What are you listening to now?

Started by Dungeon Master, February 15, 2013, 09:13:11 PM

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Ghost Sonata

Some very entertaining Saint-Saëns,* the Trumpet Septet

*actually, he is only very rarely disappointing...

I like Conor71's "I  like old Music" signature.

Karl Henning

Quote from: aligreto on October 27, 2016, 08:47:20 AM
List of contents only include 2nd Group & 4th Group....

I might have remembered so . . . I was a ringer in the Framingham State College Chorus when they sang two or three numbers from one of the other groups.
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Karl Henning

Quote from: Ghost Sonata on October 27, 2016, 08:55:41 AM
Some very entertaining Saint-Saëns,* the Trumpet Septet

That piece is great fun.
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

North Star

Quote from: k a rl h e nn i ng on October 27, 2016, 08:13:20 AM
So here's the question:  Are all the Rig Veda Hymns in this Collector's Edition?

(That could be the cruncher for me . . . .)
Just three (To Varuna, To Agni, Funeral Chant) from the 2nd group, and one (Hymn to Manas) from the 4th group, Karl.

Thread duty
Dvořák
String Quintet No. 3 in E flat major, Op. 97 (B. 180, 1893)
Josef Kluson (va) & Panocha Quartet

[asin]B0017LI72O[/asin]
"Everything has beauty, but not everyone sees it." - Confucius

My photographs on Flickr

Karl Henning

Quote from: North Star on October 27, 2016, 09:14:30 AM
Just three (To Varuna, To Agni, Funeral Chant) from the 2nd group, and one (Hymn to Manas) from the 4th group, Karl.

Thanks for the enlightenment, Karlo!
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Harry

#76765
Quote from: k a rl h e nn i ng on October 27, 2016, 04:09:59 AM
I thank you!

I did start sketching the second movement this morning.

I so hope all is tonal! ;D ;D :laugh:
I've always had great respect for Paddington because he is amusingly English and a eccentric bear He is a great British institution and emits great wisdom with every growl. Of course I have Paddington at home, he is a member of the family, sure he is from the moment he was born. We have adopted him.

Harry

Quote from: Ghost Sonata on October 27, 2016, 08:48:21 AM
Sibelius thought of Karajan as "the only one who truly understands my work."

Amen to that!
I've always had great respect for Paddington because he is amusingly English and a eccentric bear He is a great British institution and emits great wisdom with every growl. Of course I have Paddington at home, he is a member of the family, sure he is from the moment he was born. We have adopted him.

Karl Henning

Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Crassus

Four Portraits and Dénounement from 'The Gambler' Op. 49
Symphonic Suite from 'Semyon Kotko' Op. 81bis


[asin]B001BXN8CC[/asin]

aligreto

Shostakovich: String Quartets Nos. 3 & 4....



Mandryka

Quote from: Ghost Sonata on October 27, 2016, 08:48:21 AM
Sibelius thought of Karajan as "the only one who truly understands my work."

Are you sure Sibelius was talking about the DG recording?
Wovon man nicht sprechen kann, darüber muss man schweigen

Pat B



San Antone



And excellent set.  My only quibble is that it does not include his most famous work, the Requiem: Officium Defunctorum for 6 voices, 1605.  It does include the earlier requiem for 4 voices (1583), however, which is not readily available.

Ken B

Quote from: sanantonio on October 27, 2016, 10:55:29 AM


And excellent set.  My only quibble is that it does not include his most famous work, the Requiem: Officium Defunctorum for 6 voices, 1605.  It does include the earlier requiem for 4 voices (1583), however, which is not readily available.

Can there be anyone so benighted as not to own several recordings of that already?

TD Spohr, Piano Quintet

Dancing Divertimentian

Quote from: Ghost Sonata on October 27, 2016, 08:48:21 AM
Sibelius thought of Karajan as "the only one who truly understands my work."

Quote from: Harry's corner on October 27, 2016, 09:29:16 AM
Amen to that!

Quote from: Mandryka on October 27, 2016, 10:40:31 AM
Are you sure Sibelius was talking about the DG recording?

Yeah, that quote was in regards to a 1950s recording by the Philharmonia, back when Sibelius recordings (and perhaps performances of his music outside Finland) were thin on the ground. It was a good PR move on Sibelius's part since Karajan was an up-and-coming talent who showed much interest in the music.

In that proper context it doesn't appear to be an attempt to deify Karajan's recordings across the board. Certainly since that time the world has caught up to Karajan, at the very least.

Veit Bach-a baker who found his greatest pleasure in a little cittern which he took with him even into the mill and played while the grinding was going on. In this way he had a chance to have the rhythm drilled into him. And this was the beginning of a musical inclination in his descendants. JS Bach

San Antone

Quote from: Ken B on October 27, 2016, 11:00:10 AM
Can there be anyone so benighted as not to own several recordings of that already?

TD Spohr, Piano Quintet

You're right, of course.  Still, to have everything in one big box would make my completist gene so happy..

;)

North Star

Quote from: Dancing Divertimentian on October 27, 2016, 11:11:44 AM
Yeah, that quote was in regards to a 1950s recording by the Philharmonia, back when Sibelius recordings (and perhaps performances of his music outside Finland) were thin on the ground. It was a good PR move on Sibelius's part since Karajan was an up-and-coming talent who showed much interest in the music.

In that proper context it doesn't appear to be an attempt to deify Karajan's recordings across the board. Certainly since that time the world has caught up to Karajan, at the very least.
Not to mention that Sibelius had a habit of praising most performances of his music.

Quote from: Ken B on October 27, 2016, 11:00:10 AM
Can there be anyone so benighted as not to own several recordings of that already?
Uh, could you not remind me of that?  :-[  ::)

Thread duty
Vivaldi
Violin Concertos, Op. 8 Nos. 1-4
Midori Seiler
Akademie für Alte Musik Berlin
Clemens-Maria Nuszbaumer
"Everything has beauty, but not everyone sees it." - Confucius

My photographs on Flickr

Karl Henning

Quote from: North Star on October 27, 2016, 11:15:40 AM
Not to mention that Sibelius had a habit of praising most performances of his music.

It is a good-natured habit.
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Brian