March 2025 - Russian Symphony March Madness!

Started by ChamberNut, February 24, 2025, 09:41:40 AM

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pjme

Quote from: Karl Henning on March 07, 2025, 11:53:31 AMI'm in! Very tasty! Maybe just a simple slip, but it's (mildly) curious that the YT vid has "in four movements" in the title, when the cover clearly reads (in both English and Russian) "in four fragments."
A couple of years ago I tried to communicate with someone at the Yuri Butsko  website, but the language barrier was quasi unsurmountable....

Still, some texts are now in English and this is the only comment on the second symphony:

"The symphony uses musical material from the ballet "Insight", the libretto of which tells about the events of 1905.The first fragment can be thought of as a large folk scene: its main musical idea evokes images by Mussorgsky, perhaps the choruses from the Prologue or the scene "At Basil's" from "Boris Godunov". The awakening, the purposeful movement of the human crowd is expressed with even greater force in the second fragment, where, together with the previously heard ostinato motifs, a mournful song theme is widely developed. Its build-up is interrupted by a harsh, dry, "knocking" fugue – an opposing force, a wall, which the previous movement runs into. In the reprise-coda of the third fragment, the fugue sounds distant, detached, dying down – it is answered by deep mournful sighs of the crowd and a plaintive human voice – a recitation of the English horn. From the individual voices scattered in space, intertwining, continuing each other, a gloomy, but solemn, powerful final image is born in the fourth fragment."

Karl Henning

Quote from: pjme on March 08, 2025, 07:54:17 AMA couple of years ago I tried to communicate with someone at the Yuri Butsko  website, but the language barrier was quasi unsurmountable....

Still, some texts are now in English and this is the only comment on the second symphony:

"The symphony uses musical material from the ballet "Insight", the libretto of which tells about the events of 1905.The first fragment can be thought of as a large folk scene: its main musical idea evokes images by Mussorgsky, perhaps the choruses from the Prologue or the scene "At Basil's" from "Boris Godunov". The awakening, the purposeful movement of the human crowd is expressed with even greater force in the second fragment, where, together with the previously heard ostinato motifs, a mournful song theme is widely developed. Its build-up is interrupted by a harsh, dry, "knocking" fugue – an opposing force, a wall, which the previous movement runs into. In the reprise-coda of the third fragment, the fugue sounds distant, detached, dying down – it is answered by deep mournful sighs of the crowd and a plaintive human voice – a recitation of the English horn. From the individual voices scattered in space, intertwining, continuing each other, a gloomy, but solemn, powerful final image is born in the fourth fragment."

Most interesting, thanks!
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Cato

Quote from: pjme on March 08, 2025, 07:54:17 AMA couple of years ago I tried to communicate with someone at the Yuri Butsko  website, but the language barrier was quasi unsurmountable....

Still, some texts are now in English and this is the only comment on the second symphony:

"The symphony uses musical material from the ballet "Insight", the libretto of which tells about the events of 1905.The first fragment can be thought of as a large folk scene: its main musical idea evokes images by Mussorgsky, perhaps the choruses from the Prologue or the scene "At Basil's" from "Boris Godunov". The awakening, the purposeful movement of the human crowd is expressed with even greater force in the second fragment, where, together with the previously heard ostinato motifs, a mournful song theme is widely developed. Its build-up is interrupted by a harsh, dry, "knocking" fugue – an opposing force, a wall, which the previous movement runs into. In the reprise-coda of the third fragment, the fugue sounds distant, detached, dying down – it is answered by deep mournful sighs of the crowd and a plaintive human voice – a recitation of the English horn. From the individual voices scattered in space, intertwining, continuing each other, a gloomy, but solemn, powerful final image is born in the fourth fragment."


I had something parallel to that in mind, when I heard it!  Thank you for these notes!


Today, more Butsko: Symphony #3 "Dithyramb" Almost Neo-Classical in comparison to the above!




There is apparently an introductory talk for a few minutes at the beginning:




A piano/symphony/concerto: very creative in both form and content!


Revisiting the Symphony #1 of Mikhail Nosyrev:


"Meet Miss Ruth Sherwood, from Columbus, Ohio, the Middle of the Universe!"

- Brian Aherne introducing Rosalind Russell in  My Sister Eileen (1942)

Karl Henning

I can see that I'll listen to more Butsko, but now, a piece I haven't listened to since before my stroke:

Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Karl Henning

Quote from: Karl Henning on March 08, 2025, 12:17:23 PMI can see that I'll listen to more Butsko, but now, a piece I haven't listened to since before my stroke:

I had not forgotten that this symphony is a trip, but I had forgotten some of the stops on the trip.
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Karl Henning

Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Cato

Quote from: Karl Henning on March 08, 2025, 02:38:59 PM



That work should be played more at concerts!


Today, Mravinsky and his orchestra show how the Tchaikovsky Fourth Symphony should be played! 

"Wow, Bob!  WOW!"


"Meet Miss Ruth Sherwood, from Columbus, Ohio, the Middle of the Universe!"

