What were you listening to? (CLOSED)

Started by Maciek, April 06, 2007, 02:22:49 AM

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The new erato

Quote from: Que on April 04, 2008, 11:46:03 PM


Q
Could you say something about this? I have recently been looking a little into Fasch and Fux (Fuga Libera, Carus) and I am out to expand my knowledge, preferably from cheap discs.  ;D  I always seem to associate Clemencic with older recordings, a little bit rough and ready, but may be out of date here (?)

Harry

Quote from: erato on April 04, 2008, 11:49:32 PM
Could you say something about this? I have recently been looking a little into Fasch and Fux (Fuga Libera, Carus) and I am out to expand my knowledge, preferably from cheap discs.  ;D  I always seem to associate Clemencic with older recordings, a little bit rough and ready, but may be out of date here (?)

Rough and ready, yes, that is why I put it in the refusal bin.
Thanks for clearing that up. :)

Wanderer

Good morning, everyone!  :)

Vivaldi: Dixit Dominus RV.594 (Marshall/Murray/Collins/Rolfe-Johnson/Holl/English Chamber Orchestra/Negri).

Quote from: Harry on April 04, 2008, 11:48:46 PM
Since I put that one in the Refusal bin, I am a little puzzled why you bought this on, and why you play it that often? :)
Could you explain this to me?

Harry, I enjoy this recording a lot, as well. I thought you gave it away because you had two copies of it, not because you didn't like it. Is there an alternative recording of this work that's more to your taste or is it the work itself you don't find satisfying?

Sean

The sound of machine gun fire and screams of the dying all around me, in an internet cafe. These games are really horrendous- goodness knows what it's doing to young minds.

val

SCHUMANN:  Album für die Jugend          / Karl Engel (VALOIS)

One of the best piano works of Schumann's last years (1848). Karl Engel, very poetic, gives the best version I know of this set of easy and not so easy pieces.

Harry

Quote from: Wanderer on April 05, 2008, 12:16:34 AM
Good morning, everyone!  :)

Vivaldi: Dixit Dominus RV.594 (Marshall/Murray/Collins/Rolfe-Johnson/Holl/English Chamber Orchestra/Negri).

Harry, I enjoy this recording a lot, as well. I thought you gave it away because you had two copies of it, not because you didn't like it. Is there an alternative recording of this work that's more to your taste or is it the work itself you don't find satisfying?

First and foremost its the recording that put me off, secondly the performance. Thin in the voices, insistent in a very irritating way. Sort of a disrupted Eb and Flow situation. Furthermore the Clemencic singers are not my favourite group in this respect.
Still have no alternative although I have many vocal works from Fux that I like immensely.
I like the Requiem a lot Tasos
And a fine morning to you! :)

Que

Quote from: Harry on April 04, 2008, 11:48:46 PM
Goodmorning Que.

Since I put that one in the Refusal bin, I am a little puzzled why you bought this on, and why you play it that often? :)
Could you explain this to me?

Quote from: Harry on April 04, 2008, 11:51:22 PM
Rough and ready, yes, that is why I put it in the refusal bin.
Thanks for clearing that up. :)

Quote from: erato on April 04, 2008, 11:49:32 PM
Could you say something about this? I have recently been looking a little into Fasch and Fux (Fuga Libera, Carus) and I am out to expand my knowledge, preferably from cheap discs.  ;D  I always seem to associate Clemencic with older recordings, a little bit rough and ready, but may be out of date here (?)

Good morning, Harry, and erato and Wanderer - a nice Fux round-up this morning! ;D
Only the second spin, and the first proper one, since I was getting ready for work the first time. The performance doesn't sound rough to me. I imagined you might object more to the spacious, slighty distant recording (from 1991). The performance is clearly from an early music approach: sober, detached but rather nicely done. I'd like a more intensive, "grand" and upbeat baroque take on this. The music itself is quite nice but not the most interesting in the repertoire, I feel.

