What were you listening to? (CLOSED)

Started by Maciek, April 06, 2007, 02:22:49 AM

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Harry

Michael Haydn.

Divertimento in C major, for Violin, Cello, and B.C. P 99.
Variations in C major for Piano. P 132.
Divertimento in E flat major for Violin, Cello, & Double Bass.
Divertimento in D major for 2 Violins, Viola, B.C.. P 93.

Salzburger Hofmusik, Wolfgang Brunner. ( On Period instruments)


Delightful Divertimenti, mostly ignored by recordings, although they have enough quality to warrant more attention. They are nicely scored for strings, especially for Cello, and double Bass, they give a firm lilt to the music, and emits therefore a warmth that is most uplifting.Well recorded, and excellently played, they are a worthwhile addition to my collection. The cover art made by Dieter van Slooten, called Carree 53, is in my eyes highly inappropriate, dark and devilish.

Keemun

Martinu - Symphony No. 4 (Turnovsky/Czech Philharmonic Orchestra)
Music is the mediator between the spiritual and the sensual life. - Ludwig van Beethoven


Subotnick



Didn't make it through to the 4th earlier. Just started listening to the 2nd and damn fine it is too!  :)

TTFN.
Me.

not edward



The Shostakovich 4 thread reminded me to give Popov 1 a spin.
"I don't at all mind actively disliking a piece of contemporary music, but in order to feel happy about it I must consciously understand why I dislike it. Otherwise it remains in my mind as unfinished business."
-- Aaron Copland, The Pleasures of Music

Harry

Quote from: Subotnick on May 19, 2008, 08:20:01 AM


Didn't make it through to the 4th earlier. Just started listening to the 2nd and damn fine it is too!  :)

TTFN.
Me.

Told you so my friend. And mind, the slow movement of the fourth is very slow, but still Solti, keeps it together.
And what do you think of the Academic Overture, especially the brass, at the end?

Harry

Quote from: edward on May 19, 2008, 08:33:01 AM


The Shostakovich 4 thread reminded me to give Popov 1 a spin.

Yes, I saw that before, and told myself to buy it, still I forgot.
Wrote it down, and lets see if its still available. :)

Subotnick

Quote from: Harry on May 19, 2008, 08:41:36 AM
Told you so my friend. And mind, the slow movement of the fourth is very slow, but still Solti, keeps it together.
And what do you think of the Academic Overture, especially the brass, at the end?

I'll let you know when I get to it.

TTFN.
Me.

Brian

STRAUSS | Metamorphosen
Staatskapelle Weimar, Antoni Wit

The follow-up to their acclaimed Eine Alpensinfonie, this disc (with Sinfonia domestica) is due for commercial release sometime this winter.

Kullervo

I just finished a compare/contrast on Debussy and Sibelius (not worth posting here :D), which put me in the mood for this:



En Blanc et Noir is probably my favorite Debussy piece.

Moldyoldie


Prokofiev: Symphony No. 3;  Symphony No. 1 "Classical Symphony"
Philadelphia Orchestra
Riccardo Muti, cond.
PHILIPS

I just wanted to hear an alternative No. 3 to the one in the Gergiev set I have;  I've read good things about this one.
"I think the problem with technology is that people use it because it's around.  That is disgusting and stupid!  Please quote me."
- Steve Reich


SonicMan46

Quote from: SonicMan on May 15, 2008, 11:28:01 AM
Cello Concertos, 18th Century - CPE Bach, Luigi Boccherini, Leonardo Leo, & Joseph Haydn - 7-CD Brilliant Box Set - don't know if I really needed this offering (already have most of the works on other discs; the exception is Leo) - thus, I decided to start w/ Leonardo Leo (1694-1744), late Baroque (and mainly an opera/vocal composer from Naples) - his cello works (on 2 discs) are melodic & delightful w/ long flowing string writing - Julius Berger does a great job on the instrument - have a lot of listening & comparisons w/ the others, though - MusicWeb has an outstanding review & the price is another 'brilliant' give-away!

P.S. Little disappointed w/ the liner notes (mentioned in the review) - the CPE notes describe his Symphonies!; plus, some of the numbers are off (corrected in the review); the discussion of Boccherini is general w/ little said about the cello recordings; some improvement in the other composers, but don't let this dissuade a purchase if interested in these works & the 18th century cello -  :D



Well, quoting myself above, but just returning from a short trip - had not listened to this entire box of Cello Concertos - currently finishing off the 3 discs of Boccherini works - this is yet another marvelous & inexpensive Brilliant set - if interested, check out the link above for listings & comments - will not disappoint fans of orchestral cello on period instruments from this classical transitional period!  :D


ChamberNut

Boccherini

Quintets for 2 violins, viola and 2 cellos, Op. 20 (No. 4, 5, 6)

La Magnifica Comunita
Brilliant Classics

Bonehelm

Quote from: Subotnick on May 19, 2008, 08:20:01 AM


Didn't make it through to the 4th earlier. Just started listening to the 2nd and damn fine it is too!  :)

TTFN.
Me.

How was the 1st, Subotnick?

I love how Solti builds the tension in the coda of the finale and maintain a neck-breaking momentum right to the set-up of the final brass chorale. His orchestra plays very in remarkable unity and it gives me adrenaline rushes everytime I hear that part. The more lyrical passages are handled with great care and subtlety, too.

J.Z. Herrenberg

Listening to the Second Symphony. The music has enormous drive and colour. The Adagio sings its (slightly cinematic) heart out.

Music gives a soul to the universe, wings to the mind, flight to the imagination and life to everything. -- Plato

not edward

Quote from: ragman1970 on May 19, 2008, 10:58:43 AM

What did you think? I picked this up for pennies in a charity shop but it didn't make a big impression on me.

I'm listening to Ulf Bjorlin's version of the Berwald symphonies (now on an EMI 3-for-the-price-of-1 set). Good but not great.
"I don't at all mind actively disliking a piece of contemporary music, but in order to feel happy about it I must consciously understand why I dislike it. Otherwise it remains in my mind as unfinished business."
-- Aaron Copland, The Pleasures of Music

Solitary Wanderer



I have fond memories of this from my early classical music listening as a teenager  :)
'I lingered round them, under that benign sky: watched the moths fluttering among the heath and harebells, listened to the soft wind breathing through the grass, and wondered how any one could ever imagine unquiet slumbers for the sleepers in that quiet earth.' ~ Emily Bronte

12tone.

Das Rheingold

Levine / MET Opera