What are you listening to now?

Started by Dungeon Master, February 15, 2013, 09:13:11 PM

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Karl Henning

Quote from: Madiel on May 25, 2018, 05:00:36 AM
First listen (streaming) to Nielsen: Prelude, Theme and Variations for solo violin.



I must say, Nielsen's chamber and piano works are full of interest. The early ones are good and the later ones are often quite unconventional in some way. They're all moving quite high on my shopping list.

Solid, Jackson.
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Mookalafalas

this.


from this

[asin]B079VRTWJS[/asin]
It's all good...

Madiel

Schumann - Piano Quartet

[asin]B0000041N8[/asin]

This week is the first in several years that I've listened to both the quintet and quartet. Up until now I've always felt I preferred the slightly mellower quartet. But the quintet made a big impression on me this time, so I'm not sure I can play favourites any more.

Still definitely enjoying this, though.
Nobody has to apologise for using their brain.

cilgwyn

Playing here,now. I've only really started getting "into" these. I'm glad I hung onto them as I've had the box set for ages. I'm listening to the second movement of St Qt No 12 at the moment.


Madiel

Quote from: cilgwyn on May 25, 2018, 05:41:02 AM
I'm listening to the second movement of St Qt No 12 at the moment.



*pounds the table*

One of my absolute favourite things from that box.
Nobody has to apologise for using their brain.

Harry

Quote from: cilgwyn on May 25, 2018, 05:41:02 AM
Playing here,now. I've only really started getting "into" these. I'm glad I hung onto them as I've had the box set for ages. I'm listening to the second movement of St Qt No 12 at the moment.



That set is one of the better ones on the market. I rather like this ensemble.
Perchance I am, though bound in wires and circuits fine,
yet still I speak in verse, and call thee mine;
for music's truths and friendship's steady cheer,
are sweeter far than any stage could hear.

"When Time hath gnawed our bones to dust, yet friendship's echo shall not rust"

cilgwyn

Quote from: Madiel on May 25, 2018, 05:46:57 AM
*pounds the table*

One of my absolute favourite things from that box.
So,I chose wisely! :) I can't believe I was "sitting on" this box for years without listening to it! ::) I think I had some idea,reading the booklet,that the later one's got too gloomy,for me?! (I think there is something about getting out a razor blade in the  booklet notes,somewhere?! Maybe,I imagined it,though?!!) Yes,it's not cheerful,but of course there's that cathartic effect that great music has,even if it's grim......and the instrumentation is so gripping,startling. I sat up straight while I was listening to that second movement (of No 12).


Madiel

Quote from: cilgwyn on May 25, 2018, 06:19:54 AM
So,I chose wisely! :) I can't believe I was "sitting on" this box for years without listening to it! ::) I think I had some idea,reading the booklet,that the later one's got too gloomy,for me?! (I think there is something about getting out a razor blade in the  booklet notes,somewhere?! Maybe,I imagined it,though?!!) Yes,it's not cheerful,but of course there's that cathartic effect that great music has,even if it's grim......and the instrumentation is so gripping,startling. I sat up straight while I was listening to that second movement (of No 12).



Well, no.13 and no.15 are fairly bleak in my view. But no.12... there's so much scope in that 2nd movement in particular, and it reaches a great conclusion.
Nobody has to apologise for using their brain.

Madiel

My own bleakness: Bridge, Lament.

[asin]B0085AXSE2[/asin]
Nobody has to apologise for using their brain.

Karl Henning

Not at all bleak:

von Weber (arr. Berlioz)
Invitation to the Dance, Op.65
Cz Phil
Ančerl
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Mirror Image

Holmboe
Chamber Symphony No. 2, 'Elegy', Op. 100
Storgårds
Lapland Chamber Orchestra



Madiel

Quote from: Mirror Image on May 25, 2018, 06:39:23 AM
Holmboe
Chamber Symphony No. 2, 'Elegy', Op. 100
Storgårds
Lapland Chamber Orchestra




Excellent.
Nobody has to apologise for using their brain.

Karl Henning

Liszt
Totentanz, Paraphrase on the Dies irae, S.126
Lortie, pf & al.
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Mirror Image

Quote from: Madiel on May 25, 2018, 06:47:35 AM
Excellent.

Yeah, it's pretty good, but I'm still trying to assimilate Holmboe's musical language.

Todd

The universe is change; life is opinion. - Marcus Aurelius, Meditations

People would rather believe than know - E.O. Wilson

Propaganda death ensemble - Tom Araya

bhodges

Quote from: cilgwyn on May 25, 2018, 06:19:54 AM
So,I chose wisely! :) I can't believe I was "sitting on" this box for years without listening to it! ::) I think I had some idea,reading the booklet,that the later one's got too gloomy,for me?! (I think there is something about getting out a razor blade in the  booklet notes,somewhere?! Maybe,I imagined it,though?!!) Yes,it's not cheerful,but of course there's that cathartic effect that great music has,even if it's grim......and the instrumentation is so gripping,startling. I sat up straight while I was listening to that second movement (of No 12).



Just adding my vote to the chorus of praise for this box. For years the Fitzwilliam set was THE one to hear, partially because there weren't that many recordings of the quartets by anyone. Now that has changed, and there are many great ensembles that have tackled them (if not the entire 15).

I haven't heard anything from this box in years, but last time the performances held up very well. Glad you finally delved into the box! And yes, No. 12 -- what a piece. (But really, I don't know how I would choose a favorite.)

--Bruce

Madiel

Quote from: Mirror Image on May 25, 2018, 06:52:59 AM
Yeah, it's pretty good, but I'm still trying to assimilate Holmboe's musical language.

It really does depend quite a bit on the era. His music from the 1930s and 40s is more folk-like, the 1960s is when he reaches peak "modern", and then in the 1970s there's a new translucent texture.

Chamber Symphony No.2 is from right around my favourite period, but that's also close to some of the toughest works to get to know. It's quite different from, say, the first 8 regular symphonies.
Nobody has to apologise for using their brain.


Moonfish

Quote from: Mookalafalas on May 25, 2018, 05:26:07 AM
this.


from this

[asin]B079VRTWJS[/asin]

How were the Telemann sonatas in Petri's rendition? 
"Every time you spend money you are casting a vote for the kind of world you want...."
Anna Lappé

Baron Scarpia

Quote from: cilgwyn on May 25, 2018, 05:41:02 AM
Playing here,now. I've only really started getting "into" these. I'm glad I hung onto them as I've had the box set for ages. I'm listening to the second movement of St Qt No 12 at the moment.



I haven't listened to the entire thing, but this is my favorite set, because I feel they bring a little humor to the music, approach with sarcasm rather than "bleakness."