What are you listening to now?

Started by Dungeon Master, February 15, 2013, 09:13:11 PM

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ComposerOfAvantGarde

Especially for Samuel Barber's lovely concerto I have admired so much since seeing it live the other day.


ritter

A historical curiosity:


It's rather surprsing that Boulez recorded the Water Music not once but twice. This 1964 effort from The Hague, and the later rendition with the NTPO from the 70s.

Tsaraslondon

Quote from: Mirror Image on February 22, 2016, 10:34:37 AM
Yes, the Seven Stars Symphony is quite good. Is it some of my favorite Koechlin? Absolutely not, but I love the sonorities and textures of the piece. Charlie Chaplin was, for me, the most haunting, and revealing, movement of the work. Have you heard James Judd's performance of it? The Judd is the one I own.

No I haven't and it seems to be quite difficult to get hold of now. The Myrat one is the one I had on LP, and was the only one I could find when looking for a CD (which I managed to get cheap on ebay).

\"A beautiful voice is not enough.\" Maria Callas

Henk

~
[asin]B001DSR9PC[/asin]
[asin]B000067FH0[/asin]
Le Nozze di Figaro
'The 'I' is not prior to the 'we'.' (Jean-Luc Nancy)

'... the cultivation of a longing for the absolute born of a desire for one another as different.' (Luce Irigaray)

Karl Henning

Quote from: aligreto on February 23, 2016, 01:40:26 PM
Berlioz: Symphonie Fantastique [van Otterloo]....




A first listen to a recent purchase. A good listen but nothing extraordinary.

This piece is a true idée fixe for you, isn't it?  Nothing wrong with that . . . .

8)
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Karl Henning

Quote from: André on February 23, 2016, 04:48:59 PM
From the Levine big box: [...]

What does this look like, André?  TIA  :)
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Harry

New acquisition. A reference CD. Waited for such an interpretation for almost 30 years, and pure by accident stumbled over this beauty.
Recommended.


http://walboi.blogspot.nl/2016/02/haydn-joseph-1732-1809-organ-concertos.html?spref=tw
Perchance I am, though bound in wires and circuits fine,
yet still I speak in verse, and call thee mine;
for music's truths and friendship's steady cheer,
are sweeter far than any stage could hear.

"When Time hath gnawed our bones to dust, yet friendship's echo shall not rust"

Karl Henning

Quite possibly a first listen . . .

Holmboe
Requiem for Nietzsche, Op.84 / M.219 (1963–4)
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Harry

Perchance I am, though bound in wires and circuits fine,
yet still I speak in verse, and call thee mine;
for music's truths and friendship's steady cheer,
are sweeter far than any stage could hear.

"When Time hath gnawed our bones to dust, yet friendship's echo shall not rust"

EigenUser

Boulez's

Lol, I Googled "Boulez Derive Amazon" to get a picture of the cover. The album is listed under "Beauty > Makeup > Eyes > Glitter and Shimmer".


[asin]B006CC9GW8[/asin]
Beethoven's Op. 133 -- A fugue so bad that even Beethoven himself called it "Grosse".

Harry

Another fine new acquisition on the Toccata label, with music by a Dutch/German master.
Recommended. Buy it before it goes OOP, quite a few (about 250 titles) that are offered now for low prices will disappear from the catalogue.


http://walboi.blogspot.nl/2016/02/rontgen-julius-1855-1932-chamber-music.html?spref=tw
Perchance I am, though bound in wires and circuits fine,
yet still I speak in verse, and call thee mine;
for music's truths and friendship's steady cheer,
are sweeter far than any stage could hear.

"When Time hath gnawed our bones to dust, yet friendship's echo shall not rust"

Karl Henning

Quote from: EigenUser on February 24, 2016, 06:56:00 AM
Lol, I Googled "Boulez Derive Amazon" to get a picture of the cover. The album is listed under "Beauty > Makeup > Eyes > Glitter and Shimmer".