- Brian Aherne introducing Rosalind Russell in  My Sister Eileen (1942)

Mapman

Shostakovich: Symphony #4
Slovák: Czecho-Slovak Radio Symphony Orchestra

This is as good of a time as any to revisit my favorite Shostakovich symphony!


Karl Henning

Quote from: Mapman on March 09, 2025, 12:08:51 PMShostakovich: Symphony #4
Slovák: Czecho-Slovak Radio Symphony Orchestra

This is as good of a time as any to revisit my favorite Shostakovich symphony!


The only time that's a bad time is when there's too little time!
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

hopefullytrusting

Yannick with the RPO at Proms playing Prokofiev's Symphony No. 5:

https://www.youtube.com/watch?v=vCXaPxeSkkI

Extraordinary. :)

Karl Henning

Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

ChamberNut

Via: Idagio Streaming

First Listen. Quite an epic work!

Gliere

Symphony No. 3 in B minor, Op. 42


Botstein
London Symphony Orchestra

Formerly Brahmsian, OrchestralNut and Franco_Manitobain

Cato

Quote from: ChamberNut on March 10, 2025, 06:24:07 AMVia: Idagio Streaming

First Listen. Quite an epic work!


Gliere

Symphony No. 3 in B minor, Op. 42


Botstein
London Symphony Orchestra




Yes!  Welcome to the club!  Check out his earlier symphonies, for they will not disappoint you either!


Speaking of epic...yesterday and today:


Vyacheslav Ovchinnikov: Symphony #1


We need more recordings of all of his works: YouTube offers Symphonies I, II, what might be the last movement of III, and IV.  Wikipedia mentions a 1991 Symphony V, but I can find nothing about it,





Also:

Popov: Symphony #1








"Meet Miss Ruth Sherwood, from Columbus, Ohio, the Middle of the Universe!"

- Brian Aherne introducing Rosalind Russell in  My Sister Eileen (1942)

ChamberNut

#73
Today's selection, via Idagio streaming

First listen! I definitely recommend.

Auerbach

Symphony No. 1 "Chimera" (2006)


David Hattner
Portland Youth Philharmonic


Formerly Brahmsian, OrchestralNut and Franco_Manitobain

Cato

#74
Quote from: ChamberNut on March 11, 2025, 04:17:43 AMToday's selection, via Idagio streaming

First listen! I definitely recommend.

Auerbach

Symphony No. 1 "Chimera" (2006)


David Hattner
Portland Youth Philharmonic




Oh yes!  Quite a work!


Her Second Symphony uses Russian poets, but is not available on YouTube or a CD (as far as I can find).


Here is a performance of her Symphony #3, which also uses poems...of a very different kind!  ;)


"Meet Miss Ruth Sherwood, from Columbus, Ohio, the Middle of the Universe!"

- Brian Aherne introducing Rosalind Russell in  My Sister Eileen (1942)

Karl Henning

Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

hopefullytrusting

Beggars cannot be choosers: Alexander Goedicke's Symphony No. 3

https://www.youtube.com/watch?v=Ymsxsix7hOE

Cato

Quote from: hopefullytrusting on March 11, 2025, 06:02:28 AMBeggars cannot be choosers: Alexander Goedicke's Symphony No. 3

https://www.youtube.com/watch?v=Ymsxsix7hOE



Several other works are available (e.g. a Horn Concerto), but no other symphonies.

The above recording, according to the YouTube information, is a 1950's Melodiya LP, so not the best sound quality.

I will need to listen to it later today!
"Meet Miss Ruth Sherwood, from Columbus, Ohio, the Middle of the Universe!"

- Brian Aherne introducing Rosalind Russell in  My Sister Eileen (1942)

hopefullytrusting

Quote from: Cato on March 11, 2025, 07:26:07 AM

Several other works are available (e.g. a Horn Concerto), but no other symphonies.

The above recording, according to the YouTube information, is a 1950's Melodiya LP, so not the best sound quality.

I will need to listen to it later today!


Yeah, it suffers from sound, hence, beggars cannot be choosers. For me, I am just happy (amazed actually) that I even have a chance to listen to the symphony at all. I mean it wasn't that long ago (1990s) that this essentially would have been impossible. I think that sometimes we forget how wonderous the Internet actually is. I am amazed daily. :)

Cato

Quote from: hopefullytrusting on March 11, 2025, 07:30:12 AMYeah, it suffers from sound, hence, beggars cannot be choosers. For me, I am just happy (amazed actually) that I even have a chance to listen to the symphony at all. I mean it wasn't that long ago (1990s) that this essentially would have been impossible.

I think that sometimes we forget how wondrous the Internet actually is. I am amazed daily. :)


Yes!  And especially the videos with obscure musical scores!  Where does the channel owner find those?  Maybe at a local university's Music Library?
"Meet Miss Ruth Sherwood, from Columbus, Ohio, the Middle of the Universe!"

- Brian Aherne introducing Rosalind Russell in  My Sister Eileen (1942)