at the same time I can't find myself able to call these works "great", and even to call them good would require caveats - I like the idea of them, and I sort of enjoy listening to them, but they're really annoying me at the same time... Basically, I like the idea of owning them, and the idea of the music, but actually listening to them makes me almost change my mind...
This sounds like my experience with almost all-post-return-to-Romanticism Penderecki (I'd vote the sextet, clarinet quartet and maybe the 3rd symphony as the only exceptions to this rule.

Just been listening to Chailly's Mahler 7. I had high hopes of Chailly in this symphony, and on first listening they're amply justified: though Chailly sees the work rather differently than my previous favourites do, I can see this recording ranking up with Zender, Scherchen and the Sony Bernstein in my personal pantheon.
"I don't at all mind actively disliking a piece of contemporary music, but in order to feel happy about it I must consciously understand why I dislike it. Otherwise it remains in my mind as unfinished business."
-- Aaron Copland, The Pleasures of Music

gmstudio


Solitary Wanderer

'I lingered round them, under that benign sky: watched the moths fluttering among the heath and harebells, listened to the soft wind breathing through the grass, and wondered how any one could ever imagine unquiet slumbers for the sleepers in that quiet earth.' ~ Emily Bronte

Mark

All being well (and once my wife and daughter have fallen asleep), I'm hoping to spin this gem:


Solitary Wanderer

Well, I've had this disc for over 20 years  :o :

Vivaldi ~ Famous Concerti Academy of St.John/Tibor Tomasek on the Donau label.

Its excellent, but this morning it malfunctioned while playing for the first time  :( I may need to upgrade to another version.
'I lingered round them, under that benign sky: watched the moths fluttering among the heath and harebells, listened to the soft wind breathing through the grass, and wondered how any one could ever imagine unquiet slumbers for the sleepers in that quiet earth.' ~ Emily Bronte


BachQ

Quote from: Mark on October 27, 2007, 12:35:38 PM
All being well (and once my wife and daughter have fallen asleep), I'm hoping to spin this gem:



Perhaps you should start a thread on Smetana's SQ's?

Mark

Quote from: D Minor on October 27, 2007, 02:21:45 PM
Perhaps you should start a thread on Smetana's SQ's?

Lemme guess. You were a jester in a previous life?

Mark

Schoenberg: Verklarte Nacht - Runnicles/BBC Symphony Orchestra. Sounds a bit Straussian to me. Isn't there a string quartet version, too?

not edward

Quote from: Mark on October 27, 2007, 02:34:06 PM
Schoenberg: Verklarte Nacht - Runnicles/BBC Symphony Orchestra. Sounds a bit Straussian to me. Isn't there a string quartet version, too?
String sextet, actually. I strongly prefer it to the orchestral one.
"I don't at all mind actively disliking a piece of contemporary music, but in order to feel happy about it I must consciously understand why I dislike it. Otherwise it remains in my mind as unfinished business."
-- Aaron Copland, The Pleasures of Music

Mark

Quote from: edward on October 27, 2007, 02:35:49 PM
String sextet, actually. I strongly prefer it to the orchestral one.

Ah, I see. Yes, the orchestral version is a bit ... syrupy. Doesn't sound at all like the mould-breaking Schoenberg we all know and love from a decade later. :D

Mark

Inspired by member, some guy, I'm now playing Poulenc's Piano Concerto for the first time in ages. Pommier is the soloist, with Hickox conducting the City of London Sinfonia on Virgin.

Lethevich

Peanut butter, flour and sugar do not make cookies. They make FIRE.