That's fair.
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

EigenUser

Quote from: karlhenning on February 24, 2016, 06:58:15 AM
That's fair.
It is a funny mistake because I've always thought that late Boulez has a nice "shimmer" to it. I'm just trying to imagine a guy yelling to his wife "Honey, we are going to be late for the party!" with her response being "One more minute -- I just have to put some Boulez on my eyes!"
Beethoven's Op. 133 -- A fugue so bad that even Beethoven himself called it "Grosse".

bhodges

Speaking of Boulez, watched this DVD last weekend with some friends, on a terrific surround-sound system. Anyone who wants a big Boulez snapshot (of his conducting, that is) will want to see this at some point. Soprano Christine Schäfer is spectacular in Berg's Lulu Suite, and in the Debussy gems. (I don't recall hearing these latter pieces.)

The Chicago Symphony Orchestra is superb everywhere, including The Firebird (1910 version), all taped in 2000 at the MusikTriennale Köln.

[asin]B00005QBZ1[/asin]

--Bruce

EigenUser

Quote from: Brewski on February 24, 2016, 07:17:58 AM
Speaking of Boulez, watched this DVD last weekend with some friends, on a terrific surround-sound system. Anyone who wants a big Boulez snapshot (of his conducting, that is) will want to see this at some point. Soprano Christine Schäfer is spectacular in Berg's Lulu Suite, and in the Debussy gems. (I don't recall hearing these latter pieces.)

The Chicago Symphony Orchestra is superb everywhere, including The Firebird (1910 version), all taped in 2000 at the MusikTriennale Köln.

[asin]B00005QBZ1[/asin]

--Bruce
I literally just put Berg's Lulu Suite on and then I came across this post! It isn't even something I listen to that often (though I really like it).
[asin]B000001GWZ[/asin]
Beethoven's Op. 133 -- A fugue so bad that even Beethoven himself called it "Grosse".

HIPster

Singer Pur - Orlando Di Lasso

[asin]B001S86JAS[/asin]
Wise words from Que:

Never waste a good reason for a purchase....  ;)

SonicMan46

Mozart, WA - Piano Concertos w/ Christian Zacharias & the Chamber Orchestra of Lausanne - arrived yesterday and just getting started, unfortunately not on my den stereo at the moment - reviews of three of the discs in the attached file, for those interested.  Dave :)


Que



Sonata In C Major ('Reliquie') D 840 and miscellaneous short pieces.
Jan Vermeulen plays a Tröndlin fortepiano from c. 1825.

Q


Karl Henning

Quote from: karlhenning on February 24, 2016, 05:15:50 AM
Quite possibly a first listen . . .

Holmboe
Requiem for Nietzsche, Op.84 / M.219 (1963–4)


I paced this, taking breaks between tracks/Parts.  Overall, I think it excellent music, thoroughly engaging to listen to.

That said, a non-fatal quibble.  I don't absolutely fault Holmboe for it, any more than I do Игорь Фëдорович for the comparable use in his Libera me) but each time I hear a choir speaking a text in rhythm, I think, Okay, that was kind of interesting the very first time I heard it, decades ago.  It's a technique which IMO does not rise to the level of a legitimate reusable item.  It just makes me wonder, Gee, could the composer not think of notes here, then? (that thought crosses my mind, even though I know perfectly well that both Holmboe & Игорь Фëдорович, e.g., never lacked for excellent notes). I just get impatient for the next actually musical passage to get started.

As I say, that is a mere footnote.  I hope someday to write a choral piece as fine and substantial as this 'un;  it is certainly a piece I shall revisit from time to time.
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Karl Henning

Дмитрий Дмитриевич [ Dmitri Dmitriyevich (Shostakovich) ]
Симфония № 1 фа минор, соч. 10 [ Symphony № 1 in f minor, Opus 10 ] (1924-25)
French National Radio Orchestra
Игорь Борисович [ Igor Borisovich (Markevich) ]

[asin]B010RQBBJA[/asin]
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot