What are you listening to now?

Started by Dungeon Master, February 15, 2013, 09:13:11 PM

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ritter

More opera today:

[asin]B00B2M7DHS[/asin]

Delicious.... :)

Harry

I've always had great respect for Paddington because he is amusingly English and a eccentric bear He is a great British institution and emits great wisdom with every growl. Of course I have Paddington at home, he is a member of the family, sure he is from the moment he was born. We have adopted him.

Sadko

Rameau

Harpsichord works

Jory Vinikour

[asin]B007WB5CU8[/asin]

TheGSMoeller

Quote from: Sadko on September 19, 2014, 05:35:41 AM
Rameau

Harpsichord works

Jory Vinikour

[asin]B007WB5CU8[/asin]

Very nice, Sadko. That is my favorite collection of Rameau keyboard works on disc. How are you liking it?


Karl Henning

Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Sadko

#30306
Quote from: TheGSMoeller on September 19, 2014, 05:50:41 AM
Very nice, Sadko. That is my favorite collection of Rameau keyboard works on disc. How are you liking it?

[Rameau/Vinikour]

I must say I am a bit disappointed. The first impression was: He has a pleasant, gentle "voice", not a hammerer. But soon I began to find it all a bit samy, unaccentuated and the steadiness of rhythm too prominent. Not really mechanical, but a bit unimaginative, undifferentiated, unsubtle. No competition for Marcelle Meyer (on the piano). I compared a few pieces to Celine Frisch's interpretations on harpsichord, and I found my impression confirmed: There I hear more of what is going on in the pieces, while (overstating it) with Vinikour I hear more a sound carpet.

EDIT: Yes, I think I like him best when he is playing sweet, lullaby like "songs".

TheGSMoeller

Quote from: Sadko on September 19, 2014, 06:32:23 AM
[Rameau/Vinikour]

I must say I am a bit disappointed. The first impression was: He has a pleasant, gentle "voice", not a hammerer. But soon I began to find it all a bit samy, unaccentuated and the steadiness of rhythm too prominent. Not really mechanical, but a bit unimaginative, undifferentiated, unsubtle. No competition for Marcelle Meyer (on the piano). I compared a few pieces to Celine Frisch's interpretations on harpsichord, and I found my impression confirmed: There I hear more of what is going on in the pieces, while (overstating it) with Vinikour I hear more a sound carpet.

Thank you for your reply, Sadko. Different strokes for different folks.  ;)
For me there's a closeness to the instrument, a clarity to the notes that I've always really enjoyed.

Thread duty...a disc I haven't spun in years it feels like...

[asin]B0000006ZD[/asin]

Mookalafalas

Stumbled onto a copy of this and giving it a listen.  Impressed so far.
[asin]B0000C6IW3[/asin]
It's all good...

Harry

I've always had great respect for Paddington because he is amusingly English and a eccentric bear He is a great British institution and emits great wisdom with every growl. Of course I have Paddington at home, he is a member of the family, sure he is from the moment he was born. We have adopted him.

kishnevi

#30310

Solid on all counts but does not dislodge Mullova from the top spot for VC 1.

Ken B


Pat B

Earlier: Beethoven 7, Furtwangler 1943. I tried listening to the 4 from the same year, but the way he handled the first transition made me skip ahead. I'm not wildly enthusiastic about this 7 but at least I was able to listen to the whole thing.

Now: Gershwin Piano Concerto (Grimaud, Zinman). I like this but haven't heard many other recordings of it.

Wakefield

J.S. Bach - French Suites
Masaaki Suzuki, harpsichord

[asin]B0000AF0KA[/asin]

It's a great recording of these suites. To me the most attractive quality of Suzuki's interpretation is a sort of dignity, associated to some almost tangible spiritual pureness, as if were played by a maiden from a Romantic novel.  :)
"Isn't it funny? The truth just sounds different."
- Almost Famous (2000)

Mandryka

#30314


Andreas Staier plays all sorts of 17th century keyboard music, masterful articulation - possibly the most eloquent performance of D'anglebert's tombeau for Chambonnières that I've ever heard.

Interesting to hear a passacaglia by Muffat on a harpsichord.

Wovon man nicht sprechen kann, darüber muss man schweigen

Mandryka

Quote from: Gordo on September 19, 2014, 09:30:31 AM
J.S. Bach - French Suites
Masaaki Suzuki, harpsichord

[asin]B0000AF0KA[/asin]

It's a great recording of these suites. To me the most attractive quality of Suzuki's interpretation is a sort of dignity, associated to some almost tangible spiritual pureness, as if were played by a maiden from a Romantic novel.  :)

Well put!
Wovon man nicht sprechen kann, darüber muss man schweigen

SonicMan46

Continuing my listening to the Haydn Keyboard Sonatas w/ Brautigam, but a new arrival:

Bach, JS - Christmas Oratorio w/ Layton & many others - excellent reviews from The Telegraph, Sinfini Music, and Fanfare, the latter prompted my purchase (a used copy from the Amazon MP) - Dave :)

Quote from: SonicMan46 on September 18, 2014, 07:40:25 AM
Haydn, Joseph - Piano Sonatas w/ Ronald Brautigam - have not listened to Papa Joe in a while - so will start the box below - :) Dave

 

Karl Henning

Cheers, Dave!

Thread Duty:

Дмитрий Дмитриевич [ Dmitri Dmitriyevich (Shostakovich) ]
Струнный квартет № 9 ми-бемоль мажор, соч. 117 [ String Quartet № 9 in E b, Opus 117 (1964) ]
Pacifica Quartet


[asin]B00B5UBFPI[/asin]
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Karl Henning

Дмитрий Дмитриевич [ Dmitri Dmitriyevich (Shostakovich) ]
Струнный квартет № 10 Ля-бемоль мажор, соч. 118 [ String Quartet № 10 in Ab, Opus 118 ]
The Emerson String Quartet


[asin]B000F3T7RE[/asin]
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

EigenUser

Quote from: Ken B on September 19, 2014, 08:52:48 AM
Varese, Ameriques, SF MTT
Great piece!

Quote from: Pat B on September 19, 2014, 09:06:29 AM
Earlier: Beethoven 7, Furtwangler 1943. I tried listening to the 4 from the same year, but the way he handled the first transition made me skip ahead. I'm not wildly enthusiastic about this 7 but at least I was able to listen to the whole thing.

Now: Gershwin Piano Concerto (Grimaud, Zinman). I like this but haven't heard many other recordings of it.
Another two great pieces! The Gershwin PC is a favorite of mine.
Beethoven's Op. 133 -- A fugue so bad that even Beethoven himself called it "Grosse".