What were you listening to? (CLOSED)

Started by Maciek, April 06, 2007, 02:22:49 AM

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Harry

#16700
Quote from: Brian on January 10, 2008, 08:46:54 AM
Oh, I only own two, school library has 4 or 5 more ...  >:D

Moving on to this disc, which for whatever reason is immensely appealing to me, even after just a minute or two:



What awesome stuff!  8)

And with good reason, this is the best available recording of these Bassoon concertos. Another one on ASV with Daniel Smith is a dud.....

George


SonicMan46

Quote from: Brian on January 09, 2008, 07:21:18 PM



Brian - I've owned that one for a while, but after your comments, I must give the disc another listening!  BTW, available from BRO for $7 for those who use this outlet -  :D

bhodges

Quote from: Harry on January 10, 2008, 09:32:11 AM
I simply love your new Avatar......

Why thanks, Harry!  I ran across a few examples of Elizabeth Murray's work, most of which didn't seem to work so well when you shrink them down to avatar size, but this one I liked a lot.  She died just last August (a nice New York Times obit is here) and has been on my mind in the last few months.

--Bruce

M forever

Quote from: Harry on January 10, 2008, 09:34:16 AM
And with good reason, this is the best available recording of these Bassoon concertos. Another one on ASV with Daniel Smith is a dud.....

What about Thunemann?

Harry

Quote from: M forever on January 10, 2008, 10:16:38 AM
What about Thunemann?

Good also, but no match for the Naxos recordings, IMO.

The new erato



Long time since I've listened to Falla. El amour brujo now. Blood-curdling stuff.

M forever

Quote from: Harry on January 10, 2008, 10:30:11 AM
Good also, but no match for the Naxos recordings, IMO.

I never heard the Naxos recordings, how does the playing style compare to Thunemann? I always liked his playing but found his general style and the accompaniment (I Musici) while highly cultivated, OTOH too unspecific.

Wanderer


ragman1970

Quote from: Wanderer on January 10, 2008, 01:36:34 AM
Good morning, Harry!   :)  A beautiful Alcyonide day here (an ancient name for nice and sunny winter days). All is well, I hope?

Listening to:



Most splendid!  8)

Bychkov is a great DSch conductor

rubio

I finished the Ring borrowed from the library. For me Gotterdammerung has the most beautiful moments of the Ring, and if I should have one Ring cycle I would go for Keilbert instead of Solti or Karajan (of these I have heard). I think this Ring has the most wonderful singing, atmosphere and lyric beauty.

"One good thing about music, when it hits- you feel no pain" Bob Marley

Haffner


Harry

Quote from: M forever on January 10, 2008, 10:47:43 AM
I never heard the Naxos recordings, how does the playing style compare to Thunemann? I always liked his playing but found his general style and the accompaniment (I Musici) while highly cultivated, OTOH too unspecific.

The Bassoon player on Naxos has, let me say a more natural approach towards his instrument and a deeper intrinsic insight into the gaiety of Vivaldi's music, Thunemann is for my taste to academic, highly cultivated so you will.
He plays all the notes but his understanding of the music is somewhat bleak and uninvolved, or unspecific, as you mentioned.

Harry


not edward



Good coupling, and both performances certainly whip up a fair level of excitement, though I don't count myself as wholly convinced by either. I find the Bruckner too choppily phrased for my taste (I guess I'm looking for more of a legato line and long-breathed phrasing), while I don't think the Hartmann quite matches the RIAS/Fricsay for rhythmic articulation or long-term structural control.
"I don't at all mind actively disliking a piece of contemporary music, but in order to feel happy about it I must consciously understand why I dislike it. Otherwise it remains in my mind as unfinished business."
-- Aaron Copland, The Pleasures of Music

Brian

#16715
Quote from: M forever on January 10, 2008, 10:47:43 AM
I never heard the Naxos recordings, how does the playing style compare to Thunemann? I always liked his playing but found his general style and the accompaniment (I Musici) while highly cultivated, OTOH too unspecific.
Hello M,

I have not heard any other performances of the Vivaldi concerti; if you would like to listen to a bit of the Benkocs for yourself here is a sample track (from Volume 4: the D minor concerto RV 481).

M forever

Nice track. Yes, Thunemann more or less just plays the notes very nicely, more nicely than most other bassonists, but as nice as that is, it isn't really that interesting to listen to after just a short while. It's more like something you can have play in the background while cooking.

This Hungarian bassonist seems more interesting, from what little I have heard (well, basically only that clip). I would like to hear one of the slow movements, too.

hautbois

#16717
Quote from: M forever on January 10, 2008, 02:32:29 PM
Nice track. Yes, Thunemann more or less just plays the notes very nicely, more nicely than most other bassonists, but as nice as that is, it isn't really that interesting to listen to after just a short while. It's more like something you can have play in the background while cooking.

This Hungarian bassonist seems more interesting, from what little I have heard (well, basically only that clip). I would like to hear one of the slow movements, too.

Tamas Benkocs was principal bassoonist with the Malaysian Philharmonic Orchestra during its formative years (1997-2003). He was known for his utmost clarity, energy (which seems to be a Hungarian trait), and a certain quality of "loudness" that was not usually associated with a bassoon, and that was of course a compliment. According to Naxos, he studied with Brian Pollard (Concertgebouw Orch) and Milan Turkovic (Concentus Musicus Wien etc.) among others, and they themselves are till now, some of the greatest names in the history of bassoon playing. He played often as guest principal with the Budapest Festival Orchestra during his tenure with the MPO, and left for higher ground soon after. It was a loss for the MPO woodwind section i would say, though they still have quite a brilliant bassoon section! The Vivaldi concertos are very highly recommended, what Naxos is doing with Benkocs is quite a historical feat, recording the complete concerti for bassoon and the results, up until now, have been obviously musically and sonically successful performances.

Howard

PaulR

Atterberg:  Symphony #1 Rasilainen/Frankfurt Radio Symphony Orchestra

I like this....

orbital

Caught Live from Lincoln Center telecast of Verklarte Nacht on PBS which was very informative with the first half devoted to explaining the piece excerpt by excerpt and the second part to the performance.

The rest of the program is Brahms' String Sextet No.2 which can be watched here:
http://www.lincolncenter.org/load_screen.asp?screen=webcast