Villa-Lobos Anyone?

Started by bvy, March 01, 2008, 03:33:40 PM

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Maestro267

#440
What an imagination for chamber ensembles Villa-Lobos has! It really feels like the 20-odd year gap that splits his symphony cycle almost down the middle produced some of his most inventive music.

Iota

Quote from: Symphonic Addict on April 08, 2024, 07:58:40 PMNot sure how many official recordings of Villa-Lobos's magical and unique Quarteto simbólico for flute, alto saxophone, harp, celesta and female voices exist, but I just stumbled upon this recording and it's so cool. I was taken to a fantasy realm by the pristine sonorities of all the performers involved. Singularly beautiful.



I must check that out. As it happens I was listening to his Sexteto místico for flute, oboe, saxophone, celesta, guitar, harp yesterday for the first time, which is also enchanting and a gorgeous ensemble of instruments. The recording was this -


Karl Henning

Quote from: Symphonic Addict on April 08, 2024, 07:58:40 PMNot sure how many official recordings of Villa-Lobos's magical and unique Quarteto simbólico for flute, alto saxophone, harp, celesta and female voices exist, but I just stumbled upon this recording and it's so cool. I was taken to a fantasy realm by the pristine sonorities of all the performers involved. Singularly beautiful.



Thanks for the tip, Cesar!

Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Symphonic Addict

Quote from: Iota on April 09, 2024, 03:34:46 AMI must check that out. As it happens I was listening to his Sexteto místico for flute, oboe, saxophone, celesta, guitar, harp yesterday for the first time, which is also enchanting and a gorgeous ensemble of instruments. The recording was this -



A great work indeed, I'm very fond of that piece too. His Quinteto instrumental for flute, harp and string trio is another peach.
Part of the tragedy of the Palestinians is that they have essentially no international support for a good reason: they've no wealth, they've no power, so they've no rights.

Noam Chomsky

Symphonic Addict

Quote from: Karl Henning on April 09, 2024, 12:11:59 PMThanks for the tip, Cesar!



My pleasure, Karl. I hope you have enjoyed it as well.
Part of the tragedy of the Palestinians is that they have essentially no international support for a good reason: they've no wealth, they've no power, so they've no rights.

Noam Chomsky

Karl Henning

Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

lordlance

Reheard the Fourth Symphony. It's good stuff. No surprise that I would like a symphony called Victory 




AFAIK there are three recordings of the Fourth. Anyone have a favorite? 
If you are interested in listening to orchestrations of solo/chamber music, you might be interested in this thread.
Also looking for recommendations on neglected conductors thread.

DavidW

Quote from: lordlance on January 20, 2025, 07:13:24 AMAFAIK there are three recordings of the Fourth. Anyone have a favorite?



But I've only heard 2 of the 3. Didn't know there was a third.

ritter

Not that I'm the greatest fan of Villa-Lobos (I do enjoy some Bachianas and Chôros, but dislike the string quartets and find Floresta do Amazonas simply bizarre::) ), but when I travel to Paris, I sometimes --most recently, at the beginning of January to attend the concerts that kicked off the Boulez centennial celebrations-- stay at the Hotel Bedford in the Rue de l'Arcade (behind the Madeleine in the 8ème), and this was Villa-Lobos' European base from 1952 until his death in 1959.



The hotel has a strong Brazilian connection, anyway, as Emperor Pedro II lived their in exile in the late 19th century. There are also other musical connections: according to the hotel's website, Saint-Saëns, Fauré, Horsowski, Menuhin and Suk wre also guests at one point or another.


 « Et n'oubliez pas que le trombone est à Voltaire ce que l'optimisme est à la percussion. » 

Florestan

"Beauty must appeal to the senses, must provide us with immediate enjoyment, must impress us or insinuate itself into us without any effort on our part. ." — Claude Debussy

Christo

Quote from: Florestan on January 23, 2025, 12:01:48 PMThe pompous last line is so typically French...  :laugh:
On closer reading possibly something like: Pas un véritable Maître Français, bien sûr, mais d'une Grande Importance pour un Peuple Primitif quelque part en Amazonie. 8)
... music is not only an 'entertainment', nor a mere luxury, but a necessity of the spiritual if not of the physical life, an opening of those magic casements through which we can catch a glimpse of that country where ultimate reality will be found.    RVW, 1948