What were you listening to? (CLOSED)

Started by Maciek, April 06, 2007, 02:22:49 AM

Previous topic - Next topic

0 Members and 29 Guests are viewing this topic.

Henk

#28820





Don

Bach's six-pack of keyboard partitas performed by pianist Maria Tipo in 1991-92 on EMI.  As with her Goldbergs, the performances are on the romantic side but quite enjoyable.  She employs a nice variety of touch and dynamics, although her very slow treatment of the faster movements robs her performances of any excitement.  Definitely not for the purists among us.

not edward

All this Gurrelieder posting and having just reread Allen Shawn's excellent biography of Schoenberg



reminds me that I still lack a Gurrelieder!

I'm listening to bits and pieces of this set (Michael Ponti playing most of Scriabin, except the sonatas):



Performances are serviceable rather than outstanding, but it's a nice thing to have for completeness.
"I don't at all mind actively disliking a piece of contemporary music, but in order to feel happy about it I must consciously understand why I dislike it. Otherwise it remains in my mind as unfinished business."
-- Aaron Copland, The Pleasures of Music

mn dave


Maciek

Quote from: Jezetha on July 10, 2008, 01:31:35 PM
Lucky you! That must have been quite an experience. After this I must have the score of the Gurrelieder. There is so much going on, I want to see it with my own eyes.

Don't know about the full work, but you can take a look at the sketches here and here.

lukeottevanger

Quote from: Maciek on July 10, 2008, 04:01:43 PM
Don't know about the full work, but you can take a look at the sketches here and here.

I could post the score a page at a time on the mystery scores thread....but there wouldn't be much mystery then, I suppose.

Henk


Henk


Renfield



I've seen this recording lambasted on more than a few occasions, mostly on the count of not being "emotional" enough...

Listening to it again, I still don't see what all the fuss is about. Yes, Bernstein might've been more expressive, but that was Bernstein, more than it was Mahler, in my humble opinion. I don't see how Karajan is "unfaithful" by comparison, whereas in the 6th he's clear. (As at least Gramophone's opinions on the matter would suggest - though I'm quite certain I've heard similar comments from other sources, too.)

No, I won't be throwing away my aforementioned Bernstein (VPO), my Barbirolli, or even my Rattle; but why should I?

mn dave

Quote from: Henk on July 10, 2008, 04:07:12 PM
Interesting, but very high priced..

I got it free. Somewhere.  ???

SonicMan46

Well, if you're into late 19th-early 20th century String Quartets by 'little known' composers (a favorite topic for many of us on this forum -  ;D), then a couple of recent arrivals & just a first listening:

Kienzl, Wilhelm (1857-1941) - String Quartets, Nos. 1-3 w/ Thomas Christian Ensemble.

Marx, Joseph (1882-1964) - Complete String Quartets w/ same group as above.

Need a few more replays & more thorough reading of the liner notes - but do enjoy this particular quartet & the CPO sound is great, as usual!  :)

 

FideLeo

Beethoven: Triple Concerto and Pianoforte Concerto No. 4
(Japanese Remastered Edition)

Paul Badura-Skoda/Franz-Joseph Maier/Anner Bijsma
Collegium aureum




HIP for all and all for HIP! Harpsichord for Bach, fortepiano for Beethoven and pianoforte for Brahms!


Novi

Durch alle Töne tönet
Im bunten Erdentraum
Ein leiser Ton gezogen
Für den der heimlich lauschet.



Bonehelm

Quote from: Renfield on July 10, 2008, 04:35:05 PM


I've seen this recording lambasted on more than a few occasions, mostly on the count of not being "emotional" enough...

Listening to it again, I still don't see what all the fuss is about. Yes, Bernstein might've been more expressive, but that was Bernstein, more than it was Mahler, in my humble opinion. I don't see how Karajan is "unfaithful" by comparison, whereas in the 6th he's clear. (As at least Gramophone's opinions on the matter would suggest - though I'm quite certain I've heard similar comments from other sources, too.)

No, I won't be throwing away my aforementioned Bernstein (VPO), my Barbirolli, or even my Rattle; but why should I?

I especially liked how clear and well-executed the polyphonally complex motives are, in the Rondo: Finale. The cello ascending line near the opening is beautiful  :D

Bonehelm

Quote from: Mn Dave on July 10, 2008, 06:02:37 AM




I've always wondered why Naxos decided to use Chinese for the series' title instead of Japanese.  ???

Bogey

Just got back from an outdoor concert with the wife and kids.  Mozart's PC #20 and Symphony No. 39 (my favorite symphony of Wolfies) were the main fare.  All said, a wonderful evening.
There will never be another era like the Golden Age of Hollywood.  We didn't know how to blow up buildings then so we had no choice but to tell great stories with great characters.-Ben Mankiewicz

Subotnick

Quote from: Sergeant Rock on July 10, 2008, 06:49:40 AM
I noticed...really  ;D  I noticed you posted Emmylou in the "must hear" thread and then disappeared. I replied to your post. The thread is now on page two of the diner:

http://www.good-music-guide.com/community/index.php/topic,8171.60.html


Sarge

Excellent response over there Sarge!

It's now 5:36AM. I went to bed just under 5 hours ago! Need... more... sleep So I'm easing myself very gently into the day with this:



The highlight being The Shepherd On The Rock

TTFN.
Me.