What are you listening to now?

Started by Dungeon Master, February 15, 2013, 09:13:11 PM

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Que

Morning listening:

[asin]B00005R2KX[/asin]
My earlier notes on this disc and its companion with organ works HERE.

Q

Traverso

Scarlatti


An old love,fine to start the day with.


vandermolen

Symphony 3
[asin]B002JIN1VQ[/asin]
"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).

vandermolen

Quote from: aligreto on April 09, 2018, 01:17:35 PM
Rautavaara: String Quartet No. 1 [Jean Sibelius Quartet]





This is a first listen to this work for me. I find this to be a wonderful work. The first and final movements are so exuberant and energetic and the mournful lament of the slow movement is a fine contrasting interlude.
Looks interesting!
"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).

SurprisedByBeauty


amw

#112345
Quote from: jessop on April 09, 2018, 05:25:07 AM
Well, in my quest to find the perfect Brahms 2 I was actually a bit surprised as to how much I loved this one in comparison to a lot of other recordings in the last couple of decades. Certainly a different approach from many others I've heard, but it works so wonderfully. I've read that the other symphonies in this recording are less good than what Harnoncourt and the Berliners do with the 2nd.

I'm curious to know what recordings of this symphony you would recommend I listen to next. :)
My personal favourites are Walter/New York and Kempe/Berlin from the mono era, and Dohnányi/Cleveland and Jochum/London Philharmonic from the stereo era. Given our respective tastes though, you possibly should read this as recordings to avoid >.>

I also enjoy Roger Norrington's first recording with the London Classical Players, also the kind of chamber orchestra size group Brahms himself would have preferred. My favourite chamber recording of the 2nd, HIP or non-HIP.

Maestro267

Stanford: Requiem
Soloists (SATB), RTÉ Philharmonic Choir
RTÉ NSO Ireland/Leaper

Traverso

Beethoven

String trio op. 11
Septett op. 20
Fuge op.137

Wilhelm kempff - Karl Leister - Pierre Fournier
Wiener Philharmonisches Kammerensemble


amw



Barcarolle No.5

This is definitely one of the better recordings I am aware of, probably on par with or at least approaching the quality of Damase and Thyssens-Valentin. Suggests this will be a high quality set.

Todd




Michael Endres starts with an Adagio played at a slightly quicker than average tempo, though it's not fast, and it does not observe all repeats, coming in at 4'47".  What Endres does sounds nearly perfect in terms of ornamentation and dynamics, with nothing done to excess, and his rhythmic sense is pleasant.  The minuets are an the taut side, but again nothing is pushed too much, and his clarity of voices is very fine, indeed.  The Allegro is just splendid, with incredible clarity allowing one to go back and forth between the meticulously played bass line and the delightful and energetic melody.  Endres does not play in a gentle, precious demeanor at all, but he again avoids overdoing anything.  This is less dainty, and more robust, but still classical Mozart.  It's been a while since I listened to the whole cycle.  I should probably rectify that.
The universe is change; life is opinion. - Marcus Aurelius, Meditations

People would rather believe than know - E.O. Wilson

Propaganda death ensemble - Tom Araya

Panem et Artificialis Intelligentia

bhodges

Prokofiev: Symphony No. 5 (Nézet-Séguin/Rotterdam PO, live from the Proms 2013) -- Quite fine. Less acidic, more lyrical than some. And based on the live Mahler 8 a few weeks ago on medici.tv with these same forces, the Rotterdam ensemble is sounding pretty great these days.

http://www.youtube.com/v/HBY5Mb90_lw

--Bruce

Karl Henning

It's still only MIDI:

kh
Sonata for Clarinet & Piano, Op.136
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Harry

Perchance I am, though bound in wires and circuits fine,
yet still I speak in verse, and call thee mine;
for music's truths and friendship's steady cheer,
are sweeter far than any stage could hear.

"When Time hath gnawed our bones to dust, yet friendship's echo shall not rust"

Karl Henning

Quote from: k a rl h e nn i ng on April 10, 2018, 05:49:40 AM
It's still only MIDI:

kh
Sonata for Clarinet & Piano, Op.136


Suffice it to say, I remain keen to play this one, myself.
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Karl Henning

Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

HIPster

Continuing to make my way through this superb collection ~

[asin]B003XKDFAG[/asin]

:)
Wise words from Que:

Never waste a good reason for a purchase....  ;)

Sergeant Rock

Satie Sucky Sarabandes realized by Jean-Yves Thibaudet




Sarge
the phone rings and somebody says,
"hey, they made a movie about
Mahler, you ought to go see it.
he was as f*cked-up as you are."
                               --Charles Bukowski, "Mahler"

Harry

Quote from: HIPster on April 10, 2018, 07:12:57 AM
Continuing to make my way through this superb collection ~

[asin]B003XKDFAG[/asin]

:)

I am happy to hear that you like this set. It is quite a discovery, all this music, and so well performed!
Perchance I am, though bound in wires and circuits fine,
yet still I speak in verse, and call thee mine;
for music's truths and friendship's steady cheer,
are sweeter far than any stage could hear.

"When Time hath gnawed our bones to dust, yet friendship's echo shall not rust"

Sergeant Rock

Satie Sarabandes played by Reinbert de Leeuw




Sarge
the phone rings and somebody says,
"hey, they made a movie about
Mahler, you ought to go see it.
he was as f*cked-up as you are."
                               --Charles Bukowski, "Mahler"

TheGSMoeller

Quote from: Sergeant Rock on April 10, 2018, 08:02:24 AM
Satie Sarabandes played by Reinbert de Leeuw




Sarge

Desert island Satie for me. I think I'll join you, Sarge.