What are you listening to now?

Started by Dungeon Master, February 15, 2013, 09:13:11 PM

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André

Quote from: Christo on August 13, 2018, 05:40:10 AM
Was finally able to listen to it this Summer (on Spotify), while in Israel/Palestine, and completely agree. Von Koch is a fine composer and I hope to explore more.

Like Kyjo said, the Impulsi trilogy is the place to start, a very powerful work (or set of works). The BIS disc has Impulsi only.

I wonder why record companies have not taken it up since the 1977 Swedish Society recording ?

NikF

Chopin: Concerto No. 1 in E minor - Pollini/Thielemann/Berliner Philharmoniker.
"You overestimate my power of attraction," he told her. "No, I don't," she replied sharply, "and neither do you".

kyjo

Quote from: André on August 13, 2018, 09:09:07 AM
Like Kyjo said, the Impulsi trilogy is the place to start, a very powerful work (or set of works). The BIS disc has Impulsi only.

I wonder why record companies have not taken it up since the 1977 Swedish Society recording ?

I was wondering the same thing, too. It's such an exhilarating, colorful score that I'd love to hear in a brand new modern recording!
"Music is enough for a lifetime, but a lifetime is not enough for music" - Sergei Rachmaninoff


Traverso


André



This interpretation is wanting in joy, drama and swagger. Beautiful but bland and faceless singing from the two sopranos. In keeping with the doggedly neutral attitude emanating from the podium, the ladies are not identified as to which part they are assigned. Fortunately Auger has a recognizable voice.

listener

3 GOUNOD Synphonies (no.3 incomplete)
3 C.P.E. BACH  Cantatas
"Keep your hand on the throttle and your eye on the rail as you walk through life's pathway."

Mahlerian

#119507
Babbitt: Reflections for piano and tape
Robert Miller
[asin]B0000030IM[/asin]

Very elegant yet playful.

Mahler: Symphony No. 2 "Resurrection"
Edith Mathis, Doris Soffel, London Philharmonic Orchestra and Chorus, cond. Tennstedt
[asin]B004OGDW4M[/asin]

Not a favorite recording of this work (Tennstedt's live version, for one, is far more electric), but a dedicated one all the same, and that final climax is overwhelming in all but the worst versions.  The Urlicht is unfortunately too slow (and extremely quiet!), but the London Philharmonic play well and Tennstedt guides the work well through its many possible pitfalls.

Mahler's most popular symphony is a fascinating mongrel of a work, though no one save perhaps the composer himself could have imagined it would become a warhorse some 50-60 years after his death (and around 80 after its composition!).
"l do not consider my music as atonal, but rather as non-tonal. I feel the unity of all keys. Atonal music by modern composers admits of no key at all, no feeling of any definite center." - Arnold Schoenberg

André



After Abbado's overcooked macaroni version, Langrée's HIP provides a total contrast, with a strong forward impetus, forceful accents, lively tempi in the fugues, slashing attacks and anguished wailing in the Gratias and Qui tollis, etc. I do not agree with everything, but everything has meaning and purpose.

SonicMan46

Clementi, Muzio (1752-1832) - Symphonies, Nos. 1-4 w/ Ivor Bolton & Mozarteumorchester Salzburg - new arrival and will 'cull out' my older set w/ Claudio Scimone (never like the sound on those performances) - Clementi is thought to have composed 6 symphonies, but only 4 were apparently 'reconstructed' in the 1970s by Pietro Spada; curiously, there is an ASV 2-CD set w/ the 4 numbered symphonies + 2 Op. 18 symphonies from 1787 (see last 2 pics below); also, Bamert has recorded these Op. 18 works - BUT, for those interested, reviews are attached of the Bolton & Scimone performances.  Dave :)

     

André

#119510
I have the ASV set. Let us know what you think of the Boltons, Dave!

.................

Yet another K 427, a private tape of a 1990 Munich Phil performance by Celibidache. This was sent to me long ago by our dear Lisbeth, one of the great souls and minds of GMG.

The sound is surprisingly good despite some audible knob tweaks and sniffs from the person holding the recording device. It's a powerful interpretation, leisurely in tempo but alive to the devotional aspects of the work. Celi sure knew what to do with these trombones ! Excellent singing.

