What are you listening to now?

Started by Dungeon Master, February 15, 2013, 09:13:11 PM

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André



Very good, but not great. Slightly too soft-grained for my liking - although the timpanist whacks intrepidly. Klemperer's momentous and monumental versions (I know 3 of them) are not challenged.

Maestro267

Brian: Symphony No. 29 in E flat major
New Russia State SO/Walker

Shostakovich: Symphony No. 3 in E flat major ("The First of May")
Royal Liverpool PO & Choir/Petrenko

Mahlerian

Haydn: Symphony No. 85 in B-flat
New York Philharmonic, cond. Bernstein
[asin]B001TKK39S[/asin]
"l do not consider my music as atonal, but rather as non-tonal. I feel the unity of all keys. Atonal music by modern composers admits of no key at all, no feeling of any definite center." - Arnold Schoenberg

aligreto

Mahler: Symphony No. 6 [Solti]....





What a wonderful performance this is, full of power, pace, energy, drive and vibrancy for the most part and refined lyricism in the Andante.



SurprisedByBeauty

Quote from: ritter on May 29, 2017, 04:22:09 AM
Quote from: SurprisedByBeauty on May 29, 2017, 04:09:08 AM
Snicker.

But I join Florestan in condemning the sexism of this cover by skipping over the soprano and showing the very male conductor, instead. However, in order not to step on any other artist's toes, a non-performing female was chosen to give this cover the proper feminist touch:
Not only the proper feminist touch, but this cover art is very fitting to the subject matter of the work on the CD... :D

Doesn't this picture just make you mind go: "Denn alles Fleisch ist wie Gras"?

But quickly a Thread Duty, lest there be more eye-rolling...

#morninglistening to ♡ #FranzSchmidt w/@Vienna_Phil on @sony_classical:http://a-fwd.to/78f3HjK

Terrific release o... http://ift.tt/2r3KF6d


aligreto

Quote from: cilgwyn on May 28, 2017, 02:39:46 PM
I'm listening to Beecham conducting Haydn Symphonies,now. He has just the right touch. A delightful set. Not the latest in HIP,of course,but the 'Beecham magic' prevails throughout! :) :) :)



Hope this post stays put?!! ::) ;D

You have posted many Beecham recording lately which I own and also like very much. I must reacquaint myself with some soon  :)

amw

I really appreciate how the number of people on this board who have never made a misogynistic comment or image macro keeps shrinking on a daily basis and no one ever seems even slightly disturbed by it. Really welcoming.



Op. 52.

I forget who recommended this but it's very good. Probably about Tipo or Cortot levels of good, with some fairly extreme ritenutos and maybe not quite enough half-light in the mezza voce sections. Piano is nice although sounds a little out of tune (I guess all pianos are out of tune, though. But more out of tune than a normal piano.)

D894 next from:


Dancing Divertimentian

Quote from: amw on May 29, 2017, 07:56:32 AM
I really appreciate how the number of people on this board who have never made a misogynistic comment or image macro keeps shrinking on a daily basis and no one ever seems even slightly disturbed by it. Really welcoming.

Now hold on...your infatuation with the F-bomb isn't particularly ingratiating, either. ;)
Veit Bach-a baker who found his greatest pleasure in a little cittern which he took with him even into the mill and played while the grinding was going on. In this way he had a chance to have the rhythm drilled into him. And this was the beginning of a musical inclination in his descendants. JS Bach

aligreto

Barry: Au milieu [solo piano]....





In a word, driven, exhausting, electrifying and relentless! Superb playing by Noriko Kawai.

amw

Quote from: Dancing Divertimentian on May 29, 2017, 08:08:10 AM
Now hold on...your infatuation with the F-bomb isn't particularly ingratiating, either. ;)

Mahlerian

Quote from: amw on May 29, 2017, 07:56:32 AM
I really appreciate how the number of people on this board who have never made a misogynistic comment or image macro keeps shrinking on a daily basis and no one ever seems even slightly disturbed by it. Really welcoming.

I find casual misogyny on the internet annoying, but speaking up about it generally just leads to complaints about being too sensitive.

Takemitsu: All in Twilight
Norio Sato


Ligeti: Passacaglia Ungharese, Hungarian Rock, Continuum
Elisabeth Chojnacka
[asin]B000024FSY[/asin]

RIP to the harpsichordist, who played these demanding works with panache.
"l do not consider my music as atonal, but rather as non-tonal. I feel the unity of all keys. Atonal music by modern composers admits of no key at all, no feeling of any definite center." - Arnold Schoenberg

Dancing Divertimentian

Veit Bach-a baker who found his greatest pleasure in a little cittern which he took with him even into the mill and played while the grinding was going on. In this way he had a chance to have the rhythm drilled into him. And this was the beginning of a musical inclination in his descendants. JS Bach

Madiel

Quote from: Dancing Divertimentian on May 29, 2017, 08:08:10 AM
Now hold on...your infatuation with the F-bomb isn't particularly ingratiating, either. ;)

I'm sure the F-bombs are equal opportunity. Whereas the treatment of the sexes around here isn't.

To be honest, I find it quite weird that you attempt to compare these things and treat them as equal problems, with references to a "double standard". Because one is about a particular poster, but the other is about an ongoing and systemic undercurrent about how women are viewed.
Nobody has to apologise for using their brain.

cilgwyn

On now. Beecham conducting Mozart. Another of his best. Wonderful recordings. :)


ritter

Quote from: cilgwyn on May 29, 2017, 08:31:54 AM
On now. Beecham conducting Mozart. Another of his best. Wonderful recordings. :)


I've never much followed Beecham, but that looks like a very interesting CD to start with... :)

Regards,


Dancing Divertimentian

Quote from: ørfeo on May 29, 2017, 08:28:52 AM
I'm sure the F-bombs are equal opportunity. Whereas the treatment of the sexes around here isn't.

To be honest, I find it quite weird that you attempt to compare these things and treat them as equal problems, with references to a "double standard". Because one is about a particular poster, but the other is about an ongoing and systemic undercurrent about how women are viewed.

Oh, for crying out loud... ::)
Veit Bach-a baker who found his greatest pleasure in a little cittern which he took with him even into the mill and played while the grinding was going on. In this way he had a chance to have the rhythm drilled into him. And this was the beginning of a musical inclination in his descendants. JS Bach

Madiel

Quote from: Dancing Divertimentian on May 29, 2017, 08:36:39 AM
Oh, for crying out loud... ::)

It's all a bit too hard if someone pushes back, yes?

Anyway, I got the eye-roll in hours ago. I just wrote it out.
Nobody has to apologise for using their brain.

Dancing Divertimentian

Quote from: ørfeo on May 29, 2017, 08:39:35 AM
It's all a bit too hard if someone pushes back, yes?

Anyway, I got the eye-roll in hours ago. I just wrote it out.

Cute, but as is your habit, orfeo, you miss the point entirely.
Veit Bach-a baker who found his greatest pleasure in a little cittern which he took with him even into the mill and played while the grinding was going on. In this way he had a chance to have the rhythm drilled into him. And this was the beginning of a musical inclination in his descendants. JS Bach

Madiel

The point appears to have been to put amw back in her place.

THREAD DUTY: Prokofiev, Music for Children (12 piano pieces), op.65.

Pianist randomly selected for streaming is Yury Martynov.
Nobody has to apologise for using their brain.