What are you listening to now?

Started by Dungeon Master, February 15, 2013, 09:13:11 PM

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EigenUser

Quote from: Mirror Image on September 23, 2014, 06:27:56 AM
J. A. Adams is a very cool composer for sure and I love the aural tapestry he's able to conjure through those vast soundscapes. I didn't think much of his music when I first heard it but I just didn't think I was in the right frame of mind at that time. I'm now awaiting the release of Become Ocean.

One of my favorite Honegger works is Symphonique Liturgique. This is a powerful work full of turbulence, machine-like rhythms, but the second movement could be seen as a lament. Quite emotionally moving. I would seek out Karajan's performance with the Berliners.
I played the Honegger Cello Concerto and the JLA earlier today. If I didn't get any guidance from anyone, I think that the 3rd symphony is the one that I would have gone to next. Since you recommend it, I definitely will. Rugby is intriguing, too, since it follows Pacific 2.3.1 in his series of symphonic-poems.
Beethoven's Op. 133 -- A fugue so bad that even Beethoven himself called it "Grosse".

Mirror Image

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Listening to Chamber Symphony No. 2. Quite a different beast compared to the first. Great performance.

Mirror Image

Quote from: Brian on September 23, 2014, 11:39:46 AM
This is the first time I've listened to a performance other than Mackerras'. Thanks for the input, folks!



How is this performance, Brian?

Mirror Image

Quote from: orfeo on September 23, 2014, 02:39:11 PM
Poulenc's beautiful and haunting Oboe Sonata.

A gorgeous work for sure. Poulenc is definitely one of my favorite chamber music composers. Have you heard his Violin Sonata or Cello Sonata?

Mirror Image

Quote from: André on September 23, 2014, 04:15:07 PM
The beautifully  deliquescent music of Valentin Silvestrov: symphony no 5, conducted by Jukka-Pekka Saraste and the Lahti SO.

I was just listening to this work and performance last night. Such a gorgeous work.

Dancing Divertimentian

Haydn, Creation Mass.



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Veit Bach-a baker who found his greatest pleasure in a little cittern which he took with him even into the mill and played while the grinding was going on. In this way he had a chance to have the rhythm drilled into him. And this was the beginning of a musical inclination in his descendants. JS Bach

Mirror Image

Quote from: EigenUser on September 23, 2014, 05:40:59 PM
I played the Honegger Cello Concerto and the JLA earlier today. If I didn't get any guidance from anyone, I think that the 3rd symphony is the one that I would have gone to next. Since you recommend it, I definitely will. Rugby is intriguing, too, since it follows Pacific 2.3.1 in his series of symphonic-poems.

Excellent, Nate. Rugby and the Cello Concerto are both great works as well. You should hear all the symphonies, though.

EigenUser

Quote from: Mirror Image on September 23, 2014, 05:54:19 PM
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Listening to Chamber Symphony No. 2. Quite a different beast compared to the first. Great performance.
The 2nd one is odd. It isn't nearly as emotional as the 1st. I like it, but it is the 1st one that really does it for me. It's weird.

By the way, what do you think of Webern's Six Pieces or Symphony? His music went from being of least interest (January) to near-favorite (now).

Quote from: Mirror Image on September 23, 2014, 06:00:25 PM
Excellent, Nate. Rugby and the Cello Concerto are both great works as well. You should hear all the symphonies, though.
Don't stress me out!! :o ???

Quote from: Dancing Divertimentian on September 23, 2014, 06:00:02 PM
Haydn, Creation Mass.



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I haven't yet heard The Creation. I love The Seasons, though.
Beethoven's Op. 133 -- A fugue so bad that even Beethoven himself called it "Grosse".

Brian

Quote from: Mirror Image on September 23, 2014, 05:55:44 PM
How is this performance, Brian?
The only one I've heard was Mackerras, and that not recently. "Blind Musicians" was good, and even now that's still the only part I really care deeply about. "In the Power of Phantoms" was not especially scary, so that might be a fault.

Mirror Image

Quote from: EigenUser on September 23, 2014, 06:02:24 PM
The 2nd one is odd. It isn't nearly as emotional as the 1st. I like it, but it is the 1st one that really does it for me. It's weird.

