Liszt Opera Transcriptions

Started by snyprrr, June 08, 2012, 06:36:29 AM

Previous topic - Next topic

0 Members and 1 Guest are viewing this topic.

snyprrr

Shhh,.. I'm gonna see how this flies here!

Can I get any recommends? Howard gets very high marks, and the Naxos series has a lot of interesting pianists, and there is David Allen Wehr,... and lots of others.

Anyone?

mc ukrneal

Quote from: snyprrr on June 08, 2012, 06:36:29 AM
Shhh,.. I'm gonna see how this flies here!

Can I get any recommends? Howard gets very high marks, and the Naxos series has a lot of interesting pianists, and there is David Allen Wehr,... and lots of others.

Anyone?
I have some of Howard's and they are pretty good. Cziffra did some good stuff too, though the sound is not always great. There are also some good versions from Bolet. I have several of the Naxos series and some of those are pretty good, though I'd have to get back to you as to which ones.
Be kind to your fellow posters!!

Lisztianwagner

I agree about Howard's interpretations, they're extremely fine and brilliant, certainly worth getting. About Cziffra, I appreciate his performance of Tannhäuser's Ouverture very much. Idil Biret also made some excellent recordings of Liszt's transcriptions.
"You cannot expect the Form before the Idea, for they will come into being together." - Arnold Schönberg

snyprrr

Quote from: Lisztianwagner on June 08, 2012, 07:10:27 AM
I agree about Howard's interpretations, they're extremely fine and brilliant, certainly worth getting. About Cziffra, I appreciate his performance of Tannhäuser's Ouverture very much. Idil Biret also made some excellent recordings of Liszt's transcriptions.

mm, yes, I've seen that one


Michele Campanella also has a cheap set, but I'm not sure how this most refined of players would be in this wilder stuff; he does the spare Late pieces very nicely, however.

The only one I have so far is Les Huguenots by Cohen on Naxos, which I haven't heard yet (though the other things are scintillating).


Quote from: mc ukrneal on June 08, 2012, 06:46:02 AM
I have several of the Naxos series and some of those are pretty good, though I'd have to get back to you as to which ones.

I'd appreciate that. I must say that the Rossini Overture is something I probably can't resist! The Liszt bubbles are going to my head, haha!!

Sergeant Rock

#4
Off-topic perhaps but you really should hear Glenn Gould's own transcriptions of the Meistersinger Prelude, Götterdämmerung Dawn and Siegfried's Rhine Journey, and a wonderfully languorous Siegfried Idyll.




Sarge
the phone rings and somebody says,
"hey, they made a movie about
Mahler, you ought to go see it.
he was as f*cked-up as you are."
                               --Charles Bukowski, "Mahler"

mc ukrneal

Quote from: snyprrr on June 08, 2012, 05:58:34 PM
I'd appreciate that. I must say that the Rossini Overture is something I probably can't resist! The Liszt bubbles are going to my head, haha!!
Here are the ones I liked most:
Paraphrases of Rossini's Soirees Musicales and William Tell (vol 7): A bit more refined. If you are purely after pyrotechnics, this might not be 'the one'. This has a lot of wit and deftness.

Liszt: Donizetti Operatic Reminiscences and Transcriptions (vol 27): Excellent. Again, this has a nice balance, less focused on wowing you with pyrotechnics, but creates some beautiful sounds.

Wagner & Weber Transcriptions(vol33): A bit more umpff than some others in the Naxos series. I think Howard is better in some of these, but this is a lot cheaper. 

The best I've come across in the Naxos series is this (not transcriptions): Franz Liszt: Études d'exécution transcendante 1851 version with Jando. This is really good stuff. Not reserved, this comes right out and grabs you.

If you like Rossini transcriptions, you might also try a disc on Naxos: Fantasies on Operas by Rossini (composed by Thalberg). They are not transcriptions, but you might like the way some of Rossini's melodies are used in these pieces.
Be kind to your fellow posters!!

springrite

Do what I must do, and let what must happen happen.