What are you listening to now?

Started by Dungeon Master, February 15, 2013, 09:13:11 PM

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Willow Pattern

Rachmaninov: Piano Concerto No. 3 In D Minor, Op. 30

Listening to a new recording for the first time - sounds fantastic so far :D


Madiel

Well, I'm listening to the crystalline neo-Baroque wonders of Ravel's final masterpiece for solo piano.
Nobody has to apologise for using their brain.

EigenUser

Quote from: orfeo on February 27, 2014, 03:31:07 AM
Well, I'm listening to the crystalline neo-Baroque wonders of Ravel's final masterpiece for solo piano.
I take it that this is "Le Tombeau de Couperin"  :). Wonderful piece indeed.
Beethoven's Op. 133 -- A fugue so bad that even Beethoven himself called it "Grosse".

North Star

Beethoven
String Quartets Op. 18, Op. 59/I
Endellions

[asin]B001E99GQA[/asin]
"Everything has beauty, but not everyone sees it." - Confucius

My photographs on Flickr

Madiel

#18724
Just started my first ever listen to this work.

[asin]B0007XTNZ8[/asin]

EDIT: Can I just say one thing, not about the music or the performance (which so far I'm enjoying a great deal), but about the liner notes. It says that it's not possible to work out the specific action for each number because the original programme hasn't survived. But it then prints a synopsis from a handbill.

It takes no skill whatsoever to figure out which numbers in Act II of the ballet relate to the sequential events and characters mentioned in the second half of the synopsis.  Honestly, if you can't work out that Orpheus is associated with the number including harp (which the notes mention as an unusual feature for Beethoven), and that Melpomene and Thalia teaching tragedy and comedy are going to be represented by the following Grave and Allegro/Presto that I haven't even heard yet, and that the Pastoral Dance taught by Pan is going to be (wait for it) the movement marked 'Pastorale'... you really shouldn't be writing CD liner notes for a living.
Nobody has to apologise for using their brain.

Harry

Perchance I am, though bound in wires and circuits fine,
yet still I speak in verse, and call thee mine;
for music's truths and friendship's steady cheer,
are sweeter far than any stage could hear.

"When Time hath gnawed our bones to dust, yet friendship's echo shall not rust"

Karl Henning

Quote from: Ken B on February 26, 2014, 12:36:51 PM
A box to treasure

[asin]B009LNI0T0[/asin]

Indeed!

Quote from: Mirror Image on February 26, 2014, 05:28:28 PM
Now:



A new acquisition. Listening to Concerto for Orchestra from this quite rare, OOP box set. Damn, this is a really great performance from Dorati/LSO. Very fortunate to have stumbled upon this set via Amazon MP for $34, which is a steal considering the price other MP sellers are asking for it.

And another!  One of the first boxes ever I snaffled.
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Karl Henning

Quote from: mc ukrneal on February 26, 2014, 05:38:26 PM
You have the whole box that they did for Warner/Erato (I think - box not in front of me)? It's one of the boxes I return to often. The singing is so good!

Yes, a wonderful compendium!
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

North Star

Quote from: karlhenning on February 26, 2014, 07:06:04 AM
Not that you're buying CDs anytime soon, but if I had to choose one of my three, it would probably be the Ivashkin.
Thanks, I'll keep that in mind.

Thread duty

Beethoven
String Quartet Op. 59/II
Endellions

[asin]B001E99GQA[/asin]
"Everything has beauty, but not everyone sees it." - Confucius

My photographs on Flickr

Karl Henning

Quote from: North Star on February 27, 2014, 04:36:35 AM
Thread duty

Beethoven
String Quartet Op. 59/II
Endellions

[asin]B001E99GQA[/asin]

Ooh, how do you find that, Karlo?
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Brahmsian

Quote from: orfeo on February 27, 2014, 04:06:01 AM
Just started my first ever listen to this work.

[asin]B0007XTNZ8[/asin]


Since my first discovery of this work last year (the complete work), and this performance, it has become my most often listened to Beethoven work.  A great piece!

Karl Henning

Good morning, Ray!

Thread duty:

Listening to the samples of Karlo's Endellion Beethoven quartet set.
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Madiel

Quote from: ChamberNut on February 27, 2014, 05:03:19 AM
Since my first discovery of this work last year (the complete work), and this performance, it has become my most often listened to Beethoven work.  A great piece!

It's highly enjoyable. At this stage I'd say it's light music rather than deeply serious, but it's very good light music full of very listenable and infectious dances. We don't always listen to Beethoven enjoying himself.
Nobody has to apologise for using their brain.

Brahmsian

Quote from: karlhenning on February 27, 2014, 05:09:45 AM
Good morning, Ray!

Thread duty:

Listening to the samples of Karlo's Endellion Beethoven quartet set.

Good day, Karl:)

Brahmsian

Quote from: orfeo on February 27, 2014, 05:10:57 AM
It's highly enjoyable. At this stage I'd say it's light music rather than deeply serious, but it's very good light music full of very listenable and infectious dances. We don't always listen to Beethoven enjoying himself.

I don't think of it as overly light, but agree, not deeply serious.  Clearly has the feel of a mid-period Beethoven work.  Eroica Light;D

Cato

Quote from: orfeo on February 27, 2014, 04:06:01 AM
Just started my first ever listen to this work.

[asin]B0007XTNZ8[/asin]


Quote from: ChamberNut on February 27, 2014, 05:03:19 AM
Since my first discovery of this work last year (the complete work), and this performance, it has become my most often listened to Beethoven work.  A great piece!

Somewhere, Peter Schickele recorded one of  P. D. Q. Bach's works:

The Preachers of Crometheus.
"Meet Miss Ruth Sherwood, from Columbus, Ohio, the Middle of the Universe!"

- Brian Aherne introducing Rosalind Russell in  My Sister Eileen (1942)

Ken B

Quote from: karlhenning on February 27, 2014, 05:03:18 AM
Ooh, how do you find that, Karlo?
I like it a lot. Good sonority, good sound, a tight quartet.

North Star

Quote from: karlhenning on February 27, 2014, 05:03:18 AM
Ooh, how do you find that, Karlo?
Quote from: karlhenning on February 27, 2014, 05:09:45 AM
Thread duty:

Listening to the samples of Karlo's Endellion Beethoven quartet set.

I like the set very much indeed - I got this back in 2010, it's the only complete cycle I have (I do have a couple of discs of Tokyo SQ and ABQ's Beethoven).

Did you see the review I linked earlier?
"Everything has beauty, but not everyone sees it." - Confucius

My photographs on Flickr

Karl Henning

Quote from: North Star on February 27, 2014, 05:41:42 AM
I like the set very much indeed - I got this back in 2010, it's the only complete cycle I have (I do have a couple of discs of Tokyo SQ and ABQ's Beethoven).

Did you see the review I linked earlier?

I had not! Will check it out later, thanks!
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Sergeant Rock

#18739
Ravel Le tombeau de Couperin orchestrated by Zoltan Kocsis and the composer




Sarge
the phone rings and somebody says,
"hey, they made a movie about
Mahler, you ought to go see it.
he was as f*cked-up as you are."
                               --Charles Bukowski, "Mahler"