By the way, what do you think of Webern's Six Pieces or Symphony? His music went from being of least interest (January) to near-favorite (now).
Don't stress me out!! :o ???

I like both of Schoenberg's Chamber Symphonies but I'm pretty biased when it comes to Schoenberg. I think quite highly of a lot of his music. I need to revisit Webern's Symphony, but I do enjoy the Six Pieces but I like Webern's Pieces works less than Schoenberg and Berg. I just have always responded more to these two composers' music more than Webern, but I do plan to make my rounds with his oeuvre again at some point. I own the complete edition on DG with Boulez.

Mirror Image

Quote from: Brian on September 23, 2014, 06:05:47 PM
The only one I've heard was Mackerras, and that not recently. "Blind Musicians" was good, and even now that's still the only part I really care deeply about. "In the Power of Phantoms" was not especially scary, so that might be a fault.

Thanks for the feedback. I'll pass on this one. I've got Mackerras and Pesek (CzPO Supraphon).

Brahmsian

Quote from: Brian on September 23, 2014, 01:44:44 PM
Listened to that twice over the weekend, and can't figure out why the quintets aren't regularly hailed as among Brahms' very finest music. The first quintet is apparently his least-recorded mature chamber piece.

Agreed Brian, and I'm guilty of this too.  The string quintets of Brahms are fantastic, but oft overlooked.  I've always been particularly fond of the 1st string quintet.  I do secretly wish he would have written them in the double cello format (a la Schubert), as the Genesis of the Piano Quintet began.  :)

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Listening to String Quartet No. 2 (arr. Arnold Schoenberg). Great stuff.

Dancing Divertimentian

Quote from: EigenUser on September 23, 2014, 06:02:24 PM
I haven't yet heard The Creation. I love The Seasons, though.

I love The Creation, too, but this Creation Mass is actually a separate entity from The Creation, the (much longer) oratorio.

Of course BOTH are worth every minute invested listening. :)

 
Veit Bach-a baker who found his greatest pleasure in a little cittern which he took with him even into the mill and played while the grinding was going on. In this way he had a chance to have the rhythm drilled into him. And this was the beginning of a musical inclination in his descendants. JS Bach

Mirror Image

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Listening to Bachianas Brasileiras No. 7. Great stuff.

listener

misc LPs from a batch I kept aside for another listen
DEBUSSY: Music for 'King Lear',  Marches Écossaise, Khamma, Prélude à l'aprè-midi d'un faune
French National Radio Orch.      Martinon, cond.
HINDEMITH:  Symphony 'Mathis de Mahler',  Concert Music for Strings and Brass
Boston Symphony Orch.,    William Steinberg, cond....
MAXWELL DAVIES: St. Thomas Wake – foxtrot for orchestra
ANTHEIL:  Symphony no.5
Louisville Orch., Richard Dufallo, cond.
"Keep your hand on the throttle and your eye on the rail as you walk through life's pathway."

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Listening to Concerto In F For 4 Violins & Cello, Op. 3/7, RV 567 - L'Estro Armonico No. 7. Love this particular concerto.

Mirror Image

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Listening to Sinfonietta On Estonian Motifs. Such a cool work. 8)

Harry

I've always had great respect for Paddington because he is amusingly English and a eccentric bear He is a great British institution and emits great wisdom with every growl. Of course I have Paddington at home, he is a member of the family, sure he is from the moment he was born. We have adopted him.

Wanderer

#30699
Good morning, Harry!
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Quote from: ZauberdrachenNr.7 on September 23, 2014, 04:22:02 PM
Gaspard de la Nuit.  Of my entire CD collection, this is easily one of my Top Ten - a desert island disk, a dessert island disk, a disk Sméagol would call his "precious", one of the chosen ones I'd risk life and limb for if the house catches fire, a disk that - were I wealthy - I'd make certain was in every American home, a disk that were I even wealthier would make certain was in every home on the planet..(cultural imperialism? - so be it), a disk so...well, you get the idea.  [asin]B000001OG7[/asin]  Sometimes one can be too enthusiastic about one's faves.  One (whoever he or she is) certainly can be; but not me.

So, do you like it?  8)