SymphonicAddict

Quote from: SonicMan46 on August 13, 2018, 03:21:10 PM
Clementi, Muzio (1752-1832) - Symphonies, Nos. 1-4 w/ Ivor Bolton & Mozarteumorchester Salzburg - new arrival and will 'cull out' my older set w/ Claudio Scimone (never like the sound on those performances) - Clementi is thought to have composed 6 symphonies, but only 4 were apparently 'reconstructed' in the 1970s by Pietro Spada; curiously, there is an ASV 2-CD set w/ the 4 numbered symphonies + 2 Op. 18 symphonies from 1787 (see last 2 pics below); also, Bamert has recorded these Op. 18 works - BUT, for those interested, reviews are attached of the Bolton & Scimone performances.  Dave :)

     

I have very good memories of those symphonies. I remember enjoying them. I have the Scimone twofer but I don't have any problem with the sound.

kyjo

Beethoven - Piano Concerto no. 2:

[asin]B000N60H9K[/asin]

This is Beethoven's weakest concerto IMO (most seem to think it's the Triple Concerto, but I strongly disagree). Nevertheless, it's still fine music and Bronfman and Tonhalle Orchestra under Zinman really make it sparkle.


Jones - Symphony no. 3 Palo Duro Canyon:

[asin]B001NZA056[/asin]

Wow! This is an extraordinary work and certainly one of the most impressive works I've heard by a contemporary American composer. Opening with pre-recorded sounds of wind blowing over the canyon, it expands into a kaleidoscopically colorful and powerful depiction of the grandeur of the canyon. Jones studied under Hanson, and there is indeed a lovely Hanson-esque "big tune" at the center of the work. This is one of those contemporary works which manages to be unique yet wholly accessible at the same time - there is nothing cliché or gimmicky here. I'm rather surprised that Jones isn't better known here in the states - and the majority of his output remains unrecorded. Give us more, Naxos!


Brahms - Variations and Fugue on a Theme by Handel:

[asin]B0000041AH[/asin]

Brahms proves himself to be a master of both variation and fugal writing here - and while it may lack a bit of the warmth of Brahms' other music, it is certainly a really impressive composition. The final fugue is breathtaking and reaches a magnificent peroration at the end. Kovacevich gives an eloquent and intelligent performance.


Scriabin - Symphony no. 3 Le Divin Poème:

[asin]B000040OX4[/asin]

A great wallow of a work, tied together by a memorable motto theme and surging in waves to numerous ecstatic climaxes. I feel that it's almost too much of a good thing, and there isn't much by way of contrast over the 45-minute course of the work. So, it's actually my least favorite of the Scriabin symphonies, though still good stuff.


Jongen - Symphonie Concertante for organ and orchestra:

[asin]B000003CTA[/asin]

There's really nothing better in life than cranking this in the car at full blast!  :D It's hard to find many things in the repertoire that top the sheer magnificence of the outer movements (particularly that final Toccata), and the inner movements have lovely, more intimate passages to contrast. It's hard to imagine a better performance and recording than this!
"Music is enough for a lifetime, but a lifetime is not enough for music" - Sergei Rachmaninoff

lisa needs braces

Currently...



And over two days (finished a few hours ago):



I pull out this set every couple of years and I'm always surprised how fun these works are. Only set of Haydn quartets in my small collection of CDs...

NikF

Gade: Symphony No. 3 - Schonwandt/Collegium Musicum Copenhagen.

[asin]B000024OCR[/asin]

The only Gade I know comes courtesy of the three act ballet 'Et folkesagn (at least, I think he wrote the majority of the music?) so he's relatively unfamiliar to me.
"You overestimate my power of attraction," he told her. "No, I don't," she replied sharply, "and neither do you".

Harry

German 18th Century Lute music.
"Influences"
CD 4.
Composers: David Kellner, Wolff Jakob Lauffensteiner, Johann Michael Kuhnel, Bernhard Joachim Hagen, Silvius Leopold Weiss.
Alberto Crugnola, Lute.


Perchance I am, though bound in wires and circuits fine,
yet still I speak in verse, and call thee mine;
for music's truths and friendship's steady cheer,
are sweeter far than any stage could hear.

"When Time hath gnawed our bones to dust, yet friendship's echo shall not rust"



Karl Henning

Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Maestro267

Beethoven: Triple Concerto
Oistrakh (violin), Richter (piano), Rostropovich (cello)
Berlin PO/Karajan