Pick your Cello Sonata

Started by rappy, August 24, 2008, 07:26:01 AM

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Of the Cello Sonatas listed below, I like this one most:

Beethoven A major, Op. 69
7 (17.5%)
Brahms F major, Op. 99
3 (7.5%)
Brahms E minor, Op. 38
4 (10%)
Shostakovich D minor, Op. 40
0 (0%)
Debussy
2 (5%)
Grieg A minor, Op. 36
0 (0%)
Mendelssohn, D major Op. 58
0 (0%)
Mendelssohn Bb major, Op. 45
1 (2.5%)
Faure G minor, Op. 117
0 (0%)
Bach, BWV1027
0 (0%)
Bach, BWV1028
0 (0%)
Bach, BWV1029
1 (2.5%)
Rachmaninov G minor, Op. 19
4 (10%)
Miaskovsky A minor Op. 81
1 (2.5%)
Chopin G minor Op. 65
3 (7.5%)
Strauss F major Op. 6
1 (2.5%)
Schnittke No. 1
3 (7.5%)
Prokofiev, C major Op. 119
1 (2.5%)
Britten C major Op. 65
3 (7.5%)
Saint-Saens Op. 123
0 (0%)
Beethoven C major Op. 102
1 (2.5%)
Beethoven D major Op. 102
1 (2.5%)
Wtf, you did not list my favourite one!
4 (10%)

Total Members Voted: 25

val

My choice: Beethoven opus 69.

orbital

Could not decide between Brahms E minor and Chopin G minor. But I listen to Chopin's more, so I guess that had to be it.

springrite

George Crumb


(Followed by Debussy)

greg

Prokofiev...... although i like Shostakovich's, just not familiar enough to give a comparison.

Mark

It was almost the Debussy ... but my heart belongs to the Rachmaninov. 0:)

Guido

Crumb wrote a cello and piano Sonata? I know the solo sonata very well (a marvellous piece), but I guessed that these were ruled out as none were listed in the original list.
Geologist.

The large print giveth, and the small print taketh away

Joe Barron

My favorite, Elliott Carter's Sonata of 1948, is not on the list. Of those one the list, the Beethoven op. 69 and the Brahms, and the Schubert.

Dancing Divertimentian

No Martinu on the list. But all three of his cello sonatas are wonderful.

Britten's is what I chose, however. If only because it's the last I'd heard.
Veit Bach-a baker who found his greatest pleasure in a little cittern which he took with him even into the mill and played while the grinding was going on. In this way he had a chance to have the rhythm drilled into him. And this was the beginning of a musical inclination in his descendants. JS Bach

Wanderer

Well, if there's Beethoven and Brahms on the list, the others aren't given much of a chance.

I voted for Beethoven's op.69, although my absolute favourite is op.5/1 (which is not on the list).

I feel Alkan's op.47 Sonate de concert should be on the list, too; it's too good a piece to pass.  0:)

DFO

Don't forget:
Novak
Enescu
Magnard
Josef Wieniawski
Oistein Sommerfeldt
Ropartz
Bridge
Bax
Delius
Dohnanyi
Lalo
Vierne
Godard
Boëllmann
.......

greg

Every time I see this topic, i image the word "nose" instead of "Cello Sonata".

Dancing Divertimentian

Quote from: GGGGRRREEG on August 27, 2008, 12:38:09 PM
Every time I see this topic, i image the word "nose" instead of "Cello Sonata".

So to you the thread title looks like Pick Your Nose? ;D



Veit Bach-a baker who found his greatest pleasure in a little cittern which he took with him even into the mill and played while the grinding was going on. In this way he had a chance to have the rhythm drilled into him. And this was the beginning of a musical inclination in his descendants. JS Bach

Brian

Quote from: donwyn on August 27, 2008, 08:50:36 PM
So to you the thread title looks like Pick Your Nose? ;D

He's lookin' for an excuse  8)

lukeottevanger

Actually, he's searching for some precedent for his latest opus, a Sonata for Nose and Piano

FWIW I may have one if he wants it, in the Symphonia germanica for singing pianist by Schulhoff, whose individual parts are distrbuted between the head, the various limbs and the aforementioned olfactory organ. If asked to 'pick my nose Sonata', that's the one that gets my vote.

greg

Quote from: Brian on August 27, 2008, 09:44:53 PM
He's lookin' for an excuse  8)
uhhhhhh yeah, i guess so. But I'm to lazy to get some toilet paper and....... leaving buggers on the computer monitor makes it dirty after awhile. The predicaments can be endless.......


Quote from: lukeottevanger on August 28, 2008, 12:14:47 AM
Actually, he's searching for some precedent for his latest opus, a Sonata for Nose and Piano

FWIW I may have one if he wants it, in the Symphonia germanica for singing pianist by Schulhoff, whose individual parts are distrbuted between the head, the various limbs and the aforementioned olfactory organ. If asked to 'pick my nose Sonata', that's the one that gets my vote.
Is that really a real piece or did you just make that up? How could you make that much noise with your head besides singing? Don't tell me the pianist bangs her head on the piano until her brains leak out and she dies or something. Listening to something like that would be so unpatriotic.


lukeottevanger

Quote from: GGGGRRREEG on August 29, 2008, 01:15:23 PM
Is that really a real piece or did you just make that up? How could you make that much noise with your head besides singing? Don't tell me the pianist bangs her head on the piano until her brains leak out and she dies or something. Listening to something like that would be so unpatriotic.

It's a real piece; I have it on a Supraphon CD, a dada-ist setting of the German national anthem with somewhat less respectful words. Has to be heard to be believed. It's supposed to be performed by a single pianist/vocalist, but that's not actually possible, so on the CD it's shared between two performers. Its companion work on the CD is just as......memorable, shall we say: the Sonata erotica (for 'Solo-Müttertrompete'), which is for unaccompanied female voice faking orgasm. I assume faking, anyway.

Ah, here it is, the last volume in Supraphon's survey of Schulhoff's chamber music. I have them all, and this one is really just filled with curiosity. And yet, for some reason (I wonder what that could be!) it's the one that gets most discussion!:


greg

Quote from: lukeottevanger on August 29, 2008, 01:26:47 PM
It's a real piece; I have it on a Supraphon CD, a dada-ist setting of the German national anthem with somewhat less respectful words. Has to be heard to be believed. It's supposed to be performed by a single pianist/vocalist, but that's not actually possible, so on the CD it's shared between two performers. Its companion work on the CD is just as......memorable, shall we say: the Sonata erotica (for 'Solo-Müttertrompete'), which is for unaccompanied female voice faking orgasm. I assume faking, anyway.

Ah, here it is, the last volume in Supraphon's survey of Schulhoff's chamber music. I have them all, and this one is really just filled with curiosity. And yet, for some reason (I wonder what that could be!) it's the one that gets most discussion!:


..........
..........
..........


ok, i'm (and i'm sure everyone else reading this) are just going to have to hear the last two on that disc.
if you could post them right here, pretty please?.......  :)

lukeottevanger

I need to see proof of age first, Greg.  $:) ;D

greg

I'm 20........ does that pass?