Villa-Lobos Anyone?

Started by bvy, March 01, 2008, 03:33:40 PM

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Maestro267

#440
What an imagination for chamber ensembles Villa-Lobos has! It really feels like the 20-odd year gap that splits his symphony cycle almost down the middle produced some of his most inventive music.

Iota

Quote from: Symphonic Addict on April 08, 2024, 07:58:40 PMNot sure how many official recordings of Villa-Lobos's magical and unique Quarteto simbólico for flute, alto saxophone, harp, celesta and female voices exist, but I just stumbled upon this recording and it's so cool. I was taken to a fantasy realm by the pristine sonorities of all the performers involved. Singularly beautiful.



I must check that out. As it happens I was listening to his Sexteto místico for flute, oboe, saxophone, celesta, guitar, harp yesterday for the first time, which is also enchanting and a gorgeous ensemble of instruments. The recording was this -


Karl Henning

Quote from: Symphonic Addict on April 08, 2024, 07:58:40 PMNot sure how many official recordings of Villa-Lobos's magical and unique Quarteto simbólico for flute, alto saxophone, harp, celesta and female voices exist, but I just stumbled upon this recording and it's so cool. I was taken to a fantasy realm by the pristine sonorities of all the performers involved. Singularly beautiful.



Thanks for the tip, Cesar!

Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Symphonic Addict

Quote from: Iota on April 09, 2024, 03:34:46 AMI must check that out. As it happens I was listening to his Sexteto místico for flute, oboe, saxophone, celesta, guitar, harp yesterday for the first time, which is also enchanting and a gorgeous ensemble of instruments. The recording was this -



A great work indeed, I'm very fond of that piece too. His Quinteto instrumental for flute, harp and string trio is another peach.
The current annihilation of a people on this planet (you know which one it is) is the most documented and at the same time the most preposterously denied.

Symphonic Addict

Quote from: Karl Henning on April 09, 2024, 12:11:59 PMThanks for the tip, Cesar!



My pleasure, Karl. I hope you have enjoyed it as well.
The current annihilation of a people on this planet (you know which one it is) is the most documented and at the same time the most preposterously denied.

Karl Henning

Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

lordlance

Reheard the Fourth Symphony. It's good stuff. No surprise that I would like a symphony called Victory 




AFAIK there are three recordings of the Fourth. Anyone have a favorite? 
If you are interested in listening to orchestrations of solo/chamber music, you might be interested in this thread.
Also looking for recommendations on neglected conductors thread.

DavidW

Quote from: lordlance on January 20, 2025, 07:13:24 AMAFAIK there are three recordings of the Fourth. Anyone have a favorite?



But I've only heard 2 of the 3. Didn't know there was a third.

ritter

Not that I'm the greatest fan of Villa-Lobos (I do enjoy some Bachianas and Chôros, but dislike the string quartets and find Floresta do Amazonas simply bizarre::) ), but when I travel to Paris, I sometimes --most recently, at the beginning of January to attend the concerts that kicked off the Boulez centennial celebrations-- stay at the Hotel Bedford in the Rue de l'Arcade (behind the Madeleine in the 8ème), and this was Villa-Lobos' European base from 1952 until his death in 1959.



The hotel has a strong Brazilian connection, anyway, as Emperor Pedro II lived their in exile in the late 19th century. There are also other musical connections: according to the hotel's website, Saint-Saëns, Fauré, Horsowski, Menuhin and Suk wre also guests at one point or another.


 « Et n'oubliez pas que le trombone est à Voltaire ce que l'optimisme est à la percussion. » 

Florestan

"Beauty must appeal to the senses, must provide us with immediate enjoyment, must impress us or insinuate itself into us without any effort on our part. ." — Claude Debussy

Christo

Quote from: Florestan on January 23, 2025, 12:01:48 PMThe pompous last line is so typically French...  :laugh:
On closer reading possibly something like: Pas un véritable Maître Français, bien sûr, mais d'une Grande Importance pour un Peuple Primitif quelque part en Amazonie. 8)
... music is not only an 'entertainment', nor a mere luxury, but a necessity of the spiritual if not of the physical life, an opening of those magic casements through which we can catch a glimpse of that country where ultimate reality will be found.    RVW, 1948