What are you listening to now?

Started by Dungeon Master, February 15, 2013, 09:13:11 PM

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Madiel

Condolences, Andrei.

I had noticed you weren't around, but of course had no idea why. I'm sorry it was for such a difficult reason.
Nobody has to apologise for using their brain.

Karl Henning

Quote from: Daverz on October 25, 2018, 04:50:19 PM
Symphony No. 2

[asin] B019STIIHA[/asin]

This is near my ideal for this symphony.  Beautiful, colorful playing by the LSO, and the sonics hold up very well.  The dynamic range isn't up to modern digital standards, but I find this makes it easier to listen to in my living room.

...The coupled Concerto Academico for violin, a work I had not previously paid much attention to,  is very finely played by James Buswell. 

Some day, I must likely revisit that set.
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Karl Henning

Quote from: JBS on October 25, 2018, 07:26:35 PM
Second listen confirms, possibly upgrades my previous impression. This is a performance that is, if not top tier, very close to it.
[asin]B07GW4CM3S[/asin]
Zinman is tops in seeing the finale as a serene ascent into Heaven, Maderna and now this are not far behind.

Nice!
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Karl Henning

Quote from: Florestan on October 25, 2018, 11:04:48 PM


A gentle, mellow, almost lullaby-like Requiem --- to the memory of my beloved mother who unexpectedly passed away two weeks ago.

Very sorry, Andrei.
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Madiel

Schumann, Konzertstück for 4 horns & orchestra

Nobody has to apologise for using their brain.

Karl Henning

Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Madiel

Brahms, the op.76 piano pieces



I always find it a bit curious that there are such large chronological gaps in Brahms' solo piano output. He certainly wrote fine pieces when he returned to the genre.

I have an inevitable soft spot for no.4, which I learned to play. 7th grade AMEB, I think.
Nobody has to apologise for using their brain.

Karl Henning

Quote from: Madiel on October 26, 2018, 04:04:17 AM
I always find it a bit curious that there are such large chronological gaps in Brahms' solo piano output. He certainly wrote fine pieces when he returned to the genre.

Perhaps that is the key.  He returned when his batteries were recharged for that genre, with something fresh to say.
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

mc ukrneal

Quote from: Florestan on October 25, 2018, 11:04:48 PM
A gentle, mellow, almost lullaby-like Requiem --- to the memory of my beloved mother who unexpectedly passed away two weeks ago.
So very sorry to hear this indeed. It's hard to help ease the pain on a forum like this (which can be so removed in many ways), but if you'd like to share anything with us, we'd be happy to lend an ear.
Be kind to your fellow posters!!

Traverso

Quote from: Florestan on October 25, 2018, 11:04:48 PM


A gentle, mellow, almost lullaby-like Requiem --- to the memory of my beloved mother who unexpectedly passed away two weeks ago.

My condolences, Andrei.sorry to hear this,I wish you and your family strenght in these days.

North Star

Quote from: Florestan on October 25, 2018, 11:04:48 PM
A gentle, mellow, almost lullaby-like Requiem --- to the memory of my beloved mother who unexpectedly passed away two weeks ago.
My condolences, Andrei


Thread-duty
Debussy
Préludes, Premier Livre
Aimard

[asin]B077TR4QSX[/asin]
"Everything has beauty, but not everyone sees it." - Confucius

My photographs on Flickr

Traverso


Madiel

Quote from: k a rl h e nn i ng on October 26, 2018, 04:06:59 AM
Perhaps that is the key.  He returned when his batteries were recharged for that genre, with something fresh to say.

A good perspective.
Nobody has to apologise for using their brain.

Jaakko Keskinen

Quote from: Florestan on October 25, 2018, 11:04:48 PM


A gentle, mellow, almost lullaby-like Requiem --- to the memory of my beloved mother who unexpectedly passed away two weeks ago.

Extremely sorry to hear about this! My condolences to you!
"Javert, though frightful, had nothing ignoble about him. Probity, sincerity, candor, conviction, the sense of duty, are things which may become hideous when wrongly directed; but which, even when hideous, remain grand."

- Victor Hugo

Biffo

Quote from: kyjo on October 25, 2018, 09:05:15 AM
What a great, unhackneyed program!

There are some interesting concerts available in the Berlin Philharmonic Digital Concert though you usually have to pay for them. Just listened to this one -

Berlin Philharmonic conducted by Francois-Xavier Roth

Igor Stravinsky: Symphonies d'instruments à vent (1947 version)
Bernd Alois Zimmermann: Concerto for Violin and Orchestra - with Carolin Widmann (violin)

Claude Debussy: Images pour orchestre: No. 1 Gigues
György Ligeti: Lontano for large orchestra
Claude Debussy: Images pour orchestre: No. 3 Rondes de printemps
György Ligeti: Atmosphères
Claude Debussy: Images pour orchestre: No. 2 Ibéria

Fine performances of all works though I am not sure the interleaving of Debussy and Ligeti worked


Malx

Mahler's Sixth this morning, two recordings that take very different approaches to this daunting work:

Firstly Pappano with the Orchestra dell'Accademia Nazionale di Santa Cecilia a big boned romantic reading that ultimately lost my concentration.

Much better, in my view, is an unfortunately hard to acquire BBC cover disc from about 2006 with the BBC Philharmonic conducted by Charles MacKerras. Some may feel MacKerras is at times a little hard driven but I enjoy this symphony best when the first movement has a pulse and forward propulsion - MacKerras omits the exposition repeat like another conductor whose recording I listened to yesterday (Barbirolli).
Both MacKerras & Barbirolli opt for the Andante - Scherzo middle movement combo whereas Pappano opts for the reverse.
MacKerras also fairly whips up a storm at times during his Scherzo - positively exciting.

If you care for Szell's live Cleveland recording I suspect this may be one you would enjoy - Pappano, MacKerras and Szell are all Live recordings.

Karl Henning

Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

steve ridgway


aligreto

Haydn: L'isola disabitata [Dorati]





This is not an overly long opera; at least it does not seem that way as it is a very pleasant listen. There is no major drama or tension in the work nor is there a very wide range of dynamics employed but it still holds one's interest. It is very lyrical in terms of the music. The vocal performances from all concerned are very good here.

aligreto

Quote from: Florestan on October 25, 2018, 11:04:48 PM


A gentle, mellow, almost lullaby-like Requiem --- to the memory of my beloved mother who unexpectedly passed away two weeks ago.

Let me also offer my condolences to you in this sad time. To lose a loved one is difficult enough but to lose them unexpectedly must be very much more difficult.