Share a sculpture

Started by rhomboid, June 06, 2022, 09:43:37 AM

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rhomboid

The Sleeper Disturbed, c. 1756, figure in porcelain, 24 cm high, Rococo style, by Swiss modeller F.A. Bustelli.



Lisztianwagner

Psyche Revived by Cupid's Kiss, 1787-1793, sculpture in white marble, 155 cm × 168 cm, Neoclassical style, by the Italian artist Antonio Canova (200th anniversary of his death by the way).

"You cannot expect the Form before the Idea, for they will come into being together." - Arnold Schönberg

rhomboid

Quote from: Lisztianwagner on June 06, 2022, 02:19:46 PM
Psyche Revived by Cupid's Kiss, 1787-1793, sculpture in white marble, 155 cm × 168 cm, Neoclassical style, by the Italian artist Antonio Canova (200th anniversary of his death by the way).



Wondrous marble composition by Canova, neoclassicism towards pre-romanticism

rhomboid

#3
Jardin d'émail (1974), by Jean Dubuffet




Cato

Salvador Dali's...

...Swan-Elephant.

Depending on how you pose the figure, it is a swan...





...or an elephant!





"Meet Miss Ruth Sherwood, from Columbus, Ohio, the Middle of the Universe!"

- Brian Aherne introducing Rosalind Russell in  My Sister Eileen (1942)

Mandryka

#5


Marino Marini, Angel of the City, Venice.
Wovon man nicht sprechen kann, darüber muss man schweigen

arkiv


Herman

The Marini reminds me of a delightfully awkward line in the wiki article about Mendelssohn's Variations Serieuses.

"The work was written as part of a campaign to raise funds for the erection of a large bronze statue of Ludwig van Beethoven in his home town of Bonn."

I guess they pictured a really large erection?

pjme

#8


Notre Dame de Grasse (15th century !) - now at the Musée des Augustins in Toulouse. Possibly (the middle) part of a group of three sculptures : two praying figures + Madonna with child.


2005 restauration

vandermolen

#9
Jacob Wrestling with the Angel (c.1942)
By Sir Jacob Epstein
(carved alabaster)
Tate Gallery, London
This monumental work depicts the well-known theme from the Book of Genesis.
Jacob is wrestling with a stranger in a struggle that will last throughout the night. In the morning, the assailant reveals himself to be an angel and blesses Jacob for not abandoning the struggle. Though apparently locked in combat, the figures here seem to embrace and kiss, adding a charged sexual undertone to the sculpture. The work was carved from a single block of coloured alabaster. This work was carved in the middle of the Second World War and is a deeply personal work on the part of the artist who shared its hero's name.
"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).

Cato

#10
Bruno Lucchesi (age 97 or so), an Italian-American sculptor: we saw his sculpture Saint Joseph and The Child Jesus recently in Orlando, Florida.

Here is a video with close-ups of the faces and other details:




"Meet Miss Ruth Sherwood, from Columbus, Ohio, the Middle of the Universe!"

- Brian Aherne introducing Rosalind Russell in  My Sister Eileen (1942)

Mandryka

Quote from: vandermolen on February 07, 2023, 12:07:24 PMJacob Wrestling with the Angel (c.1942)
By Sir Jacob Epstein
(carved alabaster)
Tate Gallery, London
This monumental work depicts the well-known theme from the Book of Genesis.
Jacob is wrestling with a stranger in a struggle that will last throughout the night. In the morning, the assailant reveals himself to be an angel and blesses Jacob for not abandoning the struggle. Though apparently locked in combat, the figures here seem to embrace and kiss, adding a charged sexual undertone to the sculpture. The work was carved from a single block of coloured alabaster. This work was carved in the middle of the Second World War and is a deeply personal work on the part of the artist who shared its hero's name.

I've known this one for what feels like all my life. It's certainly impressive in the context. Very often battle scenes in sculpture seem to be like throes of passion, there's one in the V and A -- maybe Samson killing someone -- with the bodies, naked of course --  intertwined.
Wovon man nicht sprechen kann, darüber muss man schweigen

Mandryka

Here's the Westminster Burghers of Calais (Rodin)



The think that I like about it is the feet.
Wovon man nicht sprechen kann, darüber muss man schweigen

vandermolen

Quote from: Mandryka on February 09, 2023, 08:43:26 AMI've known this one for what feels like all my life. It's certainly impressive in the context. Very often battle scenes in sculpture seem to be like throes of passion, there's one in the V and A -- maybe Samson killing someone -- with the bodies, naked of course --  intertwined.
Interesting to know. Epstein is one of my favourite sculptors.
"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).