Q

Harry

Quote from: Que on April 05, 2008, 12:35:36 AM
Good morning, Harry, and erato and Wanderer - a nice Fux round-up this morning! ;D
Only the second spin, and the first proper one, since I was getting ready for work the first time. The performance doesn't sound rough to me. I imagined you might object more to the spacious, slighty distant recording (from 1991). The performance is clearly from an early music approach: sober, detached but rather nicely done. I'd like a more intensive, "grand" and upbeat baroque take on this. The music itself is quite nice but not the most interesting in the repertoire, I feel.

Q

Thanks Que.
The recording was a major put off for me, true!

Que

#21448
Any Vivaldi doubters present?  8)
I think this terrific set could convince you otherwise:



Q

The new erato

Quote from: Que on April 05, 2008, 12:55:10 AM
Any Vivaldi doubters present?  8)
I think this terrific set could convince you otherwise:



Q
Went straight to my wish list at mdt (they have a Vivaldi promotion running to 28th april).

As I just have received some discs and for good measure just have ordered two volumes of Sonys Ligeti Edition as well as a disc of Chavez string quartets from cduniverse, it will have to wait some.

Now playing: Shostakovich Odna on Naxos (I also have the notquite complete Capricco version). Very (!) good sound and some quite original orchestration. Well worth hearing.

Que

Quote from: erato on April 05, 2008, 01:14:48 AM
Went straight to my wish list at mdt (they have a Vivaldi promotion running to 28th april).

I think you will be pleased. :) This recording has been widely/univerally praised and rightly so - It's one of my favourite Vivaldi recordings. Alesandrini's reconstruction of the musical programming for Vespers is very succesful: a great varied mix of vocal and instrumental music that still forms a perfect unity, in spirited, top-notch performances.

Q

The new erato

Have a few of them, primarily "Orlando Finto Pazza" and "Juditha Triumphans", but have never gotten around to this.

FideLeo

Quote from: Sean on April 05, 2008, 12:23:17 AM
The sound of machine gun fire and screams of the dying all around me, in an internet cafe. These games are really horrendous- goodness knows what it's doing to young minds.

The young mass-murderer at the Virginia Tech killing spree was an immigrant originally from South Korea.
HIP for all and all for HIP! Harpsichord for Bach, fortepiano for Beethoven and pianoforte for Brahms!

FideLeo

HIP for all and all for HIP! Harpsichord for Bach, fortepiano for Beethoven and pianoforte for Brahms!

Que

#21454
Quote from: Sean on April 05, 2008, 12:23:17 AM
The sound of machine gun fire and screams of the dying all around me, in an internet cafe. These games are really horrendous- goodness knows what it's doing to young minds.

Quote from: fl.traverso on April 05, 2008, 01:44:10 AM
The young mass-murderer at the Virginia Tech killing spree was an immigrant originally from South Korea.

  ::)

Q

johnQpublic

Sommerfeldt - Little Overture (Engeset/Naxos)
Grieg - Two Elegiac Melodies (Jarvi/DG)
Sinding - Symphony #1 (Dausgaard/cpo)

DavidRoss


A fine recording of splendid performances of lovely contemporary Latin American guitar music.  (You might add this one to your list, Bill.)
"Maybe the problem most of you have ... is that you're not listening to Barbirolli." ~Sarge

"The problem with socialism is that sooner or later you run out of other people's money." ~Margaret Thatcher

Bogey

Quote from: DavidRoss on April 05, 2008, 05:41:16 AM

A fine recording of splendid performances of lovely contemporary Latin American guitar music.  (You might add this one to your list, Bill.)

Loved the John Williams you recommended a while back David, so will do this pronto.  And speaking of "back", welcome back my friend.
There will never be another era like the Golden Age of Hollywood.  We didn't know how to blow up buildings then so we had no choice but to tell great stories with great characters.-Ben Mankiewicz

The new erato

#21458


Weinberg/Vainbergs 6th. A really fine symphony in a definitive performance under Kondrashin, at least equal to the best of Miaskovsky. Have both the LP (since 1975) and the CD (the Olympia issue though, now no longer available).


Sergeant Rock

Suites from the ballet The Legend of Ohrid by Stevan Hristic (thanks, Drasko)

Sarge
the phone rings and somebody says,
"hey, they made a movie about
Mahler, you ought to go see it.
he was as f*cked-up as you are."
                               --Charles Bukowski, "Mahler"