Favorite Unfinished Symphonies or Symphonic Fragments

Started by Archaic Torso of Apollo, April 20, 2011, 09:01:53 AM

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Which do you like the most?

Bruckner 9
21 (52.5%)
Schubert 8
8 (20%)
Mahler 10
7 (17.5%)
Borodin 3
1 (2.5%)
Elgar 3
1 (2.5%)
Schnittke 9
0 (0%)
Other
2 (5%)

Total Members Voted: 32

Archaic Torso of Apollo

On the "2-Symphony Composer" thread, Sgt. Rock stated as follows:

Quote from: Sergeant Rock on April 20, 2011, 07:37:17 AM
Yeah, I'm way into fragments. Love me some fragments  ;D

So what fragment is your favorite?
formerly VELIMIR (before that, Spitvalve)

"Who knows not strict counterpoint, lives and dies an ignoramus" - CPE Bach

Luke

Not a symphony but Schoenberg's Jakobsleiter certainly springs to mind, outside the obvious Mahler/Bruckner/Schubert contenders of course.

springrite

Gotta vote for the greatest Chemist/Composer of all time!
Do what I must do, and let what must happen happen.

Sergeant Rock

An impossible choice for me: both Mahler and Bruckner are part of my personal trinity and I love both symphonies. I really like the Elgar too. I can't pick Schubert because I don't feel it is a fragment. It seems perfect as is. So I'll vote other: Stenhammar  ;D


Sarge
the phone rings and somebody says,
"hey, they made a movie about
Mahler, you ought to go see it.
he was as f*cked-up as you are."
                               --Charles Bukowski, "Mahler"

The new erato

Reminds me we need a thread about favorite symphonic fragments from ZERO symphony composers.

Scarpia

Even if you are restricting to the most obvious, the Mozart Requiem would seem like an obvious option.  I picked Schubert.

DavidW



Bulldog

Quote from: Il Barone Scarpia on April 20, 2011, 09:30:00 AM
Even if you are restricting to the most obvious, the Mozart Requiem would seem like an obvious option.  I picked Schubert.

Yes, but for a sacred choral work. 

Lethevich

Not sure how to vote, as the Bruckner, Schubert, Mahler and Borodin function as self-contained full movements, essentially fully written as the composers intended, but the Elgar and Schnittke I am unsure how "finished" any of the movements were, and where the elaboration came in. Other good ones in the first group I would add are Tubin and Burgmüller - very fine solitary movements which work well on their own. I wasn't even aware the Tubin was unfinished at first so complete did it feel to me.

I find the Elgar 3rd and Mahler 10th to be the most miraculous rescue acts, given how much wonderful musical content was brought to the public that might have risked never being heard, so I'll go for Elgar as I'm sure Mahler will get a billion votes.
Peanut butter, flour and sugar do not make cookies. They make FIRE.


Grazioso

I must needs vote for Herr Bruckner. The 9th stomps on just about any other symphony out there. And thank goodness he didn't finish it. It's perfect as is.
There is nothing more deceptive than an obvious fact. --Sir Arthur Conan Doyle

Archaic Torso of Apollo

Quote from: Bulldog on April 20, 2011, 09:40:17 AM
I'll second that.

Thirded. I think it's de facto finished as it is. What could follow that adagio? I've heard a completion and was not convinced by it.
formerly VELIMIR (before that, Spitvalve)

"Who knows not strict counterpoint, lives and dies an ignoramus" - CPE Bach

karlhenning


Scarpia

Quote from: Apollon on April 20, 2011, 10:09:54 AM
Yes, but . . . Scarps noted a choral work!

I can deal with choral works of Bach and Mozart, generally.  Works of a later vintage appeal when they invoke the spirit of those earlier times (such as Stravinsky's Symphony of Psalms).  It is works of the Mahler 8 ilk that I cannot fathom.

Lethevich

I forgot Peter Ruzicka's ...das Gesegnete, das Verfluchte...,* which I believe was based on fragments of Allan Pettersson's 17th symphony?

*(btw what is with late 20th century German composers and all those orchestral pieces with titles beginning and ending in ellipsis?)
Peanut butter, flour and sugar do not make cookies. They make FIRE.

Opus106

Quote from: Velimir on April 20, 2011, 09:54:02 AM
What could follow that adagio?

Apparently a more violent piece of Brucknerian proportions than the 8th. Ever since I came across that piece of info, that "perfectly ending with the adagio" idea was slowly pushed away by "Oh *F$#%*(, why can't I travel back in time and make that fellow finish the piece (or, perhaps, let the world know in which drawer he kept the scores) before he breathed his last!".
Regards,
Navneeth

Scarpia

Quote from: Opus106 on April 20, 2011, 10:39:26 AM
Apparently a more violent piece of Brucknerian proportions than the 8th. Ever since I came across that piece of info, that "perfectly ending with the adagio" idea was slowly pushed away by "Oh *F$#%*(, why can't I travel back in time and make that fellow finish the piece (or, perhaps, let the world know in which drawer he kept the scores) before he breathed his last!".

The piece was finished, except for the coda, which had been extensively sketched.  Upon Bruckner's death his collected papers were ransacked by collectible hunters and half of Bruckner's final draft is now lost.

Opus106

Quote from: Il Barone Scarpia on April 20, 2011, 10:46:44 AM
Upon Bruckner's death his collected papers were ransacked by collectible hunters and half of Bruckner's final draft is now lost.

You see, if I could travel back in time, I would never let that happen. :(
Regards,
Navneeth

jochanaan

Non-symphonic work nomination: Die Kunst der Fuge! :o :(

Close call between Mahler 10 and Bruckner 9, but I went with Bruckner.  At least we can hear Mahler's musical structure, although without his matchless orchestration skills... :(
Imagination + discipline = creativity