What Opera Are You Listening to Now?

Started by Tsaraslondon, April 10, 2017, 04:29:04 AM

Previous topic - Next topic

0 Members and 3 Guests are viewing this topic.

Der lächelnde Schatten

Quote from: André on April 27, 2025, 06:13:33 PM

Very well sung but with the voices too forward for my taste. They not only leap out of the speakers but they seem to be singing loud most of the time. The effect is tiring on the ear. Stryja conducts wonderfully. This set has a hothouse sonic atmosphere, intoxicating but prone to be overbearing in the climaxes. I'm still not sure it qualifies as a standard opera. I'm reminded of Strauss' Frau Ohne Schatten by the work's luxuriant orchestration and up front, ecstatic vocalism, but also of early 20th century symbolist operas by its static, philosophical subject matter. It can almost be heard as a big vocal symphony, symbolism be damned.

I haven't heard that Stryja recording, but I love this Kaspszyk recording on the CD Accord label and highly recommend it:


"But in the next world I shan't be doing music, with all the striving and disappointments. I shall be being it." ― Ralph Vaughan Williams

Tsaraslondon

Quote from: Der lächelnde Schatten on April 27, 2025, 07:27:10 PMI haven't heard that Stryja recording, but I love this Kaspszyk recording on the CD Accord label and highly recommend it:




I'm told this is the best recording of the work, but I have the Rattle, which seems pretty good to me.

\"A beautiful voice is not enough.\" Maria Callas

Der lächelnde Schatten

Quote from: Tsaraslondon on April 28, 2025, 12:19:49 AMI'm told this is the best recording of the work, but I have the Rattle, which seems pretty good to me.



The Rattle is quite good, indeed. I haven't heard it in ages, though.
"But in the next world I shan't be doing music, with all the striving and disappointments. I shall be being it." ― Ralph Vaughan Williams

nico1616

Quote from: André on April 27, 2025, 06:13:33 PM

Very well sung but with the voices too forward for my taste. They not only leap out of the speakers but they seem to be singing loud most of the time. The effect is tiring on the ear. Stryja conducts wonderfully. This set has a hothouse sonic atmosphere, intoxicating but prone to be overbearing in the climaxes. I'm still not sure it qualifies as a standard opera. I'm reminded of Strauss' Frau Ohne Schatten by the work's luxuriant orchestration and up front, ecstatic vocalism, but also of early 20th century symbolist operas by its static, philosophical subject matter. It can almost be heard as a big vocal symphony, symbolism be damned.

Thanks for the information. The Rattle version has been in my collection for years, without ever being played. I guess I'd better turn to 'die Frau ohne Schatten' first, which is also in my library.

The first half of life is spent in longing for the second, the second half in regretting the first.

Tsaraslondon

Quote from: nico1616 on April 28, 2025, 09:52:09 AMThanks for the information. The Rattle version has been in my collection for years, without ever being played. I guess I'd better turn to 'die Frau ohne Schatten' first, which is also in my library.



Try it. It's a good deal shorter than Die Frau ohne Schatten.

\"A beautiful voice is not enough.\" Maria Callas

André

Quote from: Der lächelnde Schatten on April 27, 2025, 07:27:10 PMI haven't heard that Stryja recording, but I love this Kaspszyk recording on the CD Accord label and highly recommend it:




I have Kaspszyk's recording too but don't recall it well. I remember that I felt the need to buy another one after listening to it though.