Unpopular Opinions

Started by The Six, November 11, 2011, 10:32:51 AM

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kishnevi

Quote from: PerfectWagnerite on June 02, 2017, 04:12:52 PM
All genius's have big egos.

Concert overture? Definitely before, not counting overtures to incidental music we have Mendelssohn's Fingal's Cave and Calm Sea and Prosperous Voyage which came some 25 yrs or so before Les Preludes.

Facepalm. You would think I would have remembered Felix.

PerfectWagnerite

Quote from: Jeffrey Smith on June 02, 2017, 04:14:21 PM
Facepalm. You would think I would have remembered Felix.
Can you believe it? For someone who goes on the record as saying one needs to wash one's hands after touching a Berlioz score wrote NOT one, not TWO, but 3 programmatic symphonies.

kishnevi

Quote from: PerfectWagnerite on June 02, 2017, 04:16:44 PM
Can you believe it? For someone who goes on the record as saying one needs to wash one's hands after touching a Berlioz score wrote NOT one, not TWO, but 3 programmatic symphonies.

I'm not sure I would call those three symphonies programmatic in the way that Symphonie Fantastique and Harold en Italie are--or Fingal's Cave.

BTW, another forerunner would be Weber:, Invitation to the Dance.

PerfectWagnerite

Quote from: Jeffrey Smith on June 02, 2017, 04:27:29 PM

BTW, another forerunner would be Weber:, Invitation to the Dance.
Not sure whether that counts as a concert overture though, concert waltz yes...

Uhor

A tuning fork doesn't sound harsh to the ear. Somebody has to tell this to Edward Witten. Nor do microtone deviations sound ugly in themselves, that is a pernicious way to explain how a guitar is tuned or some properties of waves.

amw

Also from Beethoven: Die Weihe des Hauses and Namensfeier. Coriolan is sometimes considered not to count since it was technically written for a play, although there is no other music to follow it—if it does count as a concert overture it would probably be the earliest, if not I think it's Namensfeier.

kishnevi

#1886
Quote from: amw on June 02, 2017, 05:11:08 PM
Also from Beethoven: Die Weihe des Hauses and Namensfeier. Coriolan is sometimes considered not to count since it was technically written for a play, although there is no other music to follow it—if it does count as a concert overture it would probably be the earliest, if not I think it's Namensfeier.

I thought of those, but I don't think they are programmatic, in the sense of meaning to convey a particular situation in musical terms.  But, as already mentioned by someone upthread,  the Pastorale Symphony is certainly programmatic.  (They are certainly concert overtures.)

Speaking of LvB, he did write at least one programmatic work for piano: the Les Adieux sonata. Who came up with the common names for the "Hunt" and "Tempest" sonatas?  Those are more evocative than programmatic.

The baroque produced plenty of programmatic music for keyboard: JSB's Caprice for a departed brother is only one example.

The more we talk this through, the less innovative Liszt seems to be...

ETA
I think Hummel produced several works that could be called programmatic, but I would have to look to be sure. Perhaps also Spohr and others of that generation.

Madiel

Quote from: Jeffrey Smith on June 02, 2017, 03:52:33 PM
Baroque and Classical era composers wrote programmatic music within the musical language and structure of the times.  Vivaldi's Four Periods Of The Year is an obvious example, but there were numerous others.  Telemann wrote a number of suites which purported to musically describe a specific topic. Biber's Rosary Sonatas are another example.

All far better examples than the one that was offered.
Nobody has to apologise for using their brain.

Madiel

Quote from: Neil Asuolubaftaht on June 03, 2017, 01:03:28 AM
Somehow I completely missed half a page of conversation here but Ken is correct, that is what I was saying.

If I'm going to make a conscious effort to at least try to experience this music, of course I'm going to buy some CDs and listen to it on my stereo, not rely on Youtube or a streaming site. I still have those CDs too (well not in my apartment, Uni and all)

In which case, the idea that you have Mozart CDs "despite" your disdain for him simply means you didn't get rid of CDs after working out you didn't like them.

I don't think "despite" was a great choice of word for the cause-and-effect in that case.
Nobody has to apologise for using their brain.

