Quiz: Mystery scores

Started by Sean, August 27, 2007, 06:49:47 AM

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Luke

Another. Very obvious. Again, you're just getting a bit of the score, there are other things happening here. Same connection.

Luke

Last one. You may notice that most of these files are called 'mystery location x' - in fact all of them bar the first one (the piano reduction one) should be called that. And this one, #6, is actually the same location as #4.

Luke

I will stop there though in fact I could add a few more.

classicalgeek

#5943
Quote from: Luke on May 24, 2023, 02:45:44 PMAnother. This is a big orchestral score, but you're just getting a couple of bars of the flute/picc part. Connected to the others in the same way (which, as I say, probably won't help you). Famous piece.

Is this Bax's Tintagel? The one with the flute and piccolo parts marked 'Very moderate tempo'? ("Mystery Location 4")
So much great music, so little time...

Luke

It certainly is. Well done!

classicalgeek

Quote from: Luke on May 24, 2023, 02:54:16 PMLast one. You may notice that most of these files are called 'mystery location x' - in fact all of them bar the first one (the piano reduction one) should be called that. And this one, #6, is actually the same location as #4.

"Mystery Location 6" appears to be Elgar's Second Symphony, first movement.
So much great music, so little time...

Luke

#5946
Correct. Also 'from' Tintagel... What an amazing piece. This movement is indescribably good. This is the 'ghost' section...

classicalgeek

"Mystery Location 5" is, of course, Vaughan Williams' 'Pastoral' Symphony,

While "Mystery Meanderings" I think is Holst - though I don't know the piece.
So much great music, so little time...

Luke

Very good on both. Holst is so clear, isn't he? This is his best piece - he thought. I tend to agree.

As I say, really that one should have been Mystery Location 1. That's a clue, especially if you think about the other ones you've got. It might help with the missing ones (get out a map?)

classicalgeek

It would stand to reason that the flugelhorn part is dead giveaway for the one labeled "Mystery location" - Vaughan Williams' Ninth Symphony. "Mystery location 3" looks like Vaughan Williams too, though the piece eludes me. "Mystery location 2" is really tricky - it's that font. Could it be someone as out-of-the way as Granville Bantock or Josef Holbrooke? I'm pretty stumped on this one.

As I am on your "Mystery piano reduction", as well as BWV 1080's guitar piece. I'll keep thinking...
So much great music, so little time...

Luke

Quote from: classicalgeek on May 24, 2023, 04:07:52 PMIt would stand to reason that the flugelhorn part is dead giveaway for the one labeled "Mystery location" - Vaughan Williams' Ninth Symphony. "Mystery location 3" looks like Vaughan Williams too, though the piece eludes me. "Mystery location 2" is really tricky - it's that font. Could it be someone as out-of-the way as Granville Bantock or Josef Holbrooke? I'm pretty stumped on this one.

As I am on your "Mystery piano reduction", as well as BWV 1080's guitar piece. I'll keep thinking...

Your guesses are all spot on except that Mystery location 2 is neither Bantock nor Holbrook. A comparable but somewhat higher level of fame, unimpeachable reputation and - imo - a much better composer than either.

BWV 1080

Quote from: Luke on May 24, 2023, 02:17:40 PMHere's one for you. This is the piano reduction (for rehearsal only) at the bottom of a choral work, which I've cut out, partly just so it's easier to read the notes, partly to deny you the text...


Mapman

Quote from: BWV 1080 on May 24, 2023, 04:57:32 PM

That ('There is Sweet Music', op. 53 no. 1) is a great piece!

krummholz

Quote from: Luke on May 24, 2023, 02:48:57 PMAnother. Very obvious. Again, you're just getting a bit of the score, there are other things happening here. Same connection.
This is the only one I recognize so far - it's RVW, from his 3rd Symphony (Pastoral).

Luke

Yes, these are both correct.

BWV 1080

#5955
The composer of my score was from a country that was a major participant in WW2, lived for a few years in an occupied country and then briefly served in his country's army toward the end of the war but fortunately did not see combat

classicalgeek

Quote from: BWV 1080 on May 25, 2023, 04:39:57 AMThe composer of my score was from a country that was a major participant in WW2, lived for a few years in an occupied country and then briefly served in his country's army toward the end of the war but fortunately did not see combat

Could it be Hans Werner Henze? He fits the first and third of your criteria, and the second if you consider Germany 'occupied'. He also wrote several important works for guitar, most notably Royal Winter Music.

Not sure this is it... but maybe?
So much great music, so little time...

Karl Henning

Quote from: classicalgeek on May 24, 2023, 01:05:15 PMI don't suppose any of the Second Viennese School wrote any pieces using guitar?
I believe Schoenberg's Serenade, Op. 24 includes guitar.
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

classicalgeek

After two relatively easy mystery scores on my part, maybe this one will be a bit more challenging? We'll see...

So much great music, so little time...

Luke

Quote from: classicalgeek on May 25, 2023, 09:59:30 AMCould it be Hans Werner Henze? He fits the first and third of your criteria, and the second if you consider Germany 'occupied'. He also wrote several important works for guitar, most notably Royal Winter Music.

Not sure this is it... but maybe?

Henze was my first thought but I couldn't find this in either of the Royal Winter sonatas nor in the Tentos.  I may have missed it. But I used to listen to the Shakespeare  pieces a lot, with the score, and it doesn't look like them really