What were you listening to? (CLOSED)

Started by Maciek, April 06, 2007, 02:22:49 AM

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Sadko

Quote from: Jeffrey Smith on October 03, 2012, 06:12:51 AM
Going by the cover photo, it looks as if Gilels wasn't too happy with the audience noise, either. 

True, he even has a black cloud emanating from himself :)

Wakefield

Quite favorably impressed while I listen to Nathan Milstein playing Bach's sonatas & partitas for solo violin (2nd version, recorded in the '70s):



Here:

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Previously, I had his first recording on EMI (recorded in the middle of the '50s, if I recall correctly):



Now also available here:

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"Isn't it funny? The truth just sounds different."
- Almost Famous (2000)

Brian

Naxos Music Library is down and I really need a work that starts melancholy but picks me up later. Listening on YouTube to Eivind Gullberg Jensen conduct the Netherlands Radio PO in Rachmaninoff's Symphony No 2. The top commenter is right: Jensen looks and face-makes a lot like Jim Carrey...

Todd




Possibly my favorite single, non-opera Strauss recording.
The universe is change; life is opinion. - Marcus Aurelius, Meditations

People would rather believe than know - E.O. Wilson

Propaganda death ensemble - Tom Araya

Panem et Artificialis Intelligentia

Todd

Quote from: sanantonio on October 03, 2012, 07:43:36 AMAre the sonatas in that box different recordings than the ones in this box:



Yes.  The Teldec is a reissue of Buchbinder's first cycle.  The RCA is a recent, live cycle. 
The universe is change; life is opinion. - Marcus Aurelius, Meditations

People would rather believe than know - E.O. Wilson

Propaganda death ensemble - Tom Araya

Panem et Artificialis Intelligentia

mahler10th

Quote from: Brian on October 03, 2012, 07:38:16 AM
Naxos Music Library is down and I really need a work that starts melancholy but picks me up later. Listening on YouTube to Eivind Gullberg Jensen conduct the Netherlands Radio PO in Rachmaninoff's Symphony No 2. The top commenter is right: Jensen looks and face-makes a lot like Jim Carrey...

Pettersons 7th starts melancholy (suicidal), remains melancholy, but brightens up towards the end.
Meanwhile:



Ashkenazy is somewhat underrated as a conductor.  He did a Shosty set which I have not heard, but might find a way to dip into.  His Sibelius is brilliant.

Lisztianwagner

"You cannot expect the Form before the Idea, for they will come into being together." - Arnold Schönberg

Lisztianwagner

Quote from: Scots John on October 03, 2012, 07:45:29 AM


Ashkenazy is somewhat underrated as a conductor.  He did a Shosty set which I have not heard, but might find a way to dip into.  His Sibelius is brilliant.

Amazing set, Ashkenazy is unbeatable in Rachmaninov's works, both as pianist and as conductor! To me, no one seems to understand the deep passion, the poetical beauty and the haunting power of this music like Ashkenazy. :)
"You cannot expect the Form before the Idea, for they will come into being together." - Arnold Schönberg

Brian

Quote from: Brian on October 03, 2012, 07:38:16 AM
Naxos Music Library is down and I really need a work that starts melancholy but picks me up later. Listening on YouTube to Eivind Gullberg Jensen conduct the Netherlands Radio PO in Rachmaninoff's Symphony No 2. The top commenter is right: Jensen looks and face-makes a lot like Jim Carrey...
A very impressive performance, consistently very good, but boy, you can tell you're depressed when Rach 2 doesn't cheer you up.

Mirror Image


North Star

Begun before seeing John's or Brian's post:

Rachmaninoff
Symphony no. 2
Jansons

[asin]B000UZ4EY8[/asin]
"Everything has beauty, but not everyone sees it." - Confucius

My photographs on Flickr

Mirror Image

Quote from: Scots John on October 03, 2012, 07:45:29 AMAshkenazy is somewhat underrated as a conductor.  He did a Shosty set which I have not heard, but might find a way to dip into.  His Sibelius is brilliant.

Ashkenazy is a pretty good conductor, but I don't think much of his Shostakovich recordings. I bought his Shostakovich set several years ago and listened to his performances of Symphonies 1-6 and I just couldn't take anymore. The performances seemed to be lacking a lot of the fire Shosty's music needs.

Anyway, now listening:



Listening to Symphony No. 1. I definitely like this better than Sanderling's set. Ossonce has the full measure of this music.

Brian

Quote from: sanantonio on October 03, 2012, 08:42:32 AM
Sounds like the joy from getting a job was short lived.
Well, the moving process is getting complicated by a very important person having a significant family crisis. On top of the awkwardness it causes me and the forfeiture of most of our planning, logistics, shopping, and celebrating, it's hard not to feel the pain she's going through.

Lisztianwagner

Quote from: Mirror Image on October 03, 2012, 08:40:09 AM
A great symphony, Ilaria. What do you think about it?

Yes, it was absolutely thrilling; I enjoyed it very much, especially the last two movements! :) I really liked the orchestration, especially the use of strings and brass, what a beautiful, haunting atmosphere they created. The finale sounds left open, was that Honegger's intention?
"You cannot expect the Form before the Idea, for they will come into being together." - Arnold Schönberg

Mirror Image

Now:

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Listening to Horace Victorieux which is described as a "mimed symphony." Very nice work.

Lisztianwagner

"You cannot expect the Form before the Idea, for they will come into being together." - Arnold Schönberg

Mirror Image

Quote from: Lisztianwagner on October 03, 2012, 10:26:46 AM
Yes, it was absolutely thrilling; I enjoyed it very much, especially the last two movements! :) I really liked the orchestration, especially the use of strings and brass, what a beautiful, haunting atmosphere they created.

Glad you enjoyed it, Ilaria. It's a great work.

QuoteThe finale sounds left open, was that Honegger's intention?

Not sure what you mean by this, Ilaria. Left open? You mean it being sparse?

Lisztianwagner

Quote from: Mirror Image on October 03, 2012, 10:32:18 AM
Not sure what you mean by this, Ilaria. Left open? You mean it being sparse?

Well, you certainly know Bruckner's finali which sound getting more and more powerful to burst out in all their explosive force, and instead they finish with a pianissimo or a pause. The finale of Honegger's 5th Symphony reminds me something similar; I almost expected the piece to continue, whereas it ended so softly......
"You cannot expect the Form before the Idea, for they will come into being together." - Arnold Schönberg

listener

SZYMANOWSKI    2 Mazurkas, op. 62   20 Mazurkas op. 50
Carol Rosenberger, piano
VIVALDI  Bassoon Concertos   no.4 in  C RV474, no.15 in F RV487, no.31 in C RV476,
no.16 in C RV469, no.33 in C RV470, no.37 in G RV494
Daniel Smith, bassoon      English Chamber Orch.,   Philip Ledger, cond.
"Keep your hand on the throttle and your eye on the rail as you walk through life's pathway."

The new erato

Now into disc 2. I certainly understand why this opera is considered one of Handel's greatest (despite having no new recordings the last 25 years until 2 suddenly appears. Let's talk about buses)

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