71 dB

#1889
Quote from: Neil Asuolubaftaht on June 03, 2017, 01:03:28 AM
If I'm going to make a conscious effort to at least try to experience this music, of course I'm going to buy some CDs and listen to it on my stereo, not rely on Youtube or a streaming site. I still have those CDs too (well not in my apartment, Uni and all)

If you are referring to sound quality, why would you think the step in sound quality from Youtube or a streaming site is going to make you like music you don't like at lower sound quality? If I don't like the music of Verdi on Youtube, I know I won't likes his music from a multichannel SACD either. The increase in sound quality does not remove the structural problems I have with Verdi. Why would it solve your problems with Mozart?
Spatial distortion is a serious problem deteriorating headphone listening.
Crossfeeders reduce spatial distortion and make the sound more natural
and less tiresome in headphone listening.

My Sound Cloud page <-- NEW July 2025 "Liminal Feelings"

Florestan

Quote from: ørfeo on June 02, 2017, 02:41:33 PM
If you suggested to Liszt that calling a rondo "alla turca" was enough to be the kind of descriptive music he had in mind, he would have spit out his drink in shock.

Seriously, you want to argue that baroque composers were being programmatic when they wrote different kinds of dances knowing where they come from? An allemande is German. Not a **** depiction of Germany.

Quote from: ørfeo on June 03, 2017, 02:29:06 AM
In which case, the idea that you have Mozart CDs "despite" your disdain for him simply means you didn't get rid of CDs after working out you didn't like them.

I don't think "despite" was a great choice of word for the cause-and-effect in that case.

I'm greatly relieved: you're back to your usual self. For a moment I feared you did really become calm and relaxed.  >:D :P
"Beauty must appeal to the senses, must provide us with immediate enjoyment, must impress us or insinuate itself into us without any effort on our part." - Claude Debussy

Madiel

Quote from: Florestan on June 03, 2017, 05:53:24 AM
I'm greatly relieved: you're back to your usual self. For a moment I feared you did really become calm and relaxed.  >:D :P

Going on holiday in one week. The preparations are stressing me out.
Nobody has to apologise for using their brain.

Florestan

Quote from: ørfeo on June 03, 2017, 06:02:36 AM
Going on holiday in one week. The preparations are stressing me out.

:)

Enjoy your holiday! Where do you go?
"Beauty must appeal to the senses, must provide us with immediate enjoyment, must impress us or insinuate itself into us without any effort on our part." - Claude Debussy

Madiel

Quote from: Florestan on June 03, 2017, 06:07:19 AM
:)

Enjoy your holiday! Where do you go?

Denmark and northern Germany.
Nobody has to apologise for using their brain.

Florestan

Quote from: ørfeo on June 03, 2017, 06:12:00 AM
Denmark and northern Germany.

A Holmboe pilgrimage perhaps?  :)
"Beauty must appeal to the senses, must provide us with immediate enjoyment, must impress us or insinuate itself into us without any effort on our part." - Claude Debussy

Madiel

Quote from: Florestan on June 03, 2017, 06:18:08 AM
A Holmboe pilgrimage perhaps?  :)

Only in the very loose sense that I may (a) spend half a day in his home town**, and (b) be on the lookout for one particular album in any CD shops I happen across.

**Apparently the number 1 tourist attraction is the former prison.
Nobody has to apologise for using their brain.

Florestan

Quote from: ørfeo on June 03, 2017, 06:33:30 AM
Only in the very loose sense that I may (a) spend half a day in his home town**, and (b) be on the lookout for one particular album in any CD shops I happen across.

**Apparently the number 1 tourist attraction is the former prison.

Whatever you do, I wish you a great time there! Post some pictures when you're back!
"Beauty must appeal to the senses, must provide us with immediate enjoyment, must impress us or insinuate itself into us without any effort on our part." - Claude Debussy

Karl Henning

Quote from: PerfectWagnerite on June 02, 2017, 04:12:52 PM
All genius's have big egos.

I don't believe that for a minute.
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Karl Henning

Quote from: Jeffrey Smith on June 02, 2017, 03:52:33 PM
It's more a referendum on Liszt's ego .

Better.

Let me say instead, then, that I wish this thread had not become a referendum on Liszt's ego, a discussion which can probably only depress general interest in the music itself.
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

prémont

Quote from: ørfeo on June 03, 2017, 06:33:30 AM
**Apparently the number 1 tourist attraction is the former prison.

Yes, a captivating view.

Which other places i Denmark are you going to visit?
Reality trumps our fantasy far beyond imagination.